Fonds MSG 197 - John Ruskin Fonds

Title and statement of responsibility area

Title proper

John Ruskin Fonds

General material designation

    Parallel title

    Other title information

    Title statements of responsibility

    Title notes

    Level of description

    Fonds

    Reference code

    CA RBD MSG 197

    Edition area

    Edition statement

    Edition statement of responsibility

    Class of material specific details area

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Date(s)

    • 1831-1881 (Creation)
      Creator
      Ruskin, John, 1819-1900

    Physical description area

    Physical description

    9 cm of textual records

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Archival description area

    Name of creator

    Biographical history

    Art and social critic John Ruskin was educated privately and at Christ Church, Oxford (B.A. 1842). His extensive travels on the Continent awakened his appreciation of painting and architecture, while his deeply religious nature and love of the Authorized Version of the Bible formed his characteristically prophetic prose style. Modern Painters (1843-1860), which began as a vindication of J.M.W. Turner, gave a whole new idealist dimension to English art criticism. Turning to architecture in The Stones of Venice (1851-1853), Ruskin developed a theory of aesthetic beauty as founded on the moral virtue of the society producing the work of art. In his later works he attacked the effects of industrialism and the Victorian business ethic on English life and art. He was the first Slade Professor of Fine Art at Oxford in 1870-1879 and held the post again in 1883-1884.

    Custodial history

    Scope and content

    Ruskin's literary manuscripts include a lecture on "The Italian Question" delivered at Bradford, 1864, an essay on The Three Colours of Pre-Raphaelitism, the preface to the last edition of The Stones of Venice (1872) and two poems; "To the ocean", 1831 and "Sonnet to a dond". His correspondence comprises 32 letters to Elizabeth White, 1864-1881.

    Notes area

    Physical condition

    Immediate source of acquisition

    Arrangement

    Language of material

      Script of material

        Location of originals

        Availability of other formats

        Restrictions on access

        Terms governing use, reproduction, and publication

        Finding aids

        Also described in the McGill Libraries catalogue.

        Associated materials

        Related materials

        Accruals

        General note

        Originals

        Alternative identifier(s)

        Legacy call number

        M204.Bd197, M187.Bd180, M26, M54.Bd57, M118.Bd112

        Standard number

        Standard number

        Access points

        Subject access points

        Place access points

        Name access points

        Genre access points

        Control area

        Description record identifier

        Institution identifier

        Rules or conventions

        Status

        Level of detail

        Dates of creation, revision and deletion

        Language of description

          Script of description

            Sources

            Accession area