Fonds consists of Vaughn's draft of Sir William Van Horne.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The fonds consist of copies of deeds, some of which concern the British-American Land Co., that were executed by Torrance for the period 1856 to 1861, and a notebook of opinions on Québec legal questions, including copies of letters from the firm Torrance & Morris (1857-1859).

Fonds relates to a dining club, the Philogastric Institute of McGill, and include correspondence, principally from Richard Pennington to John Bland, as well as printed menus.

Hardinge's papers are divided into two series: manuscripts and correspondence. The manuscripts comprise about 550 documents, reports, memoranda, etc. relating to Hardinge's work as a career soldier and administrator. The Indian phase of his career is the least well covered. Many of these documents were written by others, such as the Duke of Wellington or Lord John Russell, though they contain Hardinge's marginal notes. Papers on the British Army cover such topics as religious services for soldiers, 1823-1844; the organization and reform of military supply departments, 1822-1830; an inquiry into British military education, 1822-1829; and the organization of the Medical Department, 1812-1828. Material on the Home Army covers the period 1814-1850 while material on Ireland, 1816-1843, concern not only the militia, but also more wide ranging economic, social and political issues, such as the commutation of tithes. Papers on British North America, 1815-1844, concentrate on defence of the St. Lawrence Valley and the Maritimes, with special emphasis on canals (Rideau, Lachine, Welland). The strength, distribution, health problems and pay of troops in India, 1846-1847; the fortification of Aden, 1825-1847; and military matters pertaining to the West Indies, Bermuda, Australasia, South Africa, Mauritius, China, the Iberian peninsula and the Crimea are also discussed. It should be noted that the Australian papers also contain a considerable body of civilian population statistics. Hardinge's files also contain materials on military finance, particularly army estimates, 1826-1844; half-pay and pensions, 1812-1832; pay and allowances, 1827-1841; and the finances of the War Office, 1803-1847. Finally, a section of miscellaneous papers includes addresses by Hardinge, memorials of civil and military officers, cases of military discipline, proposals for new weaponry, and some documents on the reorganization of the government in 1827. The only items of personal interest concern the duel between Wellington and Lord Winchelsea, in which Hardinge was Wellington's second. The Hardinge correspondence is of much the same character as the manuscripts. It comprises over 2,000 letters, the largest blocks falling in the periods 1828-1831, 1842-1844, and 1852. There is a particularly substantial body of letters from Wellington and Lord Londonderry. Supplementing these papers is a microfilm of Hardinge materials in Cambridge University Library. These place more stress on the Indian period, with a large number of letters from Sir Robert Peel.

Fonds consists of six letters, with four manuscript letters from Rilke written between 1896 and 1922 and two discussing letters discussing these. The four letters from Rilke are addressed to various correspondents, including on 8 November 1896 to the author Gabriele Reuter regarding her book, 15 October 1904 to Anette Vedel, and 9 July 1907 to an unidentified correspondent. The fourth letter dates likely from August or September 1922 and is addressed to Elfriede Nicolaus. The two later letters which discuss the Rilke letters include one dated 13 December 1954 from Hedvig Wahlgren regarding the date of the 1922 letter to Nicolaus and one dated 29 November 1955 from Ruth Fritzsche (née Rilke) to McGill Librarian Richard Pennington.

Collection consists of one bound manuscript notebook softbound in a piece of brown leather. The notebook dates chiefly from 1841 and was produced in St. Armand by Philip Luke. The notebook contains a title page that has been lettered, illustrated, and coloured by hand: A Latin Translation / by Philip Luke. St. Armand. 1841. Commenced April 4th. The text within this first portion of the notebook is Aesop's Fables in English and Latin on facing pages. The first part of the manuscript ends with "13. Horse and Ass" (Latin is incomplete) and "32. Widow and Servants" (Latin text missing). The following leaf contains two medical recipes: "A cure for a felon or whitlow," refering to an abscess or infection of the fingertip and consisting of a paste made from egg yolk, honey, turpentine spirits, camphor, and flour, and "A reciet for the inflammatory rheumatism," involving a wine-based tonic containing three types of bark, horseradish, brandy, and tar water. Following another blank leaf, a partial letter is found dated 1839. Philip Luke's text begins again in the latter part of the manuscript with a second coloured title page: "Dialogues and Declamations." There is also one loose note laid in dated 1809, a receipt for 100$.

This fonds contains material related to the political career and personal life of Noel Noel-Buxton, as well as the political career of his wife, Lucy Noel-Buxton. The documents cover a period between approximately 1860 and 1953. Much of the material concerns Noel Noel-Buxton and Lucy Noel-Buxton's roles as members of parliament - and thus British domestic politics - Noel Noel-Buxton's involvement in various committees and causes generated material related to many parts of Europe (particularly the Balkans), Turkey, Egypt, Southern Africa, Ethiopia, and Hong Kong. There is a significant amount of content related to the First and Second World Wars, and Anglo-German relations more broadly.

The fonds is arranged into 5 series, grouped by activity: 1 - Correspondence, 2 - Writings, 3 - Subject files, 4 - Personal and financial documents, 5 - Published material. Documents in these series include correspondence, notes, drafts and manuscripts, publications and reports, clippings from newspapers and magazines, and some photographs and drawings.

Fonds consists of an album of autograph letters and signatures, including letters both to and from Nichols. Correspondents include John Temple (26 November 1821) and Charles Burney Jr. (5 January 1809). Also represented in the fonds are Nichols's children John Bowyer Nichols (1779-1863) and John Gough Nichols (1806-1873), including a letter to John Gough Nichols from Sir Henry Ellis (2 December 1842).

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.