The fonds consists of literary works composed by Farkas, including scripts, manuscripts, poems, and plays. The records reflect Farkas’ involvement within the arts community, as well as many works relating to Canadian culture, specifically in Quebec. Farkas’ records span from 1952 until 2016. Locations that are reflected in Farkas’ works are Canada and Hungary.

No discernable order has been detected except for boxes 7 and 8 where poems are sorted alphabetically. The records have been filed into series which are detailed below. There are photographs, personal correspondence, translations of other poems and audiovisual materials (cassettes, CDs and DVDs). There are large amounts of correspondence with other artists and performers in both Canada and Europe, another reflection of his involvement within the community. The series listing is as follows: 1) Correspondence, 2) Manuscripts, 3) Poems & Poetry, 4) Reviews, 5) Scripts & Performance Pieces, 6) Translations, 7) Vehicule, 8) Works by other authors, 9) Mixed media, 10) An Evening in the Muses’ Company and 11) Photographs and visual materials.

Collection consists of photograph albums and publications from Jean Drapeau's library related to significant events that occurred during his mandates as mayor of Montreal (1954 to 1957 and 1960 to 1986). Photograph albums, brochures, and publications represent Expo 67 and its reiteration, Man and his World (Terre des Hommes), which ran from 1968 to 1986. The 1976 Montreal Olympic Games are documented in programmes and photograph albums. The collection also includes records of Drapeau's political life, including transcripts of his speeches from 1955-1957, photograph albums related to his municipal political party, the Civic Party of Montreal (Parti civique de Montréal), and presentation copies of books.

The collection includes correspondence, prose, poems, drafts and notes and "Booster and Blaster" records.

Fonds consists of correspondence, exhibition and performance files, film and video files, lectures and writings, teaching files, drawings, designs, posters, ephemera and clippings, primarily from the 1950s to the 1980s.

Fonds consists of personal and professional papers of Canadian poet and novelist Penn Kemp. It contains personal and biographical files, including CVs and miscellaneous photos and drawings, as well as some family records. Within the professional materials are documentation of activities related to Kemp's career, such as grant materials, school press kits, workshop materials, professional correspondence, and records related to tours, as well as a comprehensive file of Kemp's creative output.

Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.

Fonds consists of notebook kept by Tetley chiefly during the Second World War, while on active duty with the Canadian Royal Navy. The first entry is dated August 14, 1945, and begins with Tetley reporting for duty. The diary records daily activities onboard. From February 21, 1946, entries describe daily life in Montreal and at McGill, with detailed impressions of friends and acquaintances, often with full names and addresses. The final full daily entry is dated February 28, 1946. Following that, entries record major events, such as moving to Quebec in summer of 1949 or convocation, with acquaintances made and Tetley's descriptions and impressions of them, often with names and contact information. Other events noted include Provincial Congress at Quebec, September 1950; "Soirée à la Marine," February 10, 1950; summer in the navy in England, 1951; Boy Scout Campaign, February 1952. Final entries are undated, but the journal appears to end in 1952. The fonds also includes some items previously laid in to the diary, including one black and white photograph of a coastline (laid in before entry dated Sept. 18, 1945), 2 loose leaves with lists of names and some addresses and a postcard, and 2 doctor's notes certifying Tetley's vaccination laid in between pages 92 and 93. Other items laid or tipped in include: invitation to McGill Founders Day Convocation 1950, with notes, and pages from address books.

The private and business papers of Reid include correspondence, design layouts of typographical productions, financial records, lecture notes and photographs. Among his correspondents are William Carter, Carl Dair, Dora Hood, W. Kaye Lamb, Beverley Blackmore Leech, Richard Pennington, Gustav Reuter, R.D. Hilton Smith, Roderick D. Steinhour and Takao Tanabe.

This collection consists of letters written by Canadian soldiers serving in the Second World War, between 1943 and 1944. The letters were written to family members or romantic partners, while the soldiers were in training in England, or deployed in Europe. The collection also includes some letters written to the soldiers. Contents of the letters chiefly concern news from home and the daily life of soldiers.

The collection is divided into three series, one for each soldier. Series 1 contains correspondence between Robert C. Parsons and his wife, Peggy Parsons. Series 2 contains correspondence between Jack Mills and his mother, C.I. Mills, and brother, Bob Mills. Series 3 contains correspondence between A.V. "Mac" Cormack and his girlfriend Florence Morgan Graham, as well as a letter from Mac's roommate G.D. "Jerry" Royds, also to Florence.

Collection consists of an illustrated manuscript containing a map and brief guidebook to Paris landmarks, created by Nicole Allardet probably during the 1940s or 1950s. The item is inscribed to Vivienne Horne. A folded booklet on heavy grey paper, the guidebook contains twelve panels, ten of which feature a gouache illustrated vignette of a Paris landmark and a short handwritten description in white. The landmarks include the Jardin du Luxembourg, Opera House, Eiffel Tower, the river Seine, the Bois de Vincennes, Notre-Dame de Paris, the Jardin des Tuileries, the Champs-Élysées, Montmartre, and the Luxor Obelisk in the Place de la Concorde. In the centermost two panels is a simple map of Paris showing the landmarks depicted.