This collection consists of 15 autograph letters between a sender who is only identified by the initials "J.T." and a Miss Fanny Caulfield. Also included is a love letter by Irish poet J. Finnerty, dated 1852.

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

Collection consists of 36 autograph letters written to James Cameron and his son Archie. The correspondence includes letters by friends, associates, and members of the Cameron family in Toronto, Lake Beauport, Scotland, England, Hull, and Montreal. Subjects include family news, freemasonry, business (regarding deed of sales), factory work in Toronto, curling, and an April Fools' Day letter. With three extant envelopes.

Correspondence, accounts, journals maps, etc., documenting Bissett’s career with the Hudson’s Bay Company. The Photostats (in C.1 and C.2) include Bissett’s journal and accounts at the Red River, 1854-1855, and a journal “Lachine to the Sandwich Islands” 1858-1859. There are also journals for 1859 and 1867. The original documents (in C.3) include correspondence with the Hudson’s Bay Company, 1858-1875, and accounts, 1860-1873. There are Bissett’s commissions as Chief Trader (1858) and as Chief Factor (1872), and a list of Chief Traders and Factors, 1855-1879. There are also some plans / maps, sketches, and photographs including a sketch of the Hudson’s Bay Post at Honolulu, ca. 1860.

Letters and papers relating to employment with the Hudson’s Bay Company. These include letters of appointment, official announcements, lists of officers of the Hudson’s Bay Company, and an inventory the posts and officers in the Albany River district.

The fonds contains professional and private correspondence from Emma Albani, the first Canadian-born singer of international fame, to Parisian publisher Henri Heugel.

Correspondence 1921-1931 concerning Simon McTavish; official copies of legal documents including estate inventories, lawsuits over the McTavish estate, and Simon McTavish’s will; notes for Baylis’ study of McTavish; numerous petitions and newspaper clippings on the state of the McTavish monument and tomb (Peel St., Montreal), and a typescript of his text concerning Simon McTavish. Also two letters from Ignatius Donnelly, 1899, and a letter 1895, from J. Middleton to John Doyle about 19th century gardening in Montreal and the funeral of Judge James Reid.

Greeley's papers comprise 15 letters, and the original typescript, with handwritten corrections of Chapters 11-18 of Arctic Discoveries.

Fonds consists of six letters, with four manuscript letters from Rilke written between 1896 and 1922 and two discussing letters discussing these. The four letters from Rilke are addressed to various correspondents, including on 8 November 1896 to the author Gabriele Reuter regarding her book, 15 October 1904 to Anette Vedel, and 9 July 1907 to an unidentified correspondent. The fourth letter dates likely from August or September 1922 and is addressed to Elfriede Nicolaus. The two later letters which discuss the Rilke letters include one dated 13 December 1954 from Hedvig Wahlgren regarding the date of the 1922 letter to Nicolaus and one dated 29 November 1955 from Ruth Fritzsche (née Rilke) to McGill Librarian Richard Pennington.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.