Item 1158 - Une chanson

Title and statement of responsibility area

Title proper

Une chanson

General material designation

Parallel title

Other title information

Song with piano accompaniment

Title statements of responsibility

Title notes

Level of description

Item

Reference code

CA MDML 015-2-1158

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

Biographical history

Name of creator

(1895-1975)

Biographical history

Name of creator

(1894-1948)

Biographical history

French impresario Émile Audiffred, born in Toulon in southern France, began a musical career singing in Marseille in 1912 before going to Paris where he joined the group Concert Mayol. He appeared in various revues with Félix Mayol at the Petit Casino and recorded several songs with Pathé. By 1920 he was hired to work as a “tenorino de charme” for bigger revues at the Ambassadeur and the Palace; he performed in the revue “Toutes les Femme” with Harry Pilcer and Polaire. He also sang tenor in various Viennese operettas of Offenbach at “Théâtres des Bouffes” and at the Casino de Trouville. Besides singing, he created lyrics for many composers, including Vincent Sotto and Georges Sellers. During 1924 -1931, as director of the Théâtre de l’Empire in Paris, he signed an agreement with the New York City Hippodrome enabling American stars to perform in France. During this period, he presented ambitious music hall and circus shows and brought the first Jazz Orchestras to appear in France, such as Jack Hyton’s and Ray Ventura’s. He also managed the casinos at Trouville and Enghein les Bains. In 1931 he founded a syndicate for French impresarios and became its first president. In the 1930s, he started the Agence Audiffred and was on the lookout for new talent. He organized many tours and “café concert” appearances for such stars as Josephine Baker, Maurice Chevalier and Tino Rossi. He hired Félix Marouani in 1934, and in 1936 they began a four-year partnership. In this interval he also began creating and producing three successful “opérettes Marseillaises,” two of which starred Mireille Ponsard; he married her (his second marriage) in 1936. Ponsard would be the first actress to interpret the role of “Fanny” in Marcel Pagnol’s film of that title. Right before the war, Audiffred discovered Yves Montand in Marseille and introduced him to Édith Piaf. After the Liberation Montand and Piaf both performed at the Moulin Rouge in Paris. In 1942, Audiffred handed the operation of the Agence to his son Roger by his first marriage. Audiffred spent the Occupation in the free zone as a producer but his business was blocked in 1944 by the German propaganda department. After the war in 1946, he began producing circus shows in Paris and Brussels. He died of a heart attack in Auvers-Saint-Georges, having just written and produced his last operetta, "Croisière d'Amour." Agence Audiffred continued in business until 1971.

Name of creator

Biographical history

Custodial history

Scope and content

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Associated materials

Related materials

Accruals

Alternative identifier(s)

Accession no.

D1158

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres

Physical storage

  • Box: D-017-19