Bovey's papers document his involvement with a number of organizations, his political, literary, and military careers, and his travels. His files as president of the Canadian Handicrafts Guild, 1930-1936, include reports, correspondence and speeches, while those connected with the Canadian Legion Educational Services also include photographs and printed material, 1939-1946. The C.B.C. series comprises programmes, draft speeches and letters, 1936-1944. His political correspondents include St. Laurent and MacKenzie King, 1940-1944. Speeches made by Bovey before the Legislative Council, business and other groups discuss a wide range of political, social and educational issues are supplemented by clipping files on Québec politics. Bovey's literary ventures generated correspondence and book reviews, as well as manuscript poems, 1939-1941, n.d., while his World War I military service is the subject of a small file of correspondence, 1915-1953. Finally, Bovey assembled scrapbooks of photographs and souvenirs of his voyages between 1930 and 1939. For Bovey's files as director of Extra-Mural Relations and Extension at McGill, see McGill Administrative Records, Record Group 44.

The project files which occupy most of the archives of J.T. Donald and Co. fall into two series: ordinary business and special assignments. Both series contain the firms report's, and correspondence. Special assignments were largely connected with wartime armaments production. A few files concern work for the Imperial Munitions Board in World War I, but most consist of reports for the Chemical and Explosives Branch of the Department of Munitions and Supply, 1939-1948. Ordinary projects involve consultation for food, pulp and paper, petroleum, and chemical manufacturies, as well as for some government departments, 1888-1940. Outgoing correspondence from 1881 to 1909 is contained in letterbooks. A file of legal documents, 1924-1946, refer to claims against the company, agreements, and partnerships. Also included are an undated notebook on chemical analysis, and scrapbooks and files of newsclippings of professional interest (e.g. reports of explosions caused by oil and gas) covering the period 1916-1958. There are also reports on mining and energy sources prepared by Donald alone and also in partnership with J.H. Ross for various private and government bodies.

Fonds consists chiefly of a scrapbook created by Eleanor Wallis, née Eleanor Fisher, while a nurse at the Grenfell Mission in St. Anthony, Newfoundland, as well as diplomas and certificates for her and her husband, the physician Allan D. Wallis, and reprints of medical articles by Allan D. Wallis. The Grenfell album consists of photographs taken by Eleanor from 1933-1934 and printed items such as postcards, calendar pictures, and reproductions of photos made for sale by the Grenfell Mission. Photographs have handwritten captions with some personal annotations. One of the postcards shows a young nurse walking along a stretch of road leading to the village of St. Anthony's: this is Eleanor Fisher. Some later photocopies have been taped or laid in. Thirteen certificates and diplomas attest to Eleanor Fisher's training as a nurse (1929) and Allan D. Wallis's training as a physician (1925-1959), including Eleanor's Registered Nurse certificate, diploma from the Training School of Nurses of the Pennsylvania Hospital, and pediatrics nursing course certificate, and certificates attesting to Allan's residency training at the Pennsylvania Hospital, medical licence and diplomas, board certification in pathology, and a presidential certificate of appointment as an examining physician for the Pennsylvania Selective Service (this last is accompanied by a letter from the Governor of Pennsylvania). Two folders contain reprints of articles by Allan. D Wallis dating between 1941 and 1954. There are also 9 prints of photographs from the scrapbook, with captions on verso, accompanied by negatives. Lastly, there is one copy of a poem entitled "The Nurse" on oversized paper, the College of American Pathologists Code of Ethics, and one large group portrait photograph of hospital staff.

The D'Aigle papers fall into three series: diaries, correspondence and a scrapbook of photographs and memorabilia. The diaries (1912-1914, 1927, 1935-1952) are largely devoted to a day-by-day account of prospecting journeys. Correspondence with members of his family, partners, prospective financial backers and government mining bureaus covers the years 1900-1959. The scrapbook contains personal mementos, newsclippings about D'Aigle, photographs of his journeys, lists of supplies for prospecting trips, and maps, some drawn by D'Aigle himself.

Most of this archive documents the High School for Girls. The administrative records comprise prospecti for both High Schools, registers of attendance, 1875-1896, examinations, 1855-1858, 1884-1888, fees, 1863-1869, and corporal punishment, 1892-1896, 1949-1960, and memoranda from the Rector applying to either the boys' division or to both High Schools, 1897-1904. There are also working notes for teachers, 1902-1903, 1921-1931, and scrapbooks of programmes, clippings and notes concerning activities in both schools, covering the years 1913 to 1960. Examination papers, 1872-1882, a guest book, 1919-1943, an annotated address book of High School for Girls staff prepared by Principal L.M. Hendrie, 1911-1945, and photographic portraits of the Principals of the High School for Girls round out this series. Student activities are reflected not only in the official scrapbooks, but also in minute books, photograph albums and scrapbooks of the High School for Girls' Athletic Association, 1912-1913, Literary and Debating Society, 1906-1908, and English Club, 1935-1940. There are a large number of photographs of girls' sports teams, 1915-1941, as well as a scrapbook of clippings on the activity of High School for Girls Alumnae, 1953-1956.

The company's records contain administrative, financial and publicity material. The administrative series comprises the minutes of the directors from 1929 to 1955 and of the executive committee from 1949 to 1956. An engagement book records contracts between the company and its employees, 1902-1906. Henry Morgan's business correspondence covers the period 1847-1850, and includes a few personal letters to his brother James. Financial records cover both internal operations and stock transactions. The former are documented by an account book, 1845-1848; ledgers, 1870-1889; and diaries, 1884, 1936; the latter by lists of stock holders, 1954-1960; and records of transfers of Morgan's common stock, 1954-1961. Also included are files of invoices, receipts and cheques, 1846-1852. Publicity materials largely centre around anniversaries. Scrapbooks of newspaper clippings, other printed materials and photographs cover the years 1936-1945, culminating in the company's centennial, for which a typescript history was prepared.

The fonds consists of records related to Robert Allen Cleghorn’s professional activities in psychiatry and includes 2 albums of photographs, lists of Cleghorn publications, 4 non-academic papers, a copy of Building on around the past: 50 years of psychiatry at McGill, and a carbon copy of Cleghorn's report to the Canadian Medical Association Journal on the Third World Congress of Psychiatry, 1961.

The fonds reflects Agnes Honoria Wrong's career as a columnist and mainly consists of scrapbooks containing food columns published in different Canadian newspapers chiefly under the pen name Janet March. Janet March's real name was Agnes Honoria Armstrong Wrong, and she wrote under many pen names. The earliest columns (1931-1933) are signed "Suzette" and were published in the Saturday Night Magazine (Toronto) Some other food-related columns published in the Junior League Magazine (1933-1935) are signed "Epicure". Later columns in the Saturday Night Magazine (1939-1946) are ordered more or less by year in specific scrapbooks. Articles about history of food, as well as recipe columns, were published monthly in the Globe & Mail (1956-1962), some of them under her real name. Part of the material is loose in envelopes or within already filled scrapbooks, including pre-publication typed articles. Also are included a few letters addressed to the creator (reader's mail).

These papers contain Forbes' personal files of correspondence and clippings, some design materials and films of McGill football games. The personal files contain biographical materials such as his birth certificate, military commission and service records, and letters concerning his employment at McGill. Other files concern Forbes' designs for decorations for the 1951 Royal Visit, the McGill C.O.T.C., the Forbes Trophy for athletics, Forbes' involvement with McGill athletics and museums, and the career of his brother Kenneth Forbes, a painter. A number of diplomas and certificates awarded Forbes, as well as a photograph album, complete this series. Materials for designs include files on heraldry, a collection of illustrations from 19th century periodicals, designs for the Royal Visit decorations (a few, by Percy Nobbs, were used for the 1939 visit), maps, linocuts, bookplates, and programmes designed by Forbes for McGill events, ca 1925-1950. Thirty-four reels of motion picture film record McGill extramural football games (1947-1951). Films with sound track show the construction of the Currie gymnasium (1939-1940), and demonstrate the swimming techniques of Matt Mann. Additional biographical material is provided by obituary notices and letters of condolence to Mrs. Forbes, and by clippings of articles about Forbes.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.