Fonds reflects L.-G. Papineau's daily work as an engineer between the years 1901 and 1905. Each volume is a daily diary, covering a year. Daily entries describe the activities of the people in his office. Most entries are technical: daily follow-ups on public works projects, including in the Montreal and Sorel harbours, Hochelaga, and on the Saint-Pierre River, meetings, finished tasks, and the absence of workers. Some are family related or comments on the news (for example, Queen Victoria's funeral on February 4th. 1901). Weather conditions and water levels are reported regularly, as it influences the pace of work on the construction sites.

Fonds consists of forty notebooks containing poetry and essays written by Sgt. James Denoon of the Royal Artillery. These are copies of his works dating back to 1832 made by him while at his residence, Maple Bank in Three Rivers, Quebec during roughly the period from 1883 to 1890 to pass on to his granddaughter, Bertha. Denoon’s notebooks contain sporadic notes and commentary giving further information on the subjects of his poems and on his activities. There is some repetition of material, but several notebooks containing duplicated works are found to differ and contain various revisions, in some cases with significant differences. An article written by Carmine Starnino in the Arc Poetry Magazine (Summer, 2007) about this group of notebooks after they were discovered in Westmount, Quebec, discusses the merits of Denoon’s poetry and how they fit into 19th-century society during a time when many newspapers were inserting the works of everyday “closet poets”. In an editorial statement soliciting amateur poetry, the Quebec Gazette which published at least a pair of Denoon’s works described their purpose: As may at once please the Fancy and instruct the Judgement.

Fonds consists of Vaughn's draft of Sir William Van Horne.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The fonds consist of copies of deeds, some of which concern the British-American Land Co., that were executed by Torrance for the period 1856 to 1861, and a notebook of opinions on Québec legal questions, including copies of letters from the firm Torrance & Morris (1857-1859).

Fonds relates to a dining club, the Philogastric Institute of McGill, and include correspondence, principally from Richard Pennington to John Bland, as well as printed menus.

Hardinge's papers are divided into two series: manuscripts and correspondence. The manuscripts comprise about 550 documents, reports, memoranda, etc. relating to Hardinge's work as a career soldier and administrator. The Indian phase of his career is the least well covered. Many of these documents were written by others, such as the Duke of Wellington or Lord John Russell, though they contain Hardinge's marginal notes. Papers on the British Army cover such topics as religious services for soldiers, 1823-1844; the organization and reform of military supply departments, 1822-1830; an inquiry into British military education, 1822-1829; and the organization of the Medical Department, 1812-1828. Material on the Home Army covers the period 1814-1850 while material on Ireland, 1816-1843, concern not only the militia, but also more wide ranging economic, social and political issues, such as the commutation of tithes. Papers on British North America, 1815-1844, concentrate on defence of the St. Lawrence Valley and the Maritimes, with special emphasis on canals (Rideau, Lachine, Welland). The strength, distribution, health problems and pay of troops in India, 1846-1847; the fortification of Aden, 1825-1847; and military matters pertaining to the West Indies, Bermuda, Australasia, South Africa, Mauritius, China, the Iberian peninsula and the Crimea are also discussed. It should be noted that the Australian papers also contain a considerable body of civilian population statistics. Hardinge's files also contain materials on military finance, particularly army estimates, 1826-1844; half-pay and pensions, 1812-1832; pay and allowances, 1827-1841; and the finances of the War Office, 1803-1847. Finally, a section of miscellaneous papers includes addresses by Hardinge, memorials of civil and military officers, cases of military discipline, proposals for new weaponry, and some documents on the reorganization of the government in 1827. The only items of personal interest concern the duel between Wellington and Lord Winchelsea, in which Hardinge was Wellington's second. The Hardinge correspondence is of much the same character as the manuscripts. It comprises over 2,000 letters, the largest blocks falling in the periods 1828-1831, 1842-1844, and 1852. There is a particularly substantial body of letters from Wellington and Lord Londonderry. Supplementing these papers is a microfilm of Hardinge materials in Cambridge University Library. These place more stress on the Indian period, with a large number of letters from Sir Robert Peel.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Fonds consists of personal and professional papers of Canadian poet and novelist Penn Kemp. It contains personal and biographical files, including CVs and miscellaneous photos and drawings, as well as some family records. Within the professional materials are documentation of activities related to Kemp's career, such as grant materials, school press kits, workshop materials, professional correspondence, and records related to tours, as well as a comprehensive file of Kemp's creative output.

The fonds consists of records documenting William P. Wolfe's business activity as an antiquarian bookseller in Montreal with a focus on Canadiana, from primarily 1952 to 1985. There are also some scattered earlier materials. The fonds contains chiefly textual records, with one microfiche, one artifact, and a small amount of graphic materials, as well as printed matter. The records are mainly correspondence (letters received as well as copies of letters sent to contacts across Canada, the United States and Europe); there are also accompanying catalogues, auction records, receipts, inventory lists and newspaper clippings. Files are arranged alphabetically in two blocks: A-N and A-Z. Other records document the administration of Wolfe's company, including tax forms, bills, auction house receipts, auction house catalogues, receipts for office equipment, promotional materials from other businesses, newsletters and newspaper clippings. The fonds consists of the following series: Business Correspondence (1958-1984) and Financial Administration (1958-1985).