This collection reflects Henry S. Chapman's relationships with a number of important figures in Montreal's political and business history, between roughly 1833 and 1853, the period following Chapman's return to London. A significant amount of the material in this collection is related to the 1837-1838 Upper and Lower Canada Rebellions (especially in Montreal), as well as events occurring immediately after the uprisings.
Consists of copies of original material, chiefly correspondence, arranged roughly by date. The contents of letters (1835-1853) include business partnerships, political reform, and personal news. Significant correspondents include Louis-Joseph Papineau, Louis-Hippolyte La Fontaine, Jacob Dewitt, François-Antoine Larocque (of Laroque and Bernard), Joseph Perreault, and Edmund Bailey O’Callaghan. There is also a partial manuscript on Canadian history and pages from a scrapbook, both dating from the 1830s.
McDonald's correspondence, 1791-1860, mostly concerns business and property matters, but also includes personal correspondence. There are statements of account with McTavish, Frobisher & Co., 1799; with McTavish, Fraser & Co., 1803-1804; with McTavish, McGillivray & Co., 1808-1809. There are two volumes of autobiographical notes assembled in 1859 and covering the period 1791-1816.
There is a second copy of the autobiography, probably transcribed in the late 19th century. Written on the front fly leaf is the name: A.E. MacDonald. It has 63 leaves, and there are minor textual variants.
Fonds consists of six letters, with four manuscript letters from Rilke written between 1896 and 1922 and two discussing letters discussing these. The four letters from Rilke are addressed to various correspondents, including on 8 November 1896 to the author Gabriele Reuter regarding her book, 15 October 1904 to Anette Vedel, and 9 July 1907 to an unidentified correspondent. The fourth letter dates likely from August or September 1922 and is addressed to Elfriede Nicolaus. The two later letters which discuss the Rilke letters include one dated 13 December 1954 from Hedvig Wahlgren regarding the date of the 1922 letter to Nicolaus and one dated 29 November 1955 from Ruth Fritzsche (née Rilke) to McGill Librarian Richard Pennington.
Typed copies of the official and private correspondence, 1814-1821, held in the McCord Museum in the William MacKay Papers. They consist mainly consist of military records such as commissions, 1813-1814, correspondence between members of the British Indian Department, including Lt. Col. Robert McDouall and his description of the siege of Prairie du Chien, with reference to the Omaeqnomenew (Menominee), Hocak (Winnebago), and Meskwaki (Fox) warriors who fought alongside British forces, as well as to the Potawatomi leader Main Poc (referred to as Marpock), 1814-1815 and copies of correspondence of Capt. Thomas Anderson with Lt Col. Robert McDouall on military actions, supplies and Indian relations, 1814-1815. There is also a newspaper clipping about Alexander MacKay and the partnership agreement admitting William MacKay and David Mackenzie into the North West Company in 1796.
This collection consists of contemporary copies of letters written by T. Blackwood from Michilimackinac to James and Andrew McGill & Co., to Ch. Chaboillez, and to T. and J. McGregor.
There is business correspondence, 1792-1800, with letters from among others Alexander Mackenzie, Joseph Frobisher, Alexander Henry, Simon Fraser and Roderick Mackenzie. There are also minutes and resolutions of the Executors of McTavish in a bound volume; and a contemporary copy of the minutes of the executors of his will, 1805.
Frobisher's papers comprise a letterbook of the North-West Co. containing copies of letters written by Frobisher from April 1787 to October 1788, two original letters to Simon McTavish, 1796, and one from him, 1787, business and legal documents, largely concerning the estate of James McGill, 1810-1834, and a diary, 1806-1810, mostly a record of where he dined.
The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.