Fonds consists of 6 architectural drawings (1949-1965) representing two projects: alterations to a house in Montreal for A. Bronfman on Belvedere Road and a plan for the Galerie d'art, Cite du Havre in Montreal, for the Canadian Corporation for the 1967 World Exhibition. Bland served as a consulting architect on this project which was designed by the firm of Gauthier and Guité and Gilles Côté. Fonds also contains an Ontario Association of Architects membership certificate for Bland.

"Dessins architecturaux, 1949-1965, 6 dessins." Deux projets sont représentés par des dessins les modifications apportées à une maison à Montréal pour A. Bronfman, chemin du Belvédère, et le plan d'une galerie d'art à la Cité du havre de Montréal réalisée pour le compte de la Société Radio-Canada pour l'Exposition mondiale de 1967. Bland a été architecte-conseil pour ce projet qui a été réalisé par le cabinet Gauthier et Guité et par Gilles Côté.
"Documents professionnels, s.d., 0,5 cm" Le fonds contient le certificat d'adhésion de Bland à l'Ordre des architectes de l'Ontario.

"Architectural Drawings, 1949-57, 200 drawings." Nine projects are documented in the archives by drawings. The majority of the drawings are for the design of the Freedman (Camel) Co. Factory Building (1954-5) in Montreal, a proposal for a housing development for the town of St. Laurent, PQ (1952-4), an office building on Peel Street in Montreal (1950) and the Dorval Garden Apartment Building in Dorval, PQ (1949).
"Photographs, 1952-5, 3 photographs." Included are photographs of a proposed housing development for the town of St. Laurent and of the Brockville and Elizabethtown planning area in Ontario (1955).

"Dessins architecturaux, 1949-1957, 200 dessins." Neuf projets sont documentés par des dessins. Le plus grand nombre de ces dessins se rapporte aux plans de l'usine Freedman (Camel) Company de Montréal (1954-1955), à une proposition de projet domiciliaire pour la ville de Saint-Laurent (Québec) (1952-1954), à un immeuble à bureaux rue Peel à Montréal (1950) et à l'immeuble à appartements Dorval Garden à Dorval (Québec) (1949).
"Photographies, 1952-1955, 3 photos." Les photos se rapportent à la proposition de projet domiciliaire pour la ville de Saint-Laurent ainsi qu'au projet d'urbanisation de Brockville et d'Elizabethtown en Ontario (1955).

"Architectural Drawings, 1955-63, 463 drawings." Among the twenty-one projects documented by drawings, are designs for the Northern Electric Research and Development Project in Ottawa (1959-63), Ottawa City Hall (1956-8), Les Habitations Jeanne-Mance in Montreal designed for the Canadian Mortgage and Housing Corporation (1957-60) and the town of Port Cartier, which was designed and planned for the Quebec Cartier Mining Company (1957-60).
"Photographs, 1955-63, 34 photographs." There are photographs in the archive for seven projects including the Northern Electric Company Research and Development Laboratories, the Town of Port Cartier and the Brockville and Elizabethtown planning area in Ontario (1955).
"Professional papers, 1955-60, 69 cm." Specifications, reports, clippings, invoices, minutes of meetings and tender forms are among the professional papers for seven projects, such as Les Habitations Jeanne-Mance and a commercial building in the Town of Mount Royal designed for Guttman Realty (1955-6).

"Dessins architecturaux, 1955-1963, 463 dessins." Parmi les vingt et un projets documentés par des dessins, signalons les plans du projet de recherche et de développement de la Northern Electric à Ottawa (1959-1963), l'hôtel de ville d'Ottawa (1956-1958), les Habitations Jeanne-Mance à Montréal dessinées pour le compte de la Société canadienne d'hypothèques et de logement (1957-1960), et la ville de Port-Cartier, planifiée pour le compte de la Société Québec Cartier Mining (1957-1960).
"Photographies, 1955-1963, 34 photos." Les photos du fonds documentent sept projets dont celui des laboratoires de recherche et développement de la société Northern Electric, la ville de Port-Cartier et les zones d'urbanisation de Brockville et Elizabethtown en Ontario (1955).
"Documents professionnels, 1955-1960, 69 cm." Cahiers des charges, rapports, coupures de presse, factures, procès-verbaux de réunions et soumissions se rapportant à sept projets, notamment aux Habitations Jeanne-Mance et à un immeuble commercial de Ville Mont-Royal dessiné pour Guttman Realty (1955-1956).

"Maps, n.d., 293 copies of maps." Bland used these copies reproduced from maps and plans dating from the seventeenth century as teaching aids for courses given at the School of Architecture of McGill University.

"Cartes, s.d., 293 copies de cartes." Bland utilisait ces reproductions de cartes et de plans datant du dix-septième siècle comme outil pédagogique pour les cours qu'il donnait à l'École d'architecture de l'Université McGill.

"Architectural Drawings, 1965-71, 506 drawings" Includes measured drawings of historic architecture in Montreal executed by Bland's undergraduate architecture students from the School of Architecture at McGill University.
"Papers, n.d., 1959-1989, 17.1 m." Seven hundred and fifty-six undergraduate student papers dealing mainly with Montreal architecture are found in the archive.

"Dessins architecturaux, 1965-1971, 506 dessins." Englobent les relevés architecturaux d'édifices historiques de Montréal exécutés par des étudiants en architecture de 1" cycle de Bland à l'École d'architecture de l'Université McGill.
"Travaux, s.d., 1959-1989, 171 m." Sept cent cinquante-six travaux d'étudiants de 1er cycle se rapportant surtout à l'architecture de Montréal font partie de ce fonds.

This series consists of selected editions of literary magazine White Pelican and Maclean's magazine. This series also includes collected poetry which was published by White Pelican. Stephen Scobie was not the creator for the records in this series. The series is mostly located in Container 5 with a file in Container 4.

The primary emphasis of Stephen Morrissey’s correspondence is literary; however, family, friends, and business correspondence is also included. The letters in this accrual were written between 1963 and 2003. The scope of the correspondence is national and international and includes both incoming and carbon copies of outgoing letters. Correspondence in the form of emails begins around 1998. The correspondence is comprehensive and scholars can, in most cases, read the complete exchange of a specific correspondence.

Series B contains a collection of documents, poetry archives, and memorabilia from the Montreal poetry scene of the late 1960s to the early 1980s, photographs and documents up to 1996, and records related to two poetry magazines. The three boxes of documents and literary archives relating to the Montreal poetry scene contain: audio and video tape recordings of poetry readings; photographs by Stephen Morrissey including colour slides and black and white photographs of poets giving readings and colour photographs of poets; a collection of poetry magazines; posters for poetry readings, and information on poets handed out at their readings; broadsides of poems, from the mid-1960s to the mid-1980s; and items from the 1990s. There is one box of files for two magazines that Stephen Morrissey edited and published, what is and The Montreal Journal of Poetics, between 1973-1985.

There is one box of files for two magazines that Stephen Morrissey edited and published, what is and The Montreal Journal of Poetics, between 1973-1985. There are also three boxes of documents and literary archives relating mostly to the Montreal poetry scene. These boxes contain audio and video tape recordings of poetry readings; photographs by Stephen Morrissey including colour slides and black and white photographs of poets giving readings and colour photographs of poets; a collection of poetry magazines; posters for poetry readings, and information on poets handed out at their readings; and broadsides of poems, from the mid-1960s to the mid-1980s. There are also items from the 1990s.

The eleven boxes of papers in series A contain original manuscripts, including working drafts and final drafts of texts from 1966 to 1998. These manuscripts, working drafts, and notebooks of Morrissey’s writings have resulted in seven published books of poetry; these are The Trees of Unknowing (Montreal : Vehicule Press, 1978), Divisions (Toronto : Coach House Press, 1983), Family Album (Vancouver : Caitlin Press, 1989), The Compass (Montreal : Empyreal Press, 1993), The Yoni Rocks, (Montreal : Empyreal Press, 1995), The Mystic Beast (Montreal : Empyreal Press, 1997), and Mapping the Soul, New and Selected Poems 1978-1998 (Winnipeg : The Muses' Company, 1998). As well, there are five chapbooks; these are Poems of a Period (Montreal, 1971), The Divining Rod (Edmonton : Greensleeve Editions, 1993), The Beauty of Love (Vancouver : The Poem Factory, 1993), The Carolyn Poems (Vancouver : The Poem Factory, 1994), 1950 (Vancouver : The Poem Factory, 1996), and several broadsides. Copies of the poetry books are included in the respective boxes.

Series consists of reviews of Edel's books on Henry James.