Fonds consists of many examples of Szyk's illustrations in the form of prints, commercially-reproduced illustrations, and drawing studies, as well as printed ephemera. Examples of Szyk's illustrations reproduced on commercial products or other items include postage stamps, posters, book jackets, and calendars. The fonds contains ephemera related to or containing Szyk illustrations, including newspaper clippings and issues of magazines featuring articles on Szyk or reproducing one of his designs. Box 10 contains original drawing studies, mostly for the Book of Esther. The fonds also contains materials related to an exhibition on Szyk at McGill University Library held in 1954.

This material comprises a group of official documents, and correspondence among various partners. The official documents include four articles of agreement for partnership between various Montréal companies, largely with McTavish, Frobisher and Co., 1790-1802, and a memorandum on the effect of exchange differences on the partners' shares (approximately 1826). The partners' correspondence, approximately 1792-1808, contains letters from Simon McTavish, Isaac Todd, and Alexander Mackenzie concerning provisions, business agreements and loans. A letter from William McGillivray to Mr Justice Reid discusses family matters. One financial ledger for the North West Company contains business accounts and records transactions. The bulk of entries are dated from January 1810 to November 1825, with some entries dated 1861.

Collection consists of pamphlets and reprints of scholarly works on Latin poetry and literary criticism, compiled by Otto Ribbeck. Materials in the collection are divided into XX sections:
I. Vergil
II. Pamphlets
III.

The fonds consists primarily of written material, most of which seems to be from the hand of Palmer Cox (poems, speeches, drafts of published or unpublished works). There is also some graphic material, financial records and parts of correspondence.
The fonds also contains several graphic parts illustrating Brownies books in the making.

Collection contains a manuscript note written by a doctor at Partridge Island, dated August 21, 1833, that a Mrs. Campbell is allowed to depart from quarantine; also includes a travel document for Mrs. Campbell and two other adults sailing from Belfast to St. John, NB.

This collection contains a deed of assignment prepared for the firm Patterson and Co., created on 17 April 1811, with several renewals and additions, the last of which was on 22 June 1814. The deed of assignment includes many merchants and firms as attorneys or signatories, many of whom were involved in the fur trade and the North West Company.

Paul Helmer’s "Growing with Canada" Collection constitutes an important resource for research in Canadian music and culture of the twentieth century. Canadian music and culture of the twentieth century. The Collection has been divided into seven series and contains approximately 1 140 items. Of particular interest are the edited interview transcripts (S.1 and S.7, available in print and .pdf, respectively), which Dr. Helmer had intended Paul Helmer Finding Aid Page 3 of 18 17 July 2014 as the second volume of his project. The Collection also contains the raw material for these edited transcripts: namely, the unedited transcripts and audio recordings themselves, as well as biographical information for each “émigré” musician discussed (with correspondence, copies of source material and photographs), copies of primary and secondary sources on immigration and internment, and miscellaneous items, including correspondence, unused research materials and notes relating to the book launch for "Growing with Canada".

The Paul Pedersen Collection consists of Paul Pedersen’s complete portfolio of published and unpublished compositions, sketches, lecture notes and writings. In addition, it contains documentary artifacts including correspondence, teaching and course materials, concert programmes and posters, project reports, etc, that chronicle his early education and life in Alberta and Toronto, through his professorship and deanship at McGill University and finally his appointment of Dean and professor of Music at the University of Toronto.

Collection consists of papers of a British naval officer, who sailed on the Bounty. Includes notes and observations on voyages in the South Atlantic and East Indies including directions for navigating the Straits of Banquey and other oriental passages (1801), notes on the Cape of Good Hope (1796) and St. Helena (1805). Also, "Nautical Remarks and Memoranda of Occurences on Board H.M.S. Polyphemus, Donegal and Nereus between 22 Oct. 1806 and 19 Nov. 1810". With a note on reason and a chart of the Road of Basque. Items marked "Morgan" on paper watermarked 1797 and 1805.

The collection comprises more than 6,000 Canadian and non-Canadian bookplates. The Masson collection reflects the range and scope of the art of bookplate design, mirroring period styles and incorporating the owners’ personal tastes and pursuits. References to heraldry, literature, nature and art are common. The collection was created by Montrealer Philippe Masson (1911-1944) and includes both personal and institutional plates. The nearly 3,000 Canadian bookplates are arranged alphabetically. The rest of the bookplate collection is divided between armorial and non-armorial plates. This unique collection represents a wide range of book ownership reflecting institutions, book sellers, and individuals as well as over one hundred examples of bookplates from Canadian libraries. The chronological coverage dates to more than a century from the early nineteenth century and continuing to the beginning of the Second World War. Bookplate design is a minor yet notable form of graphic design. Bookplates reveal a great deal about our book-centered culture. For many institutions, bookplates possess an iconographic or emblematic value reflecting the values of the institution. As well, within an institutional setting, bookplates are often used to acknowledge individual collections, gifts and bequests. Finally, for the individual the bookplate is a powerful symbol of possession and a love of books. Among the Canadian bookplates, many well-known Canadian artists are represented in the Masson collection including J. E. H. MacDonald, his son Thoreau MacDonald, Jean-Paul Lemieux, and W. F. G. Godfrey.