The Valentines subseries consists of a variety of greeting card formats and styles from primarily the Victorian era but as late as the interwar period. These include a mix of cards that have been sent and kept by the receiver in addition to several cards that likely belonged to a stationer or printer. While some cards include handwritten messages, most cards are unsigned and seem to be unsold copies or samples belonging to a catalog. Sub-subseries include: comic valentines, foldout or pop-up valentines, ornate handmade valentines, printed manufactured valentines, puzzle or rebus valentines, and sentimental valentines. In addition, the subseries contains several examples of additional ephemera related to Valentine’s Day or the greeting card business, such as valentine writers or printer’s catalogs. There are is also a full scrapbook of card samples and additional scrapbook pages with affixed cards. Additionally, there are a few card making materials or scraps that highlight the various components and processes of card making. The subseries also includes some greetings cards not associated with Valentine's day, but originally found with Valentine's cards.

These materials are primarily useful in capturing the essence of Victorian sentimentality and communication culture. Spanning several decades, they represent the evolving printing culture and technology of the nineteenth century. The subseries equally illustrates the industrial age and the emerging consumerist and capitalist societies as several greeting card companies surfaced around the world to profit from the sudden craze. More subtly, the cards allow for an appreciated of craftsmanship and reflection on women’s role in manufacturing as their smaller hands were often required to do the finishing work on handmade cards.

This item is a collection of written materials, newspaper clippings, and photographs commemorating the African Studies seminar offered by McGill in the winter of 1997, and documentation of the McGill African Studies Program, including course offerings, student testimonials, flyers for demonstrations in support of the program, etc.

This subseries focuses on the unpublished memoir of Casey A. Wood, which consists of manuscripts, typescripts, notes, research project notes and publications, correspondence (1888-1939), photographs, clippings and printed material, and journals (1891, 1930-1931) from approximately 1850-1939. Wood had assistance from family members, professional connections, and friends to compile his biographical information for the memoir. Wood was living in Rome during the mid- to late-1930s, so much of the Canadian research was conducted by family members Samuel Casey Wood III, Alan Wood, and Edith Hayes. There is correspondence between Wood and his family on the progress of the memoir, their family, and personal lives. The subseries consists of approximately 110 letters and 1 telegram with additional correspondence, clippings, and other materials integrated into the memoir’s manuscript and typescripts.
Individuals addressed within the correspondence and other materials include Alan Wood, Samuel Casey Wood III, George Iles, H. Clay Evans, Dr. George H. Mathewson, Francis J. Shepherd, Harvey Cushing, Dr. George H. Simmons, Casey Hayes, Josephine Seymour, Dr. Charles P. Small, Ms. Slaughter, Major J. C. Dawson, Dr. J. C. Simpson, J. R. Slonaker, Irving S. Cutter, Dr. H. D. Birkett, Dr. Franck Brawley, Dr. Maude Abbott, Elizabeth E. Abbott, Dr. W. W. Francis, Harry Harris, G. R. Lomer, Dr. Harry Vanderbilt Wurdemann, Dr. C. F. Wylde, V. C. Wynne Edwards, Dr. Andreas Nell, Sir William Osler, C. F. Wylde, Frank Allport, and Norma Shearer.
Throughout the subseries common topics include providing information for the memoir, travel, careers, education, Italy during the late 1930s, politics, ornithology, zoology, donations of materials by Casey Wood, family, Emperor Frederick II and “the Art of Falconry,” Emma Shearer Wood and Blacker Library collections, aviculture, John III, the Feather book, animal protection, history of medicine, “Coloured Plates of the Birds of Ceylon,” Ali ibn Isa, and Wood’s research, career, and health.
The printed material includes a variety of leaflets, brochures, cards, invitations, tickets, bookplates, booklets, clippings etc. from or about various current events, travel experiences, publications, etc.. Within the subseries' photographs are images of Dr. Thomas Woodruff, Emma Shearer Wood, Casey Wood, Marjorie Fyfe, James Shearer, Eliza Shearer, Dr. Richmond, Dr. Ridgway, other family members and friends, and from research trips. Places related to Wood’s life mentioned in this subseries include the United States, Canada, Germany, Sri Lanka, England, Italy, Ethiopia, Vienna, France, Afghanistan, British Guiana, Australia, Fiji, McGill and Emma Shearer Wood Libraries, Bishops’ College, Western General Hospital, Stanford University, and the Chicago Ophthalmological Society.

This series consists of 14 scrapbook volumes and files of material collected by Wood that were of interest to him either professionally or personally, dated between 1887-1955, but predominately 1926-1941. The scrapbooks and files contain newspaper and periodical clippings, correspondence, printed ephemera, photographs, postcards, palm leaf manuscripts, prints, paintings and other artwork, manuscripts, bookplates, place cards, and textile badges. There are also a few items within the volumes relating to Wood’s research trips and minor writings.
Overall topics within the series include ornithology, Wood’s parrot John III, zoology, naturalists, current events (1927-1941), poems, politics and war, British culture and people, health, obituaries, education, tourism, science and medical research, McGill Library and other institution collections, bird sanctuaries, and bird, ancient, and medieval artwork.
Printed ephemera from Wood’s travels include invitations, programs, brochures, tickets, visitation membership cards, business cards, etc.. There are two volumes (1925-1932) with Saturday Evening Post articles written by Hal G. Evarts, Stewart E. White, David Newell, Bozeman Bulger, Lord William Percy, Donald R. Dickey, and others.
There are 63 incoming and outgoing correspondence, including letters, notes, cards and telegrams. Individuals addressed include Dr. Axel Munthe, Irving Thalberg, Major Allan Brooks, Edith Swan, William Beebe, Chester W. Davis, F. L. Struthers, Elizabeth E. Abbott, W. H. Poole, Thos. Cook and Son Ltd., Margaret E. Hibbard, National Audubon Society, Senator William E. Borah, Stuart Baker, T. S. Palmer, Samuel Casey Wood III, Alan Wood, E. E. Chambers, McGill University, C. F. Martin, George Perley, Emma Shearer Wood, and Wheldon and Wesley. Some topics discussed within correspondence include bird protection, ornithology, travel, holidays, politics, and a speaking event during World War One.
Other individuals represented in this series include Archibald Thorburn, Robert Ridgway, Joseph Addison, M. K. Wisehart, Charles D. Stewart, Dr. George Harlet, Charles Livingston Bull, Dr. Harding, W. J. Belcher, Doris Rosenthal, Marquess of Tavistock, Francis Moore, Karel Fabritius, John Burroughs, T. C. Harrison, R. L. Gallienne, W. H. Bartlett, Harvey Cushing, John H. Sage, Alexander Wetmore, Dr. Andreas Nell, and John G. Howard.
Some locations either visited by Wood or represented in the series include England, Scotland, New Zealand, Australia, Switzerland, India, Sri Lanka, Italy, British Guiana, British Museum of Natural History, Notre Dame Cathedral, Victoria Albert Museum, and Bodleian Library.

This item is an album of photocopied material related to the McGill Faculty of Engineering class of 1950, including newspaper clippings (from the 1940s and '50s) and photographs, many from reunions.

The fonds documents John Mappin’s occupation as an independent antiquarian book seller, his personal interest in the history of print and Canadian politics, and his personal achievements as an author. The wide variety of subject files found in this collection are almost entirely North American based and span from 1733-2004. These records reflect Mappin’s particular focus on Canadian authors and Canadiana in general.

This subseries consists of 11 volumes, correspondence files, and a box of notecards dated from 1921-1956 relating to Wood's publication “An Introduction to the Literature of Vertebrate Zoology” published in 1931 and collection development within the Emma Shearer Wood and Blacker Libraries at McGill University. The volumes and files contain correspondence, handwritten and typed annotated manuscripts, proof sheets, the publication, notecards listing recipients of the publication, prints, printed ephemera, clippings, financial and administrative records, book reviews, and McGill Library catalogue listings related to the works within “An Introduction to the Literature of Vertebrate Zoology.” Additional professional projects are also represented in the subseries including “Coloured Plates of the Birds of Ceylon,” the Passing of John III, and Wood’s translation of Benevenutus Grassus’ de Oculis.
There are 1313 incoming and outgoing correspondence letters, telegrams, and cards; the largest volume in the collection. The correspondents are located internationally and include public, academic, government, and army libraries; museums, clubs and societies, literary journals, publishers, etc.. Some individuals and companies addressed include Lillian Bates, William Henry Mousley, Gerhard R. Lomer, W. W. Francis, Robert de Resillac Roese, S. R. Burrell, Robert Blacker, Miss Hanington, Elizabeth E. Abbott, John and Edward Bumpus Ltd., Oxford University Press, Sun Engraving Co., Parker & Sons Ltd., Herbert Putnam, George Iles, Colonel F. H. Garrison, Dr. Melville Black, W. J. Belcher, Smithsonian Institute, Dr. Maude Abbott, Dr. A. D. Blackader, R. R. James, Pierpont Morgan Library, Humphrey Milford, Basil H. Soulsby, William F. Petersen, University of Illinois College of Medicine, Natural History Museum, Dr. Robert A. Millikan, Douglas H. Campbell, A. J. Swann, Sir Arthur W. Currie, Alexander Wetmore, E. Cowles Andrus, and John Johnson.