Item 150 - Mass in C

Title and statement of responsibility area

Title proper

Mass in C

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Item

Reference code

CA MDML 013-1-150

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

62 pages

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1770-1827)

Biographical history

German composer and pianist Beethoven is widely considered to be one of the world’s greatest musical geniuses of all time. His music ranks amongst the most performed of the classical repertoire and he remains one of the most admired composers in the history of Western music. His innovative compositions combine vocals and instruments, widening the scope of sonata, symphony, concerto and quartet. He is the crucial transitional figure connecting the Classical and Romantic ages of Western music.
Beethoven’s work is divided into early, middle, and late periods. In the early period he forged his craft. His middle period, sometimes characterized as heroic, shows an individual development from the "classical" styles of Hayden and Mozart. During that period, despite becoming increasingly deaf, he composed an opera, six symphonies, four solo concerti, five string quartets, six-string sonatas, seven piano sonatas, five sets of piano variations, four overtures, four trios, two sextets and 72 songs. In terms of the astonishing output of superlatively complex, original and beautiful music, this period in Beethoven's life is unrivaled by any of any other composer in history.
In his late period he extended his innovations in musical form and expression. His Ninth Symphony, one of the first examples of a choral symphony was written in his last years, and his late string quartets of 1825–26 are amongst his final achievements.
Beethoven raised instrumental music to the highest plane of art. His most notable innovation in the symphony and quartet is the replacement of the minuet by the more dynamic scherzo; he enriched both the orchestra and the quartet with a new range of sonority and variety of texture, and their forms are often greatly expanded. With the concerto, his formal innovations were equally influential, as with the entry of a solo instrument before an orchestral ritornello in the Fourth and Fifth piano concerti.
After some months of bedridden illness Beethoven died in 1827.

Custodial history

Scope and content

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Associated materials

Related materials

Accruals

General note

Soprano, Alto, Tenor, and Bass solos, S.S.T.B. and accompaniment

General note

Performed on 12 January 1882

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres

Physical storage

  • Volume: MCC v.7