The fonds consist of a variety of textual materials created by Andrew Pyper such as published and unpublished materials, early creative writing works, story-outlines, drafts, agendas and diaries. The fonds also contains personal correspondence between Pyper and his publishers, editors, friends and fans. The collection includes working scripts for television and film adaptations of his novels. The photographic material mainly consist of Pyper’s early childhood in Stratford, time at McGill University, travels to the Yukon and Brazil, and living in Toronto.

The fonds consists of textual records, photographs, graphic materials and objects relevant to the professional and academic career of Dr. Charles R. Scriver from his early years at McGill until the transfer of his personal records into the McGill University Archives in 2013. The publications series reflects Dr. Scriver’s prolific publication record in the original order in which they were received, while the Course Materials series showcases the scientist’s teaching style through lecture notes, paper clippings, and overhead slides. In Professional Activities, correspondence, working papers, and transcripts offer textual evidence of a number of Scriver’s professional endeavors and contributions to the biogenetics profession at and beyond McGill, particularly his participation in the Human Genome Project, several international committees, and many McGill-based research initiatives. The Research Records series represents the working papers and correspondence between Scriver and various international colleagues culminating in papers and monographs described in the Publications series. In addition to textual records, the series identified in this fonds includes a number of photographs, graphic materials, and objects maintained by Scriver for professional and personal purposes

The Bernard Gagnon Fonds consists of audio recordings, including interviews, manuscripts, correspondence, and event documentation of Bernard Gagnon, a Montreal-based electroacoustic composer who recorded his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) in the 1980s. The Bernard Gagnon Fonds contains the work of Bernard Gagnon a Montreal-based electoacoustic composer and performer who was active in the avant garde scene in the city during the 1970s and 1980s. He composed his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) and the collection includes a 2012 Tenzier recording of these works. The Bernard Gagnon Fonds is divided into 5 series and contains approximately 100 items. The majority of the collection consists of audio recordings, including interviews, manuscripts, correspondence, concert posters and programs.

The fonds chiefly documents teaching activities and contains McGill University library education course materials including lecture notes, handouts, and assignments for library reference materials and methods, humanities and social sciences as well as government information courses. There is also a much smaller amount of records concerning academic community activities including involvement with the Canadian Studies Committee, 1951-2007. In addition, the fonds includes the print and digital versions of the last curriculum vitae prepared by McNally prior to his retirement form the School of Information Studies in August 2013.

The Sonde Collection provides a thirty-five year span of documentation for a Montreal-based Canadian experimental musical group who were very active electroacoustic composers and performers in the 70s and 80s. Sonde (formerly named MUD, Musical Design), created and played sound sources in Quebec, Canada and Europe. Sonde’s compositions were generally conceived for live performance on original sound sculptures. Using meditative improvisation, the group produced new music with sounds created by electroacoustic amplification and transformation.
The Sonde Collection is divided into 26 series and contains approximately 1,900 items. The majority of the collection consists of correspondence, concert posters and programs, and audio and video recordings. Activities of the Sonde group are described together as Sonde Papers and the activities of Charles de Mestral, a founding member of the group as Charles de Mestral Papers.
In the Sonde Papers, whenever it has been possible to do so, each item is referenced to the events listing, a numbered, chronological listing of events created by the group, entitled: ACTIVITES DU GROUPE SONDE (1975-2010) / Sonde Activities (1975-2010). The Sonde Papers include posters, programmes, scores, photographs, audio and video recordings.
The Charles de Mestral Papers are the personal items of Charles de Mestral, a member of the Sonde group from its inception. Whenever it has been possible to do so, each item is referenced to the events listing entitled: RÉALISATIONS DANS LE DOMAINE DE L’INSTALLATION SONORE (1985-2013, Charles de Mestral) / Sound Installations (1985-2013, Charles de Mestral) a numbered, chronological list of activities of Charles de Mestral. The Charles de Mestral Papers include scores, correspondence, installation plans, clippings, audio recordings and publications.

The fonds reflects the artistic and teaching activities of John A. Schweitzer and includes professional archives as gallerist, curator, critic and collector; teaching records and related course materials; research pertaining to series of art works; the archives of various artists, such as the Hugo McPherson papers, Lise Gervais' materials and Embassy Row residence of Peter Dickinson and his materials; "Outsider" art and research collections; materials related to research and work on human sexuality; and materials pertaining to Canada, Quebec, Montreal and Expo 67 and Montreal Olympics.

The fonds consists of multiple functions that demonstrate the University Club of Montreal’s administrative responsibilities, association with different clubs, operation of various committees, and activities from 1906 to 2013.

The series are comprised of 1) Administration; and 2) Committees. The subseries within Administration are comprised of A) Communications; B) Events; and C) Reciprocal Clubs. The subseries within Committees are comprised of A) Admission; B) Council, and Annual and Special General Meetings; C) Library and Art Committee; D) Financial Committee; E) Future Development Committee; F) House Committee; G) Intermediate Members Committee; H) Membership Committee; I) Programme Committee; J) Property Committee; and K) Wine and Food Committee.

The fonds documents Yvan Lamonde’s research activities as a student and professor chiefly through research notes, correspondence and journals, his participation in national and international colloquia and cultural organizations through minutes and correspondence, as well as his publishing activities through contracts, correspondence and book reviews. There is also some personal correspondence and photographs.

The fonds consist of diaries, photographs, scrapbooks, photographs albums and ephemera created by or about Canadian nursing sister Clare Gass (1887-1968). A diary and a photograph album chronicle Clare Gass's experiences as a nurse with the Canadian Army Medical Corps stationed in France and England during the First World War. The diary contains entries dated between 4 March 1915 to 31 December 1916 and also features an early appearance of the poem "In Flanders Field," written by John McCrae during the war upon the burial of a close friend. It is copied out in the diary entry for 30 October, nearly six weeks before its first publication in the magazine Punch on 8 December 1915. The diary originally had ephemeral material originally laid in, including newspaper clippings, manuscript notes and letters, one photograph, pencil drawings, and ten dried plant specimens. These have been removed from the diary for preservation purposes. Her photograph album from the First World War begins in April 2015 with photos of the nursing sisters assembled for inspection before deployment and the sea crossing to Europe. The photographs include depictions of soldiers and nursing sisters, oftentimes in their huts, and hospital interiors from multiple hospitals at which she worked and visited. It contains photographs from various postings in Etaples, Camiers, Cliveden (England) Boulogne, and Rhyl (Wales), as well as landscapes, historical sites, and other scenes from the surrounding areas that she toured, including a trip to Scotland. Leaves 13 and 14 of the photograph album also contain the text of “In Flanders Field.”

Loose photographs also document Gass’s wartime experiences in France, as well the hospital at St. Anne de Bellevue, Quebec, and Gass's transit duties in the Rockies in 1919. A series of photographs are from the visit of the Prince of Wales to Quebec October and November of 1919. Other loose photographs also depict wounded veterans, as well as personal photographs, including a portrait of Clare Gass at age 13.

Her childhood is also documented in the fonds by a photograph album containing photos from her years attending Edgehill School. The photos date chiefly between 1904 and 1905 and depict school exteriors, interiors, friends and classmates, as well as school activities such as Drill Class.

An additional folder contains material compiled by Gertrude Henderson, including letters to Clare Gass, some of her writings, and other ephemera, such as clippings noting Gass’s retirement, sketches, some of Gass’s poetry and stories, a memorial from King George to those who served in the war, and manuscript notes on Gass’s school and word record, including years and places that she was stationed. The folder also contains assorted later photographs of Gass.

The fonds document H. Rocke Robertson’s personal and family life, including his early education, his athletic abilities, his experiences during WWII in Britain, Sicily, and Italy, as well as some aspects of his professional life, including articles, speeches, and correspondence on his activities as a surgeon, surgeon in chief, professor of surgery, and as McGill’s principal, inclusive 1912-1998. In particular, his tenure as McGill’s principal is characterized by records in diverse formats such as personal diaries, correspondence files, newspaper and magazine clippings, photographs, and related ephemera reflecting his administrative duties, including the changes he implemented at McGill, as well as his efforts to cope with radical student behaviour and the Quebec government’s unwillingness to provide McGill with much needed financial assistance. Robertson’s retirement activities are also reflected in the records. Also included are numerous documents that reveal his interest in rare English dictionaries, rare books, and the history of medicine, in particular the history of surgical techniques. The fonds consist of 18 boxes with some files arranged into subject categories while others have a chronological arrangement scheme.

The series consist of 1) Diaries; 2) Publications and Research Notes; 3) Speeches; 4) Personal and Family Related Materials; 5) Student Years at Brentwood College and McGill; 6) Medical and Professional Activities; 7) McGill Principalship and Administrative Activities; and 7) Awards and Honours.