This file contains a portrait of Pierre Bélanger, Dean of Graduate Studies, Vice Principal (Research), 1995-2002

This file contains photos of the McGill Bookstores, including ground-breaking ceremony, construction, and opening ceremony. People in photos include David Johnston (Principal of McGill), G.W. Franks (General Manager), Sam Kingdon, Horst Bitschofsky (Assistant Manager), Steven Joe (Construction), David Inhaber (G.M. Buyer), and Maril Azzopardi (Text Buyer). Includes two invitations to the opening of the bookstore, one addressed to David L. Johnston.

This file contains photos of young men in athletic uniforms for various sports, including hockey, track, and football. Four of the photos have quotations beside the images.

The fonds consist of draft reports and texts of speeches given by Vincent de Pasciuto-Ponte as well as bound reports and promotional material related to projects that Ponte was involved in through his work with architect I.M. Pei including McGill College Avenue and Place Ville Marie in Montreal, Quebec. In addition, the fonds contains published materials such as periodicals related to art and architecture, maps, travel literature and guidebooks (mostly relating to travel to Rome, Italy). Six black and white photographs of Ponte are included.

The fonds consists of correspondence regarding John Peters Humphrey and the Humphrey memorial stamp (1995-2004), Tamar Oppenheimer's Columbia M.A. thesis entitled, International Conventions on the Political Rights of Women, 1920-1948, correspondence pertaining to Air and Space Law (1999), as well as correspondence and pamphlets relating to the Third United Nations Conference on the Exploration and Peaceful Uses of Outer Space (1999), between 1993 and 2004.

The series consists of records pertaining to Duncan’s published works and art work. The series contains four scrapbooks of clippings related to each of her published books: “You Can Live in An Apartment” (1939), “Here’s to Canada!” (1941), “Bluenose: A Portrait of Nova Scotia” (1942), and “Partner in Three Worlds” (1944). Duncan’s work as a writer is also represented by publishing contracts from houses in New York and London (1940-1946), a series of photographs and captions that were used in “Here’s to Canada,” and files of newspaper and magazine clippings of articles written by and about Duncan, including a feature that she wrote about Gabrielle Roy. Duncan’s work as an artist is documented by files of clippings and contracts with art galleries. There is also a list of Duncan’s paintings included in one of the notebooks in Series 5 Notebooks and Diaries (1931-1957).

Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.

The fonds primarily reflects Pappius’s activities as a researcher at the Montreal Neurological Institute-Hospital (MNI/H): both her experimental research as such and various support activities, including academic publication, coordination of research projects with colleagues, and acquiring funding. It also contains much information about her leadership of the Clinical Neurochemistry Laboratory. The fonds contains smaller amounts of documentation regarding her activities as a professor at McGill University, her administrative roles at the MNI/H, and her participation in professional organizations, which reflects the smaller place that those roles occupied in her professional life.

The period of time best documented in the fonds spans the early 1980s to Pappius’s retirement in 1995. Correspondence with colleagues, mostly though not exclusively work-related, contains relatively more material from Pappius’s early career; although, here too, most of the material dates from the 1980s and after.

The main document types in the fonds related to Pappius’s research activities are experiment worksheets and printed tabular research data. Many of the research-related files contain negatives of autoradiographies, with a smaller number of photographic prints. Correspondence can be found in many series besides series F (Correspondence), as much of Pappius’s work was collaborative in nature.

The fonds is divided into eight series: (A) Research, (B) Academic events, (C) Teaching, (D) Administrative activities, (E) Professional organizations, (F) Correspondence, (G) Personal collections, and (H) Visual documents.