Collection 014 - Paul Pedersen Collection

Title and statement of responsibility area

Title proper

Paul Pedersen Collection

General material designation

  • Textual record
  • Graphic material
  • Sound recording

Parallel title

Other title information

Title statements of responsibility

Title notes

  • Source of title proper: Title based on the name of the creator.

Level of description

Collection

Reference code

CA MDML 014

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

5.5 m of textual records, graphic material, and sound recording

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1935-)

Biographical history

Paul Richard Pedersen was born on August 28, 1935, in Camrose, Alberta. In 1956, he married artist Jean Stollery. One year later, he received a Bachelor of Art from the University of Saskatchewan, where he studied composition with Murray Adaskin. In 1961, Pedersen received a master's in music from the University of Toronto, where he studied with John Weinzweig. The following year, he taught at Parkdale Collegiate, while studying electronic music under Myron Schaeffer. From 1962 to 1964, he was the Music Director at Camrose Lutheran University College. During his doctoral studies, his article “The Mel Scale” was published in the Journal of Music Theory in 1965. In 1966, Pedersen joined the Faculty of Music at McGill University. He received his Ph.D. in Musicology at the University of Toronto; his dissertation was titled “The Perception on Musical Pitch Structure.” From 1970 to 1974, he was the Chairman of the Theory Department at McGill, along with the Head of the Electronic Music Studio. In 1973, Pedersen performed An Old Song of the Sun and the Moon and the Fear of Loneliness at the I.S.C.M. Festival in Reykjavík, Iceland. From 1973 to 1974, he went on sabbatical leave in Nice, France, and travelled to Stockholm, Utrecht, London, Rastatt, Freiburg, Berlin, Moscow, and Tokyo to examine their efforts at the computerization of electronic music studios. From 1974 to 1976, Pedersen was the Associate Dean of the Faculty of Music at McGill. In 1975, he performed An Old Song of the Sun and the Moon and the Fear of Loneliness at Carnegie Hall New Music Concerts in New York City. Pedersen became the Dean of the Faculty of Music at McGill in 1976 and remained in this position for ten years. Additionally, he was the Director and executive producer of McGill University Records from 1976 to 1990. In 1977, he initiated a series of recordings featuring McGill performers and composers. Pedersen went on sabbatical leave in 1987 in Copenhagen, and he travelled to London and Vienna to investigate contemporary choral music, while working on his own composition. From 1990 to 1995, he was the Dean of the Faculty of Music at the University of Toronto. On July 1, 2001, Pedersen was appointed Professor Emeritus at the University of Toronto.

Custodial history

Scope and content

The Paul Pedersen Collection consists of Paul Pedersen’s complete portfolio of published and unpublished compositions, sketches, lecture notes and writings. In addition, it contains documentary artifacts including correspondence, teaching and course materials, concert programmes and posters, project reports, etc, that chronicle his early education and life in Alberta and Toronto, through his professorship and deanship at McGill University and finally his appointment of Dean and professor of Music at the University of Toronto.

Notes area

Physical condition

Immediate source of acquisition

Gift from Paul Pedersen; 2009.

Arrangement

The Paul Pedersen Collection is organized into 10 series:
• Compositions
• Teaching Materials and Administration
• Correspondence
• Literary Writings
• Special Projects and Consultations
• Concert Programmes
• Clippings and Reviews
• Photographs
• Biography
• Audio/Visual Materials

Language of material

  • English

Script of material

Language and script note

Collection material in English, French, German and Swedish.

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

The Paul Pedersen Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting.
Certain restrictions to use or copying of materials may apply.

Finding aids

Uploaded finding aid

Associated materials

Related materials

Accruals

Currently, no further accruals are expected.

Rights

The status of copyright on the materials of the Paul Pedersen Collection is governed by the Copyright Law of Canada.

Preferred citation

Researchers wishing to cite this collection should include the following information: container number, Paul Pedersen Collection, Marvin Duchow Library, Schulich School of Music, McGill University, Montréal, Québec.

Alternative identifier(s)

Standard number area

Standard number

Access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Prepared by Michaela Dickey and edited by Cynthia A. Leive. Revision July 2012; updated and entered into AtoM by Geneviève Beaudry, May 2019.

Language of description

Script of description

Sources

Accession area

Related people and organizations

Related places

Related genres