Ramsay Traquair and William Carless, associate architects. Stevens and Lee, consulting architects. Contemporaneous translations of Latin inscriptions on exterior: "Sedibus et causis moriborum per anatomen et experimenta indagandis" (Seat and causes of diseases to be studied through anatomy and experiments); "Hic est locus ubi mors resurgens rediviva est" (Here is the place where death arises to new life); "Hic est locus ubi mors gaudet succerrere vitae" (Here is the place where death rejoices to be of service to life); "Nihil sic revocat a pecato quam frequens mortis meditatio" (Nothing prevents error or sin so much as frequent contemplation of death).

“Perhaps the finest embodiment of Nobb’s sensitivity to the urban landscape is the Pathological Institute, a joint undertaking of McGill and the Royal Victoria Hospital, built to house the hospital’s pathology department and the McGill Medical School’s departments of pathology, bacteriology, and medical jurisprudence.” --Susan Wagg, Percy Erskine Nobbs: Architect, Artist, Craftsman (Montreal: McGill-Queen’s University Press, 1982) , 41. -- --Nobbs was conscious of the disparity in size between the massive Royal Victoria Hospital to the west and a series of small row houses to the east, and even as he fulfilled the complex requirements of a highly specialized modern laboratory and teaching facility, he met the equally formidable aesthetic challenge presented by the surroundings. --Susan Wagg, Percy Erskine Nobbs: Architect, Artist, Craftsman (Montreal: McGill-Queen’s University Press, 1982) , 41-42. -- --“Following the example of his teacher Lorimer, Nobbs designed an original creation based, not on any particular historical structure, but on his own thorough understanding and love of old Scottish buildings….Remaining true to his Arts and Crafts training, Nobbs respected the individuality of the craftsmen, the material and the site….He states the theme of the Pathological Institute by means of a Latin inscription carved over the archway facing Pine Avenue. Translated, the words read: “Here is the place where death comes forth again in life.” Everything about this building speaks of the triumph of life over death: the structures purpose and theme, the organic quality of its random masonry and asymmetry, [and] the way in which the old forms and techniques find new uses.” --Susan Wagg, Percy Erskine Nobbs: Architect, Artist, Craftsman (Montreal: McGill-Queen’s University Press, 1982) , 43-44. --