This nondenominational sacred and meditative building juxtaposes two very different spaces. A terraced garden rich in flowering trees offers a place for personal contemplation. Through its glazed, pyramidal roof visitors see the changing seasons of the campus outside. A 100-seat sanctuary contained by rounded, apselike concrete walls, rises to a height of 27 feet. For maximum flexibility this sanctuary room has no dominant axis; it frequently functions as a home for musical performances of varying sizes. Skylights flood the walls with light from above and large-scale prisms fixed in the skylights refract the sun's full spectrum. The exterior of the building is a cylindrical oxidized copper drum penetrated on the west by the garden space. A tower timepiece marks the entrance to the chapel.

Simple moves of form and orientation combine to create a unique place for contemplation and gathering in a busy campus setting. Skylights and prisms wash glowing patterns of light across the chapel walls throughout the course of the day.

Moshe Safdie developed a three-dimensional master plan for the newly proposed residential community of Coldspring. The master plan included a town center with retail and office space, two neighbourhood centers, three schools, over 3,000 dwelling units, three lakes, and an ecology center. Due to the topography of the site, three types of housing were designed: high rises, hillside clusters, and deck houses. The underlying concept of the deck house was to stack the community and residential spaces above the parking, enabling a higher building density to be achieved and therefore devoting more land to private or communal outdoor uses.

Columbus Center, a winning proposal for the redevelopment of the New York Coliseum site, is situated on four acres at Columbus Circle, adjacent to Central Park. The project incorporates offices, residences, a hotel, a retail center, and a cinema complex. The offices include the headquarters of Salomon Brothers and a sophisticated trading center.

The organization of the complex and its network of public spaces are designed to reinforce the civic image of Columbus Circle and to enhance the street's public life. Set back in a V-shape, two towers surround a 190-foot garden atrium. The towers' separation highlights the central axis of 59th Street and admits a generous amount of light into each floor. The two towers are structurally independent but share horizontal forces through regularly spaced five-story braces. The towers, one 62 and the other 69 stories in height, connect by a bridge at the 39th level and rest on a base that encloses a four-story garden atrium. A great public galleria follows the curve of Columbus Circle.

Secondary tower-like facets comparable in scale to the apartment towers along Central Park West form a transition between the urban scale of the Upper West Side and Midtown. Setbacks in the two main towers accommodate five-story greenhouses that provide an amenity for the office workers and create a strong visual connection with Central Park.

Work on the center was halted due to the financial downturn and the withdrawal of Salomon Brothers.
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The proposed design for the headquarters of Converse Network Systems at Ra'anana, on the outskirts of Tel Aviv, included offices and manufacturing facilities for 6,000 employees along with 4,000 underground parking spaces. The complex was to consist of eight office pavilions flanking a glazed community "street". The office buildings -- four and five stories high -- were to be set atop a floor devoted to manufacturing and services, with four underground parking levels below it. The linear office structures were to be set 32 meters apart, containing a series of thematic gardens with gardens, water features and recreational spaces. The largest of the gardens was to contain dining terraces and a health club opening to an outdoor swimming pool.

Surrounded by relatively tall commercial buildings, the Connecticut Center must assert itself. Its image evokes the sciences; its geometries are reminiscent of great astronomical instruments, challenging our curiosity. Two nacelles, shaped as segments of two great toroids, are perched side by side atop a podium. The structure of the nacelles is made of laminated wood lattice - a diagrid - that rotates about their surface in an ordered and repetitive geometry. Uniting the nacelles is a great roof platform in the shape of the surface of a partial sphere - an inverted dome. The geometries of each part intersect to create a cohesive and ordered whole. The Connecticut Center is organized into six levels, the first of which is the entry at the street. The second level is a podium, which features three floors of parking as well as offices and the museum's back-of-the-house areas. The deck of the podium extends Hartford's series of piazza, which also connect to the river abutting the site - these are the city's upper platform. The third and fourth levels of the Center, within the nacelles, are an exhibition and theatre spaces; the fifth level, also within the nacelles, is the upper mezzanine; the top level is the sky garden.

The Dream Island Integrated Resort is located on Obudai Island on the Danube River in Budapest, Hungary. The project, totaling over 300,000 square meters, includes an entertainment district, a state-of-the-art casino and convention center, and hotels with over 3,000 rooms - all connected by an active marina and canal system. The project integrates new buildings with a network of existing historic buildings and the lush, natural landscape of Obudai Island.

The Island has two distinct halves, the east and the west, which are defined by the Great Bay and the marina. Visitors arrive at the north end of the Island and are introduced to the Resort by a Grand Fountain. From this location they can choose to circulate into either of the two halves of the Island. To the east is the hotel and casino complex and to the west lies the historic and entertainment district. The hotel complex consists of low, discrete buildings that are small in scale and organized along a man-made canal that is oriented north to south.

The hotel roofs accommodate amenities such as swimming pools, jogging paths and gardens. Running parallel to the canal, and below the level of the hotels, is the cardo - a main street of pedestrian activity with views to the Great Bay. Along the cardo guests have direct access to the marina level containing the casino, convention center, retail, restaurants, and waterfront amenities. To the west of the Great Bay a new museum, theater, and visitor's center are woven into the Roman archaeological site of Hadrian's Governors Palace.

Buildings in the historic and entertainment district, which once housed shipbuilding operations, are carefully preserved and converted to a mixed-use retail and entertainment complex. A pedestrian path, enclosed by a transparent glass ceiling, connects the 1600-seat performing arts theater, restaurants, outdoor caf?s, gardens, and a Film-Museum to the south. At the southernmost tip of the island a 112 meter tall elliptical wheel allows visitors to ascend and view the project, as well as survey the Danube River with the mainland of Buda to the west and Pest to the east.

In this proposed new town of 125,000, commissioned by the Housing and Development Board of the Republic of Singapore, the repetitive housing typology model that maximizes density is re-examined. To break down the scale and maintain target densities, several housing typologies combine to create a hierarchy of massing that maximizes views and daylight exposures.

These planning precepts incorporate a combination of high- and medium-density walk-ups with high-rise buildings, including terraced housing and clusters, to form urban windows that prevent the formation of solid walls along waterfront and park edges.

Three principal main streets and a central linear park unite and orient the town. Streets and pedestrian paths run perpendicular to the park, where most social and educational services are located, bringing all dwellings into close walking and driving proximity to greenery, services, the town center, and the sea front. To capture views and take advantage of the city's natural edges, high-rise towers line the central park, the southern edge of town, and the waterfront. These design principles create a new and vibrant urbanism, celebrating the connection to the natural world with an organized set of networks and systems that serve diverse community activities and needs. Completed in 1994.