This series consists of photographs, posters, and advertisements for Endre Farkas’ plays and associated artists. It also includes maps from Farkas’ trip to Budapest.

This series consists of manuscripts written by Farkas, both drafts and final copies. These manuscripts include Chance Takes, Murders, Face Off/Mise au Jeu, Surviving Wor(l)ds, Blood is Blood, How To, Never Again, Szerbusz, Life Till The Next Morning, Romantic at Heart and Other Faults, Language Cops, This Wind, and Katie the Collector.

This series consists of poems written by Endre Farkas. Many of them are sorted alphabetically. All documents relating to other poets and poetry-related endeavours. Newsletters and bulletins from the Montreal Poets’ Information Exchange are also included.

This series consists of reviews of Endre Farkas’ books, plays and performances.

This series consists of scripts written by Endre Farkas for plays that were performed live. These scripts include The Haunted House, Murders, A Minute to Go, The Heart of the Matter, Midnight Jazzing, I Love You Je T’aime, The Every Day, No More Easy Love Poems, Voices, Time, and Circus of Words.

This series consists of poems translated by Endre Farkas into English and French. A large portion of this translations are of a Hungarian poet named Bari Karoly, with whom Farkas was good friends.

This series consists of materials that relate to the group of poets that Endre Farkas was associated with called the Cabaret Vehicule Poets.

This series consists of works by other authors, both translated and not translated.

This series consists of audiovisual materials and mixed media including CDs, DVDs and cassettes. They include video recordings of Endre Farkas’ plays as well as spoken word poetry.

Series consists of 15 bound volumes containing culinary and medicinal recipes, all created or collected in the Doncaster region of South Yorkshire. Two of the volumes are printed works by female authors devoted to cooking, confectionery, and household management (publication dates 1795 and 1814). The remaining 13 are manuscript notebooks. Two of the manuscripts feature attributions to Sarah Anne Warde, while one is attributed to Eliza Smithson. The manuscript attributed to Eliza Smithson contains an enigmatical bill of fare, or table setting riddles, penned by Smithson wherein in place of the name of a dish, Smithson provides an enigma.