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Title and statement of responsibility area
Title proper
Reed Bunting
General material designation
Parallel title
Reed Bunting, male and female
Other title information
Emberiza schoeniclus
Title statements of responsibility
Chars Collins Fect 1736;
Title notes
- Source of title proper: Caption title.
- Parallel titles and other title information: Title from Mousley: Emberiza schaeniclus
Level of description
Item
Repository
Reference code
CA RBD MSG BW002-644
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
Physical description area
Physical description
1 watercolour painting ; 56 x 39 cm + 1 leaf
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
(1680-1744)
Biographical history
Charles Collins was an Irish painter, known for his portraits of animals and still-lifes. He achieved success in England painting exotic birds, game, dogs and dead game still-lifes. He was the painter for Robert Furber’s ‘Twelve Months of Fruit’ (1732). In 1736 he published in collaboration with John Lee a set of 12 large engravings, coloured by hand, of British birds in landscape and garden settings, entitled Icones avium cum nominibus anglicis. He then came to the attention of Taylor White, who engaged him to paint birds from his and others’ collections until 1743. Collins died in 1744, when he was described as ‘Bird Painter to the Royal Society.’
Custodial history
Scope and content
Drawing of a pair of male and female Reed Buntings from 18th century specimens [modern geographical distribution: Europe, the Middle East, Central Asia, and Northeast Asia].
Notes area
Physical condition
Smudged stains in top left corner.
Immediate source of acquisition
Arrangement
Language of material
Script of material
Location of originals
Availability of other formats
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Terms governing use, reproduction, and publication
Finding aids
Associated materials
Accruals
General note
Manuscript note on front of drawing: Reed Bunting (Emberiza schaeniclus) Chars Collins Fect 1736;
General note
Manuscript note on back of drawing: The Reed Sparrow, passer torquatus in arundinetis nidificans. Perchance the passer arundinaceus of Turner. W. p. 269 the Reed Sparrow
General note
Scientific name: Emberiza schoeniclus
Accompanying material
With manuscript text on accompanying leaf.
Accompanying material
Transcription of manuscript note on accompanying leaf: Aves Passeres Emberiza
Schaeniclus.
Fringula; rectricibus fuscis,
extimis duabus macula alba
cuneiformi, corpore griseo nigro
que, capite nigro. L.S.N. p. 182
Passer torquatus in Arudinetis [Harundinetis]
nidificans. Will. p. 269
The Reed Sparrow
- Emb[e]riza capite nigro, corpore griseo nigroq[ue]
rectricibus extimis macula alba cuneiformi
Lin: ed nov. 311. faun. suec. 331
Accompanying material
Translation of manuscript note on accompanying leaf: Aves Passeres Emberiza
Schaeniclus.
Fringula; with tawny flight feathers on the tail,
with the two outermost feathers spotted with white
and wedge-shaped, a grey and black body,
and a black head. L.S.N. p. 182
Passer torquatus that builds its nest in
thickets. Will. p. 269
The Reed Sparrow
- Emb[e]riza with a black head, grey and black body,
outermost flight feathers on the tail that are spotted with white and wedge-shaped.
Lin: ed nov. 311. faun. suec. 331
Alternative identifier(s)
Volume number
Birds Volume 10, Painting 33