This collection consists of "Hiel's letters. Thirty letters on theological subtleties". Upton, 1778. A note by E. Dowden ascribes the authorship of this work to Okely.

The James Morrison papers are a collection of documents chiefly related to James Morrison's activities as a trader and merchant in Montreal. The papers also include some material related to Morrison's family, including legal documents and genealogical research conducted by his descendents. The documents in the James Morrison papers cover a period beginning 18 September 1651 and ending in approximately 1912, but focusing primarily on 1767 through 1800. The fonds represents Morrison's business dealings in Quebec, Ontario, the northern United States, and England, as well as his family life in Montreal and connections with relatives in Baltimore, Ontario, and Jamaica.

The papers are arranged into three series: 1 - Journals, 2 - Correspondence, and 3 - Financial and legal records. Documents in these series include a bound journal, correspondence, contracts, deeds of ownership, power of attorney, birth and marriage certificates, bills of sale, invoices, accounts, descriptions of political and military events, and genealogical notes.

Collection contains two financial documents related to McGill College. The first is a memorandum between the College and its creditors in which the College agrees to pay out dividends and pay in installments towards the balance of the College's debt. It is signed by the individual creditors as well as by the principal of McGill College, Edmund A. Meredith. The memorandum contains a list of creditors of McGill College with their names and occupations listed, including William Lyman, druggist, Robert Abraham, printer, John Keller, merchant, and many others. A note dated 24 March 1847 with a response from representatives of the creditors is pasted on. The second document is a ledger sheet dated from 1844 to 1847 with the caption: "The Directors of McGill College to Joseph Hitchens."

2 albums of photographs by Notman, of the house, grounds, and stables at Ravenscrag.

This copy of Ann Hobbs' The Discarded Daughter, a Tragedy was made from Philipps MS.23881 in the British Museum by J. Smith.

The collection consists of 10 ink manuscript maps and plans on paper, some hand-coloured, depicting the earliest settlements and fortifications at Montreal and Quebec City. The earliest dated document is a plan of the fort of Quebec and is dated 1635. The earliest document in the collection depicting Montreal is believed to date back to 1642. The maps and plans were prepared by Jean Bourdon, seigneur and surveyor for the French colony. Included in the collection is a plan of the earliest Fort Richelieu of which nothing had previously been known. There are also detail drawings of riverside fortifications, probably near Montreal.

Collection consists chiefly of an album of photographs and clippings compiled by Cecile (Burroughs) Masson. Captions date the photographs to between 1915 and 1940, with one earlier photograph from 1883 that depicts Cecile and Rodrigue Masson's wedding. Many of the personal photographs depict members of the Masson family taken in Terrebonne, Quebec (where the Masson family home was located), in Ottawa, and during travels to Italy, London, the south of France. There are 28 leaves of full page plates of travel photographs from France, Italy, and Africa. Also included in the album are postcards and newspaper clippings. One series of postcards depicts architecture in Terrebonne, Quebec. The clippings include a letter to the editor written by L. R. Masson (Mrs. L. A. Globensky) and published in the Montreal Star, 1939. Other clippings relate to the S-Plan, a bombing campaign by the Ireland Republic Army, in 1939, as well as the British royal family. The album is half bound in faux black morocco and pebbled cloth boards with the initials C. M. stamped in gilt on the front cover. A caption at the head of the second leaf reads "This album is for mother from Grace", with "mother" crossed out. An inscription on the first leaf reads "This is for my dear daughter Cecile. Many happy memories of the past - affectionately from Mother." The collection also includes two loose black and white photograph portraits, one of which is inscribed to Aunt Cecile.

The fonds consists of books and other materials about Black people in history and contemporary society which Roy States collected from his teenage years to the end of his life. The materials are primarily English-language works produced during his lifetime, and the majority of them are from Canada or the United States. The physically largest series within the collection (Series B, Monographs) consists of 679 published volumes, most of them books and a smaller number of them booklets. These volumes are all catalogued individually, with a common sublocation of "Roy States Collection" within Rare Books and Special Collections. The remaining series contain a diversity of published, ephemeral, and unpublished materials, including various items by or about Roy States himself. Series A is a group of biographical materials and other items which relate directly to States. Series C consists of booklets and brochures. Series D consists of complete issues of newspapers, and Series E consists of complete issues of serials other than newspapers. Series F contains an assortment of newspaper and magazine clippings, as well as reprinted or photocopied extracts from books, journals and other works. Series G contains materials relating to conferences and meetings, chiefly involving groups and organizations advocating for civil rights; the materials include programs, agendas, minutes and reports, as well as the text of various speeches presented at these events. Series H consists primarily of graphic materials which have been mounted in cardboard-and-plastic display sleeves or in glass-fronted wooden frames. Series I is a group of miscellaneous materials such as studies, reports, typescripts, bibliographies and leaflets.

The fonds consists of Ann Diamond's manuscripts and literary archives.

Fonds consists of correspondence, exhibition and performance files, film and video files, lectures and writings, teaching files, drawings, designs, posters, ephemera and clippings, primarily from the 1950s to the 1980s.