Collection consists of three items relating to Saint Helen's Island (Île Sainte-Hélène), located southeast of the Island of Montreal in the Saint Lawrence River. The items relate to the island's military installations, built as defenses for the city of Montreal as a result of the War of 1812 and used as a munitions depot for the British Army and later a garrison, arsenal, and military prison operated by the Canadian Army. Items include a manuscript entitled, "Military Defences. St. Helen's Island - Barons of Longeuil," written by Charles Walkem, August, 1873; "Plan of Isle St. Helens," an undated map on linen paper, with a key pointing out the military installations; and "The Fort, St. Helen's Island," a 4-page pamphlet containing schematics and descriptions of the island's fort as well as a history of the island dating from 1611 to the 1960s. The pamphlet cover photograph features a soldier of the Royal Artillery, Saint Helen's Island Fort, circa 1865. Part of the manuscript document also deals with the hereditary Barony of Longueuil.
These papers comprise a fair copy, for the press, of "Gale on Redeemable Annuities", 1816, as well as copies of letters to his son concerning the supplement to his "Treatise on the Nature and Principles of Redeemable Annuities", 1817. Apparently neither treatise was published.
There are three letters from Lord Selkirk, one from Lord Dalhousie, and eight from Lady Selkirk. The early letters concern the Red River Settlement and the North West Company. The letter from Lord Dalhousie, 1824, concerns legal matters, and the two late letters, 1828 and 1833, from Lady Selkirk are personal in nature.
Fonds shows Samuel Hanford McKee's interest in war lesions of the eyes. It contains the original plates for his article "War Lesions of the Fundus" published in the American Journal of Ophthalmology, vol. 6, September 1923, and a series of 33 hand illustrated case histories of injuries of the eye during World War I. The illustrations are from E. Bind.
The fonds consists of documents, photographs, films, and objects relevant to the professional and personal history of Samuel Joseph Noumoff. The scope predominantly covers the period from 1970-2006, and includes Professor Noumoff’s published articles and unpublished drafts, including some translated editions. His personal papers include professional and personal correspondence, especially letters to and from his wife Francesca and the contacts he made during his travels, materials related to his family history, photographs and ephemera of his travels in South East Asia.
Correspondence 1921-1931 concerning Simon McTavish; official copies of legal documents including estate inventories, lawsuits over the McTavish estate, and Simon McTavish’s will; notes for Baylis’ study of McTavish; numerous petitions and newspaper clippings on the state of the McTavish monument and tomb (Peel St., Montreal), and a typescript of his text concerning Simon McTavish. Also two letters from Ignatius Donnelly, 1899, and a letter 1895, from J. Middleton to John Doyle about 19th century gardening in Montreal and the funeral of Judge James Reid.
Fonds shows Samuel Towle Brooks' activities as a medical student through his admission tickets for his complete medical formation. It contains 32 admission tickets and a blank printed form of "Affirmation of the Candidate for the Degrees of Doctor of Medicine and Surgery".
The fonds consists of handwritten diaries and notes relating to the professional activities of Sandra Guillaume as Assistant Archivist at McGill University from 1 February 1970 to 9 August 1974.
Madame Fischer's papers are evenly divided between records of her own career as a performer and material on the Sarah Fischer Concerts. Her performing career is documented by newsclippings, tributes and programmes, reports from the Royal College of Music, and publicity photographs in opera costume. Most of the approximately 50 items of correspondence date from the last five years of her life and concern the disposal of her papers. Taped interviews, in which she discusses her career, include recordings from 1918 and 1925. Material connected with the Sarah Fischer Concerts comprises 143 programmes (1941-1975), press notices, announcements, and a report for 1973-1974. Photographs from this period show Fischer with government and musical celebrities.