"Architectural Drawings, 1963-8, 237 drawings." Measured drawings of historic architecture by students of Anderson are found in the archive. Also included are drawings of windmill machinery. The drawings have been accessioned but they have not been described.
"Photographs, 1964-7, 46 photographs." Included are photographs of windmills and miscellaneous negatives of measured drawings of historic architecture by Laval students. (see Anderson & Students 42.01) The photographs have been accessioned but they have not been described.

"Dessins architecturaux, 1963-1968, 237 dessins." Relevés d'architecture historique réalisés par les étudiants d'Anderson. Le fonds comprend également des dessins de machinerie de moulin à vent. Les dessins ont été dépouillés mais n'ont pas encore été décrits.
"Photographies, 1964-1967, 46 photos." Notamment des photos de moulins à vent et des négatifs divers de relevés d'architecture historique faits par des étudiants de l'Université Laval. Les photos ont été dépouillées mais n'ont pas encore été décrites.

The fonds consists of the personal papers of Aimé Sydney Bruneau, including personal family and WWI correspondence, diaries, minutes, manuscripts, and Shakespeare manuscripts.

The fonds consists of the records of the Zoological Society of Montreal for the entirety of its existence, from 1964-2016. These records were generated in the pursuit of the Zoological Society’s goal to enhance public awareness of wildlife conservation issues through speakers, film screenings, field trips, special events, and large projects. The records also reflect the Society's charity to zoological, ecological and conservation causes. The administration of the Society, its interactions with its members, and its projects and events are documented through minutes, correspondence, communications, published articles, financial documents, reports, and proposals. The Society’s interests and activities are also reflected through books, objects from their offices, audio and video materials, and 5243 photographs, most of which are stored in photo albums. The fonds also contains the records of the Zoological Society of Canada, which were created to administer the Canadian Society similarly to the Montreal Society, with the goal of expanding the organization’s reach nationally.

The fonds is comprised of the following series: 1) Activities (1965-2013); 2) Administration (1964-2016); 3) Artifacts (1980-2004); 4) Books (1967-1991); and 5) Newsletters (1967-2016).

The collection documents the life of Katsuji Nakashima since his arrival in Canada in 1909. The material consists of a personal handwritten journal written on rice paper in ancient Japanese; a Dominion of Canada certificate of Naturalization issued in 1919; a passport issued by the Imperial Japanese Government (1921); invitations, bills and other ephemeral items (ca. 1910-1945); military photographs; an Internment Camp Ration Book; and other personal documents reflecting the civilian and military activities of Katsuji Nakashima. The collection also contains personal belongings such as Buddhist prayer items.

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

This series consists of research, writing, and correspondence files relating to Casey Wood's major and minor publications and unpublished works, as well as, others assisting in Wood's publications, research, or writing about Wood. The majority of the research and writing materials for Wood's published and unpublished works were created between 1920-1940, while other materials collected during Wood's life, those associated with his memoir and obituary, date from approximately 1850-1943.
Some prominent writings by Wood include “Introduction to the Literature of Vertebrate Zoology” (1921-1956), his unpublished memoir (ca. 1850-1939), “Fundus Oculi” (1911-1934), Wood family history (1920-1940), “Birds of Fiji” (1920-1928), “Through Forest and Jungle in Kashmir and North India” (1921-1934); Persian, Arabic and Hindustani manuscripts (1927-1934); and “The Art of Falconry” (1942).
The series consists of many volumes and files containing a number of record types including manuscripts, typescripts, proofs, publications, photographs, correspondence, clippings, printed material, postcards, journals, administrative and financial records, and artwork. Some of the volumes are scrapbooks containing many of these materials mounted within, while others include similar materials bound within. These volumes do not necessarily have a clear organization but are sometimes arranged chronologically or by correspondent.

There are 2230 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Subseries 1) Introduction to the Literature of Vertebrate Zoology includes 1313 pieces of correspondence, the largest number of correspondence within the collection.

This subseries consists of many of Wood's major publications in various iterations such as manuscripts, typescripts, page proofs, and galley proofs. Additionally, this subseries contains other manuscripts, research notes, photographs, prints or illustrations, correspondence, book reviews, and other materials relating directly to Wood's research projects and publications. The material is dated from 1904-1942 but focuses predominantly from 1913- 1934. Much of the subseries is composed of bound volumes, some of which contain multiple record types, either bound or mounted within the volumes.
The research and writing projects focus on the following topics and geographic regions: ornithology, Fundus Oculi (1911-1934), Wood’s family history (1920-1940), South America (1920-1921), Fiji and Fiji Islands (1920-1931), fossil eggs (1923-1925), flowers and meadows in Switzerland (1924-1934), “An Introduction to the Literature of Vertebrate Zoology,” aviculture (1925-1928), New Zealand, medieval Persian manuscripts (1927-1934), Benevenutus Grassus’ de Oculis (1930), John III, Kashmir and North India (1921-1934), Ceylon (1925, 1928, 1934), "the Art of Falconry" (1938?-1942), and Ali ibn Isa (1935-1936).
Other contributors to some publications and manuscripts include Marjorie Fyfe, Alexander Wetmore, Wladimir Ivanow, Arthur William Head, Dr. Andreas Nell, W. J. Belcher, William C. Morgan, and Marion C. Tallmon.
This subseries also contains 145 incoming and outgoing pieces of correspondence including letters and notes. Some individuals addressed include Arthur William Head, Christopher Leggo, Lillian Bates, Elizabeth E. Abbott, Cora Raymond, Dr. Richmond, W. J. Belcher, C. S. Walis, Theodore Hamblin Ltd., James R. Slonaker, and R. R. Donnelley and Sons Co.. This subseries also includes photographs of Wood’s family, professional colleagues and friends, and research and publications.

This subseries focuses on the unpublished memoir of Casey A. Wood, which consists of manuscripts, typescripts, notes, research project notes and publications, correspondence (1888-1939), photographs, clippings and printed material, and journals (1891, 1930-1931) from approximately 1850-1939. Wood had assistance from family members, professional connections, and friends to compile his biographical information for the memoir. Wood was living in Rome during the mid- to late-1930s, so much of the Canadian research was conducted by family members Samuel Casey Wood III, Alan Wood, and Edith Hayes. There is correspondence between Wood and his family on the progress of the memoir, their family, and personal lives. The subseries consists of approximately 110 letters and 1 telegram with additional correspondence, clippings, and other materials integrated into the memoir’s manuscript and typescripts.
Individuals addressed within the correspondence and other materials include Alan Wood, Samuel Casey Wood III, George Iles, H. Clay Evans, Dr. George H. Mathewson, Francis J. Shepherd, Harvey Cushing, Dr. George H. Simmons, Casey Hayes, Josephine Seymour, Dr. Charles P. Small, Ms. Slaughter, Major J. C. Dawson, Dr. J. C. Simpson, J. R. Slonaker, Irving S. Cutter, Dr. H. D. Birkett, Dr. Franck Brawley, Dr. Maude Abbott, Elizabeth E. Abbott, Dr. W. W. Francis, Harry Harris, G. R. Lomer, Dr. Harry Vanderbilt Wurdemann, Dr. C. F. Wylde, V. C. Wynne Edwards, Dr. Andreas Nell, Sir William Osler, C. F. Wylde, Frank Allport, and Norma Shearer.
Throughout the subseries common topics include providing information for the memoir, travel, careers, education, Italy during the late 1930s, politics, ornithology, zoology, donations of materials by Casey Wood, family, Emperor Frederick II and “the Art of Falconry,” Emma Shearer Wood and Blacker Library collections, aviculture, John III, the Feather book, animal protection, history of medicine, “Coloured Plates of the Birds of Ceylon,” Ali ibn Isa, and Wood’s research, career, and health.
The printed material includes a variety of leaflets, brochures, cards, invitations, tickets, bookplates, booklets, clippings etc. from or about various current events, travel experiences, publications, etc.. Within the subseries' photographs are images of Dr. Thomas Woodruff, Emma Shearer Wood, Casey Wood, Marjorie Fyfe, James Shearer, Eliza Shearer, Dr. Richmond, Dr. Ridgway, other family members and friends, and from research trips. Places related to Wood’s life mentioned in this subseries include the United States, Canada, Germany, Sri Lanka, England, Italy, Ethiopia, Vienna, France, Afghanistan, British Guiana, Australia, Fiji, McGill and Emma Shearer Wood Libraries, Bishops’ College, Western General Hospital, Stanford University, and the Chicago Ophthalmological Society.

The Alice Johannsen fonds reflects her lifelong involvement in nature, museums, community and her fealty towards her father, Herman-Smith (Jackrabbit) Johannsen. It consists of three series; personal and family series, 1994 to 1991, the Redpath series, 1919-1971 and a professional activities series, 1919-1971.

Fonds consists of two undated architectural drawings and one photograph of Drummond Street houses, taken approximately 1890. Architectural drawings are elevations of two houses located on Drummond Street in Montreal, designed for Mr. Lighthall.