The fonds consists of 7 boxes of primarily typewritten documents created between 1976 and 2004 which reflect Julian Samuel’s creative work and related endeavours. They contain drafts of screenplays and novels, correspondence, book reviews, CVs, and ideas or doodles. They also contain newspaper clippings and collected research dealing with Samuel’s areas of interest, including unrest in the Middle East, immigration, and discrimination on the basis of race or language. These records were created and consulted in Montreal, Quebec. Although the work is often Samuel’s alone, correspondence and edited drafts appear regularly.
This collection contains a deed of assignment prepared for the firm Patterson and Co., created on 17 April 1811, with several renewals and additions, the last of which was on 22 June 1814. The deed of assignment includes many merchants and firms as attorneys or signatories, many of whom were involved in the fur trade and the North West Company.
This collection reflects Henry S. Chapman's relationships with a number of important figures in Montreal's political and business history, between roughly 1833 and 1853, the period following Chapman's return to London. A significant amount of the material in this collection is related to the 1837-1838 Upper and Lower Canada Rebellions (especially in Montreal), as well as events occurring immediately after the uprisings.
Consists of copies of original material, chiefly correspondence, arranged roughly by date. The contents of letters (1835-1853) include business partnerships, political reform, and personal news. Significant correspondents include Louis-Joseph Papineau, Louis-Hippolyte La Fontaine, Jacob Dewitt, François-Antoine Larocque (of Laroque and Bernard), Joseph Perreault, and Edmund Bailey O’Callaghan. There is also a partial manuscript on Canadian history and pages from a scrapbook, both dating from the 1830s.
Collection consists of a manuscript petition in French written on behalf of Jean Baptiste Lepine for a ferry from Rivière des Prairies to the river end of Île Jésus, dated 12 April 1809. The petition is signed with his mark. The petition also includes the signatures or marks of a number of other signatories, including Jacob Oldham, Roderick Mackenzie, and Simon Fraser. On verso is a docket title and information in English about reciept of the petition and a note that the request was granted.
The collection consists of four early Irish manuscripts assembled by the Montreal collector Edward Murphy as part of his private library. The manuscripts include a copy of The Midnight Court (Cúirt an mheán oíche) by Brian Merriman, the Life of St. Patrick by John Chambers, Tri Biorghaoithe an Bhais (Three shafts of death) by Geoffrey Keating, and a fragment of an Irish vocabulary (Nuadhfoclóir bogcruaideach).
Collection contains a "Charterparty of Affreightment" signed on 14 September 1778 between Hugh Wylee, captain of the ship Dalling, and William Shaw and Simon Fraser, merchants of Quebec City. The contract contains the terms under which Shaw and Fraser hired Wylee and his ship and crew for a commercial journey from Quebec City to the Bay of Chaleure in Gaspey (now Gaspé), and from there to Kingston, Jamaica. In exchange for carrying and unloading Shaw and Fraser's cargo, Wylee received 800 pounds and a portion of the profits from the sale of the goods.
The collection contains 164 botanical and zoological paintings created chiefly by Elizabeth Gwillim as well as possibly by her sister Mary Symonds while living in Chennai, India (then Madras). The collection includes 121 watercolours of birds with inscriptions, 31 watercolours of fish, and twelve of flowers, drawn from life rather than specimens. The paintings reflect the sisters' time in Madras during which, as artists and letter writers, they created a substantial visual record of the landscape and inhabitants of Madras and environs. The paintings also reflect Gwillim's scientific pursuits, including her study of botany.
Collection contains two financial documents related to McGill College. The first is a memorandum between the College and its creditors in which the College agrees to pay out dividends and pay in installments towards the balance of the College's debt. It is signed by the individual creditors as well as by the principal of McGill College, Edmund A. Meredith. The memorandum contains a list of creditors of McGill College with their names and occupations listed, including William Lyman, druggist, Robert Abraham, printer, John Keller, merchant, and many others. A note dated 24 March 1847 with a response from representatives of the creditors is pasted on. The second document is a ledger sheet dated from 1844 to 1847 with the caption: "The Directors of McGill College to Joseph Hitchens."
The fonds consists of books and other materials about Black people in history and contemporary society which Roy States collected from his teenage years to the end of his life. The materials are primarily English-language works produced during his lifetime, and the majority of them are from Canada or the United States. The physically largest series within the collection (Series B, Monographs) consists of 679 published volumes, most of them books and a smaller number of them booklets. These volumes are all catalogued individually, with a common sublocation of "Roy States Collection" within Rare Books and Special Collections. The remaining series contain a diversity of published, ephemeral, and unpublished materials, including various items by or about Roy States himself. Series A is a group of biographical materials and other items which relate directly to States. Series C consists of booklets and brochures. Series D consists of complete issues of newspapers, and Series E consists of complete issues of serials other than newspapers. Series F contains an assortment of newspaper and magazine clippings, as well as reprinted or photocopied extracts from books, journals and other works. Series G contains materials relating to conferences and meetings, chiefly involving groups and organizations advocating for civil rights; the materials include programs, agendas, minutes and reports, as well as the text of various speeches presented at these events. Series H consists primarily of graphic materials which have been mounted in cardboard-and-plastic display sleeves or in glass-fronted wooden frames. Series I is a group of miscellaneous materials such as studies, reports, typescripts, bibliographies and leaflets.
