"Architectural Drawing, n.d., 3 drawings." The archive contains an ink on paper drawing of architectural details.

"Dessin architectural, s.d., 1 dessin." Le fonds contient un dessin au trait de détails architecturaux.

The Harold Spence-Sales fonds at McGill’s Canadian Architecture Collection primarily contains project records related to Harold Spence-Sales' career as an architect and urban planner. The bulk of the records pertain to projects that Harold Spence-Sales worked on as well as corresponding financial, administrative and office records.

The fond heavily documents projects that Harold Spence-Sales worked on during the 1970s-1980s in British Columbia and in Quebec during the 1940s-1960s. Other projects that Harold Spence-Sales worked on across Canada and internationally appear intermittently throughout the fonds. The Oromocto community planning project that Harold Spence-Sales worked on from 1955-1958 in New Brunswick is particularly well documented. Harold Spence-Sales designed Oromocto to be a military town. Before He transformed Oromocto into a military town it was a defunct 19th century shipbuilding town. The Oromocto project is considered one of Harold Spence-Sales most important urban-town planning projects.

Apart from administrative, office and project records, the fonds also contains records that relate to Harold Spence-Sales professional activities outside of his work as an architect and urban planner. For example, awards and honors that he received and records related to his involvement in architectural and urban planning associations. Additional professional activities include: his involvement in creating exhibitions, curating architectural-themed magazines and periodicals as well as copies of publications that he worked on solo and in collaboration with John Bland.

The fonds also contains fourteen boxes of Harold Spence-Sales personal records. The personal records primarily cover Harold Spence-Sales interest in art, creative pursuits, family activities, family genealogy, personal finances, last will and testaments as well as his decline in health and his death. Within the fourteen boxes that have been cataloged as personal records, there are also materials related to Harold Spence-Sales professional activities. For example, awards that Harold Spence-Sales received and records related to exhibitions and artistic projects that he worked on.

"Architectural Drawing, 1919, 1 drawing." Included is a watercolour drawing of a stone figure from Mont St. Michel in France.

"Dessin architectural, 1919, 1 dessin." Aquarelle d'une sculpture de pierre située au Mont-Saint-Michel (France).

"Architectural Drawings, 1929-30, 17 drawings." Drawings of elevations, sections and details document the design of Divinity Hall, now known as the William and Henry Birks Building of McGill University.
"Oil Painting, n.d. " An untitled, undated framed oil painting of an unidentified tropical harbour scene is found in the collection.

"Dessins architecturaux, 1929-1930, 17 dessins." Des dessins d'élévations, de coupes et de détails se rapportant aux plans du pavillon William and Henry Birks réalisé pour l'Université McGill.
"Tableau à l'huile, s.d., 1 tableau." Un tableau à l'huile, sans titre, sans date, encadré, représentant un port des tropiques non identifié s'ajoute à la collection.

Fonds contains 198 drawings (1938-1940) documenting the early development of the Mont Tremblant ski area for Mr. Joseph Ryan in the Laurentian Mountains of Quebec. A wide variety of buildings including the lodge, a church, staff house as well as a series of cabins, cottages and out buildings are documented through watercolour and original tracings which are standard sets of plans, sections, elevations and details. There are also various site development drawings showing the topography as well as the layout of buildings, the water, sewers, and electrical systems. Blueprints by G. Lorne Wiggs represent the electrical, plumbing and mechanical layouts for many of the buildings within the development. The fonds also contains other material related to Mont Tremblant including, specifications for the General Contract of a Development for Joseph B. Ryan, Esq. at Mont Tremblant, Quebec 1939, a record of drawings and distribution of prints, and one printed volume (John and Frankie O'Rear, "The Mont Tremblant Story Including Skiing the Mont Tremblant Way", A.S. Barnes and Company: New York, 1954).

The fonds chiefly reflects Gordon Edwards' professional practice, both in consortium with various firms and as an individual practitioner, and also reflects his teaching career at McGill University and the Université de Montreal, however there are some files of a personal nature. Correspondence, lighting design proposals, and their accompanying documentation (such as architectural plans) are included. A majority of the files representing his professional projects contain the same types of documents: architectural plans, lighting fixture schedules, illuminance grids, and manufacturer's literature and brochures. In addition, there are some miscellaneous photographs both of professional and personal nature, negatives, and fabric samples.

The correspondence is both personal and business-related; most of it deals with his practice and various projects and proposals, but there is also correspondence relating to legal and banking matters. There are letters from Prime Minister Pierre Elliot Trudeau and Prime Minister Brian Mulroney. There is also correspondence from noted architect Moshe Safdie and Canadian War Museum architect Raymond Moriyama.

Plans include lighting designs for the Supreme Court of Canada, the Outremont Library, and the McCord Museum expansion project.

"Architectural Drawings, 1930, 3 drawings." Included are student drawings of the Roman orders according to Vignola and of the New Sacristy of San Lorenzo in Florence.

"Dessins architecturaux, 1930, 3 dessins." Notamment des dessins d'étudiant des Ordres romains selon Vignola ainsi que de la Nouvelle Sacristie de San Lorenzo à Florence.

"Architectural Drawings, n.d., 14 drawings." Plans, elevations and details for the design of an unidentified house are found in the archive.

"Dessins architecturaux, s.d., 14 dessins." Le fonds comprend les plans, les élévations et des détails d'un projet de maison non identifiée.

"Architectural Drawings, 1920-30, 4 drawings." The archive contains student drawings by Chambers, primarily of Italian architecture, as well as a design for a small museum submitted by Chambers in 1925 for the Tite Prize of the Royal Institute of British Architects.
"Photographs, n.d., ca. 70 photographs." Sculptures created by Chambers while he was was student at the Royal Academy and his submission for the The Prize are recorded on photographs.
"Personal Papers, n.d., 45 cm." Papers from Chambers' student years include notebooks on various subjects including German grammar, lectures on architectural aesthetics and a typescript of a murder mystery set in an artists' colony. The information about the photographs and the papers was taken from the McGill Universtity Archives guide, Vol. 2, page 15. The accession does not mention these items, nor does the file in the small collections drawer.

"Dessins architecturaux, 1920-1930, 4 dessins." Le fonds contient des dessins d'étudiant réalisés par Chambers, surtout d'architecture italienne, de même que le plan d'un petit musée proposé par Chambers en 1925 pour le Prix Tite du Royal Institute of British Architects.
"Photographies, s.d., environ 70 photos." Les photos rendent compte de sculptures réalisées par Chambers à l'époque où il était étudiant à la Royal Academy et du projet qu'il a soumis au Prix Tite.
"Documents personnels, s. d., 45 cm." Au nombre des documents qui datent des années d'études de Chambers, signalons des cahiers de notes sur divers sujets dont la grammaire allemande, des cours sur l'esthétique architecturale et le tapuscrit d'un roman policier dont l'action se situe dans une colonie artistique.