Ink sketch

The Dung Gate project represents Moshe Safdie's extensive work in the Jewish Quarter of Jerusalem's Old City. The gate, linking the old and the new cities of Jerusalem, was in urgent need of restoration to increase headroom and the construction of a "service" building adjacent to the wall intended to re-activate the area surrounding the gate. The site was steeply sloped and therefore the roof of the proposed structure was designed as a pedestrian pathway joining the existing Roman Cardo to a series of stepped landscaped terraces and a piazza on the roof of the service building.

The Dream Island Integrated Resort is located on Obudai Island on the Danube River in Budapest, Hungary. The project, totaling over 300,000 square meters, includes an entertainment district, a state-of-the-art casino and convention center, and hotels with over 3,000 rooms - all connected by an active marina and canal system. The project integrates new buildings with a network of existing historic buildings and the lush, natural landscape of Obudai Island.

The Island has two distinct halves, the east and the west, which are defined by the Great Bay and the marina. Visitors arrive at the north end of the Island and are introduced to the Resort by a Grand Fountain. From this location they can choose to circulate into either of the two halves of the Island. To the east is the hotel and casino complex and to the west lies the historic and entertainment district. The hotel complex consists of low, discrete buildings that are small in scale and organized along a man-made canal that is oriented north to south.

The hotel roofs accommodate amenities such as swimming pools, jogging paths and gardens. Running parallel to the canal, and below the level of the hotels, is the cardo - a main street of pedestrian activity with views to the Great Bay. Along the cardo guests have direct access to the marina level containing the casino, convention center, retail, restaurants, and waterfront amenities. To the west of the Great Bay a new museum, theater, and visitor's center are woven into the Roman archaeological site of Hadrian's Governors Palace.

Buildings in the historic and entertainment district, which once housed shipbuilding operations, are carefully preserved and converted to a mixed-use retail and entertainment complex. A pedestrian path, enclosed by a transparent glass ceiling, connects the 1600-seat performing arts theater, restaurants, outdoor caf?s, gardens, and a Film-Museum to the south. At the southernmost tip of the island a 112 meter tall elliptical wheel allows visitors to ascend and view the project, as well as survey the Danube River with the mainland of Buda to the west and Pest to the east.

This new mixed-use development in the rapidly urbanizing city of Colombo is part of a larger plan by Sri Lanka's urban development agency to create a lakefront promenade. The 69-story development fronts Beira Lake, a manmade lake in the center of the city. The 400-unit residential complex takes full advantage of the relatively small site with a highly rationalized structure that affords every unit cross-ventilation and multiple exposures.

The building form is composed of two slender tower blocks, with one block leaning into the other vertical tower, which supports it. The overall form tapers elegantly toward the sky, maintaining a delicacy on the skyline and maximizing water views. The towers are oriented to the movement of the sun and to harness the tropical breezes, and the units offer 270-degree views of Beira Lake and the Indian Ocean. The staggered stepped form of the leaning tower allows for large terraces, which provide prime city and direct ocean views.

Community gardens and shared outdoor spaces within the building's upper levels feature native Sri Lankan materials and tropical plantings. Other common rooftop amenities at level five, above the retail podium, likewise express the guiding principles of for everyone a garden.

At the ground level, an arcade of retail outlets on the west side faces the lake and sets the stan¬dard for future development along the planned pedestrian promenade. Restaurants on a mezzanine level overlook the promenade and Beira Lake.

Located on a prominent site at the confluence of the Jialing and Yangtze Rivers, this 9 million-square-foot mixed-use project has a strong presence as the apex of the city's peninsula. The Chaotian Gate ("gate to heaven"?), foremost of the traditional city gates, is a place of both ceremony and commerce. Recalling sailing ships on the river, the project symbolizes both Chongqing's noble trading past and its fast-growing future as one of China's largest modern cities. An ensemble of slender towers contains a mixture of office, residential, and hotel spaces. The towers, arranged in a prow-like arc, imply a great city surging forward. The outer curving glass facades, which face the water to the north, evoke an ancient sailing fleet. The south-facing facades of the interior towers center on the axis of Chaotianmen Plaza, forming stepped gardens that meet the ground. At the base of the towers, an expansive park knits together the greenery from the building facades with gardens, pools, and public circulation. This large landscaped park gently slopes to the north, offering dramatic tower-framed views of the water and more intimate views of the city to the south. Beneath the park level, a podium contains five levels of public space, including retail and cultural facilities as well as land and water transportation hubs. Bridging the center towers at level 45 is a 300-meter-long enclosed glass conservatory that contains hotel public areas and amenities, including an deck that can be enjoyed throughout all seasons of the year. Major thoroughfares feed urban activity from the south as retail streets and grand arcades, fusing the project to the city.