Correspondence, accounts, journals maps, etc., documenting Bissett’s career with the Hudson’s Bay Company. The Photostats (in C.1 and C.2) include Bissett’s journal and accounts at the Red River, 1854-1855, and a journal “Lachine to the Sandwich Islands” 1858-1859. There are also journals for 1859 and 1867. The original documents (in C.3) include correspondence with the Hudson’s Bay Company, 1858-1875, and accounts, 1860-1873. There are Bissett’s commissions as Chief Trader (1858) and as Chief Factor (1872), and a list of Chief Traders and Factors, 1855-1879. There are also some plans / maps, sketches, and photographs including a sketch of the Hudson’s Bay Post at Honolulu, ca. 1860.

This material comprises a copy of a family book and of a genealogy of Andrew Drummond, ca 1900.

The collection, previously held at McGill University, contains a significant amount of information concerning the latter years of Napoleon’s reign (between approximately 1810-1815), with documents relating to the Armistice at Pleswitz and the diplomatic negotiations surrounding the Treaty of Fontainebleau, including records of day-to-day negotiations concerning Pleswitz and Fontainebleau. Diplomatic dealings between Metternich and Caulaincourt are also heavily represented. Folder 17 contains an unpublished description of the post-Waterloo Hundred Days by Caulaincourt. Caulaincourt recounts a broad narrative from the defeat at Waterloo to the Bourbon Restoration, including important descriptions of the question of succession and of the final push made by the Allies to restore Louis XVIII to the throne.

The collection consists of programs and recordings of ensemble performances (including opera) by students, faculty members, and guest artists associated with the Schulich School of Music at McGill University and performed at one of the School's halls (Pollack Hall, Redpath Hall, Tanna Schulich Hall, and Clara Lichtenstein Hall), as well as some performances at venues outside McGill.

The collection consists primarily of correspondence on natural history topics between scientists and natural historians. Letters are sometimes accompanied by journal articles.

Figures with significant correspondence within the collection include: Casey Albert Wood, Henry Mousley, Robert Ridgway, and Bowdler Sharpe.

The minutes of the Club are accompanied by a letter from the Secretary, George Murray, to Wilfred Skaife. Skaife notes in the minute book that "no further meetings of the Society were held".

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

The fonds consists of the records of the Zoological Society of Montreal for the entirety of its existence, from 1964-2016. These records were generated in the pursuit of the Zoological Society’s goal to enhance public awareness of wildlife conservation issues through speakers, film screenings, field trips, special events, and large projects. The records also reflect the Society's charity to zoological, ecological and conservation causes. The administration of the Society, its interactions with its members, and its projects and events are documented through minutes, correspondence, communications, published articles, financial documents, reports, and proposals. The Society’s interests and activities are also reflected through books, objects from their offices, audio and video materials, and 5243 photographs, most of which are stored in photo albums. The fonds also contains the records of the Zoological Society of Canada, which were created to administer the Canadian Society similarly to the Montreal Society, with the goal of expanding the organization’s reach nationally.

The fonds is comprised of the following series: 1) Activities (1965-2013); 2) Administration (1964-2016); 3) Artifacts (1980-2004); 4) Books (1967-1991); and 5) Newsletters (1967-2016).

The collection consists of 50 original illustrations created by Edward Lear (1812-1888) executed primarily in watercolour and pencil. These works are part of Lear's Fifty Original Drawings of Birds and a Few Indistinct Pencil Sketches, published between 1835 and 1836. The illustrations and sketches feature depictions of a variety of bird species, including raptors, parrots, cranes, and waterfowl.

Among the species illustrated are the White-tailed Eagle, Grey Parrot, Whooper Swan, Andean Condor, Peregrine Falcon, and King Vulture. The illustrations are often annotated with descriptive details about the colours and features of the birds. Some also include pencil sketches and test patches of color.

Some of the illustrations include unidentified species, including a raptor with prey, an owl, and various parrots. Several of the illustrations are signed and dated by the artist, with the majority titled in pencil at the bottom of each sheet.

The Taylor White Collection is comprised of 938 watercolour paintings of mammals, birds, fish, and reptiles. White, a British jurist, commissioned various artists of the day (including Charles Collins, Peter Paillou, Jacob Van Huysum, George Edwards, and Eleazar Albin) to paint these animal portraits from live and dead specimens brought back to England from around the world. Many of the paintings are accompanied by loose-leaf manuscript notes, written mainly by White in Latin, providing further information about the animal; transcriptions and English translations of these notes have been provided within the record for each painting.