Item 730 - Parle-moi de lui

Title and statement of responsibility area

Title proper

Parle-moi de lui

General material designation

    Parallel title

    Other title information

    Song with piano accompaniment

    Title statements of responsibility

    Title notes

    Level of description

    Item

    Reference code

    CA MDML 015-2-730

    Edition area

    Edition statement

    Edition statement of responsibility

    Class of material specific details area

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Date(s)

    Physical description area

    Physical description

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Archival description area

    Name of creator

    (1920-2012)

    Biographical history

    Born in Douai, in northern France, the son of jazz musicians, Jack Dieval was a jazz pianist and composer. His parents, members of the DéDé Jazz Band saw to it that he got proper musical training at the Douai Conservatory with Victor Gallois. He began playing professionally in Lille at the age of 14. He worked briefly for Radio Tunis in 1942, then headed to Paris where he worked with Alix Combelle from 1943 to 1946. He accompanied singer Henri Salvador in 1949. In 1953 he stated his own quintet which included Bill Tamper on trombone and Jean-Claude Fohrenbach on saxophone. From 1954 to 1972 he hosted the radio show “Jazz au Champs-Elysée” which became “Musique au Champs-Elysée in 1964. During the 1970s and later, he also played with and directed various groups, including a duo with Michel Gaudry and a trio with Philippe Combelle; he composed such pieces as “Le serpent vert,” becoming known as the “Debussy de jazz.” He also composed soundtracks for television and began to produce and host such television broadcasts as“Paris carrefour du monde” and “Club du piano.” He sometimes collaborated with musicians like Guy Lafitte and lyricist-poet Boris Vian, who wrote lyrics for two of his pieces: “Ce n’est que l’ombre d’un nuage” and ”J’ai donné rendez-vous au vent.” He became vice-president of SACEM (the Société des auteurs, compositeurs et éditeurs de musique) in 1982, and later served on its board of directors. He received SACEM’s Grand prix du jazz in 2001.

    Custodial history

    Scope and content

    Notes area

    Physical condition

    Immediate source of acquisition

    Arrangement

    Language of material

      Script of material

        Location of originals

        Availability of other formats

        Restrictions on access

        Terms governing use, reproduction, and publication

        Finding aids

        Associated materials

        Related materials

        Accruals

        General note

        Two copies, manuscript included.

        Alternative identifier(s)

        Accession no.

        D730

        Standard number

        Standard number

        Access points

        Subject access points

        Place access points

        Name access points

        Genre access points

        Control area

        Description record identifier

        Institution identifier

        Rules or conventions

        Status

        Level of detail

        Dates of creation, revision and deletion

        Language of description

          Script of description

            Sources

            Accession area