The collection consists of reports and plans for urban and rural areas from all provinces of Canada and some international cities, including Boston, New York, Chicago, France, and London, dating from the late 1950s to the 1990s. Most of the material consists of plans and reports for future land-uses that are revised, usually every decade. It also includes regulations for these areas, such as zoning. Some reports deal with sectorial policies such as housing, transportation, conservation, or environmental protection.

The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career.

The Paul Pedersen Collection consists of Paul Pedersen’s complete portfolio of published and unpublished compositions, sketches, lecture notes and writings. In addition, it contains documentary artifacts including correspondence, teaching and course materials, concert programmes and posters, project reports, etc, that chronicle his early education and life in Alberta and Toronto, through his professorship and deanship at McGill University and finally his appointment of Dean and professor of Music at the University of Toronto.

The collections including here were orginally donated to the Phonothèque québécoise by Michel Décarie, Maryvonne Kendergian (Kendergi), Réal La Rochelle, Robert Daudelin, Raymond Gervais, Nicole Guilleret and Philippe Trolliet.

A history of the collections and information about the donors can be viewed here: https://web.archive.org/web/20191203205045/http://www.phonotheque.org/Inventaires/CollectionsPhono-Inv.html

The Donald Mackey Collection consists of the Donald Mackey and Renaissance Singers of Montreal complete portfolio of CBC broadcast programmes and scripts. In addition, the fond contains documentary artifacts including correspondence, concert programmes, photographs, audio recordings and special projects that chronicle Mackey’s career as conductor of the Renaissance Singers of Montreal and his life in Montreal. This includes information about his professorship at the faculty of music of McGill University, his active involvement in Montreal’s vibrant church music scene as organist and conductor, his appointment as University Organist Emeritus, etc.

Fonds consists of many examples of Szyk's illustrations in the form of prints, commercially-reproduced illustrations, and drawing studies, as well as printed ephemera. Examples of Szyk's illustrations reproduced on commercial products or other items include postage stamps, posters, book jackets, and calendars. The fonds contains ephemera related to or containing Szyk illustrations, including newspaper clippings and issues of magazines featuring articles on Szyk or reproducing one of his designs. Box 10 contains original drawing studies, mostly for the Book of Esther. The fonds also contains materials related to an exhibition on Szyk at McGill University Library held in 1954.

The collection consists of books, periodicals, and published ephemera related to alternative media between roughly the 1960s and 1998. The collections has a special focus on Quebec alternative, grassroots, and political publications as well as journalism trade publications and ephemera, and union and labour movement publications. Some publications are from Cuba and China, including Cuban calendars and some documents, books, and newspapers on China.

The Tundra Books fonds contains a collection of archival records documenting Tundra's publishing history. It includes correspondence with Tundra authors and artists, most notably with William Kurelek. Parts of the archival material document the development and production of each title and May Cutler's dealings with government and funding agencies. The archival materials document a significant chapter in Canadian post-war publishing history.

The collection consists of ephemera, artifacts, and publications related chiefly to the Expo 67 World Fair in Montreal and some documents relating to its continuation, Man and His World (Terre des Hommes), an exhibition that was the successor to Expo 67. Many of the records and artifacts were produced by participant countries and sponsors or by the Canadian Corporation for the 1967 World Exhibition. Ephemera includes postcards, visitor passports, and ticket stubs, while other textual documents include guidebooks, magazines, catalogues, books, clippings, information manuals, and some unpublished planning documents. Artifacts include license plates, vinyl records, letter opener, bottle caps, shopping bags, and pins. The collection features pamphlets and brochures for numerous pavilions, events, services, and countries featured, as well as many maps for the Expo 67 grounds and documents related to subsequent seasons of Man and His World.

The fonds consists primarily of written material, most of which seems to be from the hand of Palmer Cox (poems, speeches, drafts of published or unpublished works). There is also some graphic material, financial records and parts of correspondence.
The fonds also contains several graphic parts illustrating Brownies books in the making.