Fonds MG4029 - Montreal Orchestra Fonds

Title and statement of responsibility area

Title proper

Montreal Orchestra Fonds

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Fonds

Reference code

CA MUA MG4029

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

50 cm of textual records

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(established 1929)

Administrative history

In 1929 a group of Montréal musicians, thrown out of work by the Depression and by the introduction of sound into motion pictures, approached Douglas Clarke, Dean of McGill's Faculty of Music and asked him to form them into an orchestra and conduct them. Owing to the scores available in the Faculty, Clarke was able to do so, and thus began the Montreal Orchestra, the city's first permanent symphony. Loyal public response and Clarke's devoted leadership helped the Orchestra overcome initial difficulties. Besides their regular series, they also gave children's concerts as well as students' concerts at McGill. Many eminent soloists, including Prokofiev, Bartok and Percy Grainger, were guests of the Orchestra. The Second World War and attendant financial constraints forced the suspension of the Orchestra in 1943.

Custodial history

Scope and content

The correspondence files of Douglas Clarke relating to the Orchestra cover the years 1929-1943, and deal with engagements, scores, guest artists, publicity, the musician's union, and other matters. There is a full run of programmes for the entire period. Further material on Clarke may be found in his papers, M.G. 3016, Section I, University teaching, research and administration.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Associated materials

Related materials

Accruals

General note

Originals and Printed Materials

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres