The fonds consists of a bound manuscript "Athletics at McGill" by R. Tait McKenzie

Traquair's papers largely concern his work as a lecturer. School of Architecture lectures in architectural history cover the classical, mediaeval and modern periods (ca 1935-1936), while those on architectural ornament are largely devoted to lettering. Miscellaneous lectures, about 30 in number, were delivered between about 1924 and 1937 to various audiences, such as school children, extension students and members of art and architectural associations. They deal with architectural history, architectural principles both aesthetic and social, and other art forms (painting, carpets, heraldry etc.)

Material relating to Traquair's publications includes drafts of about 15 articles on many of the same topics as the lectures described above, and stemming from the same period. A special series of notes and manuscripts, together with some correspondence, illustrates Traquair's research on Québec arts.

The fonds documents mainly Babkin's professional interests in physiology, especially glandular secretions and the nervous system. The fonds contains correspondence; lecture notes; citations; research notes and papers, including manuscripts sent to him by his colleagues; reprints of scientific articles mainly in Russian; and material used in the preparation of the biography of Ivan Pavlov. The latter contains correspondence with Ivan Petrovich Pavlov and members of his family, 1923-1948; photographs and portraits; and an unabridged typescript copy of Parts 1-3 of Pavlov: a Biography, with manuscript corrections, 1943-1946.

Apart from student laboratory notes in physics, 1919, Shaw's papers consist of printed and mimeographed reports on a miscellaneous group of chemical topics, but with a significant percentage on ethylene, propylene, acetylene and ethers, together with some of Shaw's manuscript notes and charts. Also included is his report to Canadian Electro Products on acetaldol formation.

This fonds comprises of the research work of C.A. Brodie-Brockwell. It consists of unpublished manuscripts and notes on early Mediterranean cultures and civilisation, pre-Christian Hebrew, Semitic and Arabian culture, as well as investigations into early calendars and methods of counting (boxes 1- 6, and box 7, files 1-8, 10). Other files include: hand-drawn maps of peoples of Europe in different times (box 7, file 9); lecture named “A New Interpretation of the Parable of the So-Called Unjust Steward” (box 7, file 11); correspondence (box7, file 12); dictionary notebook (box 7, File 13).

The binders with manuscripts are arranged by subjects, discerned from their titles and content.

Fonds shows Thomas Gibson's interest in history of medicine. It contains papers on John Palmer Litchfield and on the General Council of Medical Education and Registration of Upper Canada. Dr. Gibson's notes on the translation of Theodore Turquet de Mayerne of the Opera Medica of Joseph Brown, ed. 1700. Correspondence.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Fonds contains the author's original manuscript of Augustus, begun in 1934 and finished in 1937.

Fonds shows Herbert Frederick Moseley's relations with his editor for his book "Shoulder Lesions". It contains an original manuscript with the publisher's annotations for the 1945 edition and another complete copy.

The fonds consist of a variety of textual materials created by Andrew Pyper such as published and unpublished materials, early creative writing works, story-outlines, drafts, agendas and diaries. The fonds also contains personal correspondence between Pyper and his publishers, editors, friends and fans. The collection includes working scripts for television and film adaptations of his novels. The photographic material mainly consist of Pyper’s early childhood in Stratford, time at McGill University, travels to the Yukon and Brazil, and living in Toronto.