The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

The fonds consists of documents relating to Macdonald’s publications and professional activities outside the classroom both prior to and during his tenure at McGill and for various professional associations. The scope covers the period of 1976 to 2012 and includes: articles, essays, and speeches (both draft, final and off-print) and their assorted documentation (travel itinerary, correspondence, conference notes, and research).

The fonds is divided into four series which were imposed by the archivist. The first is Publications which relates to any of Macdonald’s published material. The second is Professional Activities which is composed mainly of speeches and conference notes and materials. The third is Publications and Professional Activities which encompasses any professional activity which was subsequently published or vice versa. The last is Course Materials.

The fonds documents the client files (approximately 1976-2000), administrative records (approximately 1976-2000) and computer backup tapes (approximately 1989-1998) of McGill Systems Incorporated (MSI).

The fonds is composed of correspondence; course material; drafts of articles, books and other works; financial and judicial records, such as benefits statements or contracts; material written for public addresses, such as speeches or notes; photographs of Mr Watson; and a short section focusing its attention on the various appointments he had. This fonds is particularly interesting for the shear amount of course material that one can find here. Indeed, it composes a good third of the entire volume of this fonds and spans 20 courses over 40 years of teaching.

While attempting to give a complete look at William Watson’s life, the fonds is distributed into the following 5 series:
A. Biographical records
B. Professional records
C. Distinctions
D. Correspondence
E. Graphical material

Fonds consists of photocopies of Anderson’s papers that document her work with the McGill Association of University Teachers (MAUT), and her work as lecturer at the McGill School of Information Studies.

The fonds consists of course materials, 1969-1996; Correspondence, 1974-1988; drafts of papers and addresses, 1964-1993; and documents on the Canadian Research Consortium on Southern Africa, 1992-1996.

The fonds consists of records related to Robert Allen Cleghorn’s professional activities in psychiatry and includes 2 albums of photographs, lists of Cleghorn publications, 4 non-academic papers, a copy of Building on around the past: 50 years of psychiatry at McGill, and a carbon copy of Cleghorn's report to the Canadian Medical Association Journal on the Third World Congress of Psychiatry, 1961.

The fonds contains professional and person records created or compiled by Arvind Sharma, divided into 7 series:
A. Biographical records
B. Writings
C. Public addresses
D. Teachings
E. Distinctions
F. Correspondence
G. Photographs

The fonds contain textual material such as correspondence, unpublished and published material, notes, research and teaching material, as well as photographs of Sharma and acquaintances. It also contains visual and audio recordings of Sharma from events in addition to objects having belonged to Sharma.

The fonds consists of textual records, photographs, graphic materials and objects relevant to the professional and academic career of Dr. Charles R. Scriver from his early years at McGill until the transfer of his personal records into the McGill University Archives in 2013. The publications series reflects Dr. Scriver’s prolific publication record in the original order in which they were received, while the Course Materials series showcases the scientist’s teaching style through lecture notes, paper clippings, and overhead slides. In Professional Activities, correspondence, working papers, and transcripts offer textual evidence of a number of Scriver’s professional endeavors and contributions to the biogenetics profession at and beyond McGill, particularly his participation in the Human Genome Project, several international committees, and many McGill-based research initiatives. The Research Records series represents the working papers and correspondence between Scriver and various international colleagues culminating in papers and monographs described in the Publications series. In addition to textual records, the series identified in this fonds includes a number of photographs, graphic materials, and objects maintained by Scriver for professional and personal purposes