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Thomas C. Brainerd Fonds

  • CA OSLER P054
  • Fonds
  • 1862

Fonds shows Dr. Thomas C. Brainerd as a surgeon with the US Army during the Civil War. The fonds contains an invoice issued by the US Army, a form for examining a recruit and a report on sick and wounded.

Brainerd, Thomas C.

Dorothy R. Coles Fonds

  • CA OSLER P057
  • Fonds
  • 1919-1922?

Fonds contains Dorothy R. Coles' art work. The fonds includes sketches, photographs and a glass negative of sketches of Coles' operations on plastic surgery cases at two hospitals, Ste-Anne-de-Bellevue in Quebec and Christie Street Hospital in Toronto, 1919-1921, and sketches for an anatomy class of Dr. John Tate at McGill University, ca 1922

Coles, Dorothy R. (Dorothy Rhynas), 1892-1983

Abbott, Maude E Seymour

Florence Nightingale As Seen in Her Portraits. With a sketch of her life, and an account of her relation to the origin of the Red Cross Society. Boston, 1916.
"Reprinted from the Boston Medical and Surgical Journal September 14th, 21st and 28th, 1916."
"E.A. Oliver With the writer's love. Xmas 1916." -MS. note on title page.
Insert: Graduation photograph of Maude E. Abbott, with MS. inscription "Your sincere friend Maude E. Abbott 1904." By Wm. Notman & Son.
Copy of WZ 100 N687a 1916 Bibl. Osl. 1670.

Thomas Richmond Boggs Fonds

  • CA OSLER P067
  • Fonds
  • 1910-1927

Fonds shows the relationship between Thomas R. Boggs and William Henry Welch, one of the founders in the establishment of the Johns Hopkins Medical School in Baltimore. The fonds contains letters from Welch to Boggs, from 1910 to 1927 concerning A Century of Charades, a book of riddles by William Bellamy.

Boggs, Thomas Richmond, 1875-1938

Letter from John McCrae to Carleton Noyes, with poem, In Flanders Fields

The item consists of a letter sent from John McCrae while on active duty to Carleton Noyes, Cambridge, MA, with an envelope postmarked 31 May 1916. Enclosed with the letter is an autographed signed copy of McCrae's poem, In Flanders Fields. The poem's first line in this copy ends with the word “grow,” a change from the published version in which the line finishes with “blow.” In his letter, McCrae modestly notes that the poem had achieved some level of notoriety.

McCrae, John, 1872-1918

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