Fonds reflects L.-G. Papineau's daily work as an engineer between the years 1901 and 1905. Each volume is a daily diary, covering a year. Daily entries describe the activities of the people in his office. Most entries are technical: daily follow-ups on public works projects, including in the Montreal and Sorel harbours, Hochelaga, and on the Saint-Pierre River, meetings, finished tasks, and the absence of workers. Some are family related or comments on the news (for example, Queen Victoria's funeral on February 4th. 1901). Weather conditions and water levels are reported regularly, as it influences the pace of work on the construction sites.

Correspondence 1921-1931 concerning Simon McTavish; official copies of legal documents including estate inventories, lawsuits over the McTavish estate, and Simon McTavish’s will; notes for Baylis’ study of McTavish; numerous petitions and newspaper clippings on the state of the McTavish monument and tomb (Peel St., Montreal), and a typescript of his text concerning Simon McTavish. Also two letters from Ignatius Donnelly, 1899, and a letter 1895, from J. Middleton to John Doyle about 19th century gardening in Montreal and the funeral of Judge James Reid.

There is business correspondence, 1792-1800, with letters from among others Alexander Mackenzie, Joseph Frobisher, Alexander Henry, Simon Fraser and Roderick Mackenzie. There are also minutes and resolutions of the Executors of McTavish in a bound volume; and a contemporary copy of the minutes of the executors of his will, 1805.

The fonds reflects Agnes Honoria Wrong's career as a columnist and mainly consists of scrapbooks containing food columns published in different Canadian newspapers chiefly under the pen name Janet March. Janet March's real name was Agnes Honoria Armstrong Wrong, and she wrote under many pen names. The earliest columns (1931-1933) are signed "Suzette" and were published in the Saturday Night Magazine (Toronto) Some other food-related columns published in the Junior League Magazine (1933-1935) are signed "Epicure". Later columns in the Saturday Night Magazine (1939-1946) are ordered more or less by year in specific scrapbooks. Articles about history of food, as well as recipe columns, were published monthly in the Globe & Mail (1956-1962), some of them under her real name. Part of the material is loose in envelopes or within already filled scrapbooks, including pre-publication typed articles. Also are included a few letters addressed to the creator (reader's mail).

Collection consists of programmes, guides, brochures, catalogues, and other ephemera from various world fairs and international exhibitions, including: Expo '86 Vancouver (1986), Expo '70 Osaka (1970), Exposition internationale in Paris (1937), Franco-British Exhibition (1908), Liverpool (1913), Exhibition universelle (1900), Latin-British Exhibition (1912), Canadian National Exhibition Toronto (1908), Golden Gate Exhibition (1939), New York World's Fair (1939), International Exhibition (1862), Irish International Exhibition (1907), New York Exhibition of the Industry of all Nations (1853), St. Louis World Fair (1904), Universal Exhibition Antwerp (1885), World's Columbian Exhibition in Chicago (1893), International Exhibition of 1876 in Philadelphia (1876), Chicago World's Fair (1934), and British Empire Exhibition (1924). The collection also includes postcards for various other world fairs and international exhibitions, and some country publications.

This collection consists of contemporary copies of letters written by T. Blackwood from Michilimackinac to James and Andrew McGill & Co., to Ch. Chaboillez, and to T. and J. McGregor.

Collection consists of Joseph Crawhall's correspondence, notes, memoranda, and manuscripts related to his research on engraver Thomas Bewick (1753-1828).

The collection consists of six of Walter Crane’s sketchbooks. Two of the sketchbooks date to the summer of 1864, and the remaining four date to the summers of 1897, 1901, 1903, and 1905. The collection’s dates offer a contrast between Crane’s early and later career as an artist. The contents feature his preliminary designs, pictorial observations of the world, and textual notes.

Crane’s sketchbooks are filled with landscapes and towns and building interiors and exteriors from Crane’s life in England and travels to Ireland. Aligned with Crane’s commissioned and published works, the sketchbooks include sketches for his book designs, a heraldic eagle, and plans for a panel painting or frieze. Flora, fauna, men, women, children, Greco-Roman figures and architectural details make up the wide range of subjects covered in the sketchbooks.

The drawings range from Crane’s rough ideas expressed in his preliminary sketches and line drawings to tonal drawings and studies of individuals, landscapes, and flowers. The drawing techniques play with perspective, topography, bodily gesture, facial expression, tone, line, outline, form, and colour.

Crane’s notations appear throughout the sketchbooks, including on the sketches themselves and on their facing pages. He also hand-wrote inspirational excerpts from poems and essays which includes quotes from Charles Kingsley and John Ruskin works.

Between blank and torn pages, the medium for the textual and visual content shifts between pen and pencil on paper. Several landscapes are full-page watercolours on paper.

The collection consists of fifteen volumes, primarily manuscript with some printed, containing over 1,300 culinary and medical handwritten recipes, plus numerous loose recipes also mainly manuscript. The documents in the collection originated chiefly from the Doncaster area of South Yorkshire, centred on Hooten Pagnell Hall. Many of the manuscripts and notes are signed by or addressed to Sarah Anne Warde. Series 1 comprises the fifteen bound volumes, two of which are printed works by female authors, while the remaining thirteen are manuscript notebooks. Two of these manuscript notebooks are attributed to Sarah Anne Warde, while one is attributed to Eliza Smithson. The manuscript attributed to Eliza Smithson contains table setting riddles (also known as an enigmatical bill of fare). Loose recipes are found in Series 2. This series consists of approximately 300 culinary, medical, and household recipes dating from roughly the 1780s through the 1850s.

Fonds consists primarily of correspondence between Hertel de Rouville and members of the Canadian government, including Chief Secretary of Lower Canada Sir Thomas William Clinton Murdoch (1809-1891) and Governors General Lord Gosford and Charles Bagot, regarding financial losses he incurred during the rebellions of 1837, 1838, and 1839, and half-pay claims dating from his time as captain of the Canadian Voltigeurs during the War of 1812. Also included are five envelopes with wax seals intact.