Typed copies of the official and private correspondence, 1814-1821, held in the McCord Museum in the William MacKay Papers. They consist mainly consist of military records such as commissions, 1813-1814, correspondence between members of the British Indian Department, including Lt. Col. Robert McDouall and his description of the siege of Prairie du Chien, with reference to the Omaeqnomenew (Menominee), Hocak (Winnebago), and Meskwaki (Fox) warriors who fought alongside British forces, as well as to the Potawatomi leader Main Poc (referred to as Marpock), 1814-1815 and copies of correspondence of Capt. Thomas Anderson with Lt Col. Robert McDouall on military actions, supplies and Indian relations, 1814-1815. There is also a newspaper clipping about Alexander MacKay and the partnership agreement admitting William MacKay and David Mackenzie into the North West Company in 1796.

Consists of letter from Lord Selkirk to Captain Benjamin Walker dated 14 June 1816 concerning the sale of Selkirk’s land at Salmon River, New York, and his impending departure for the Red River.

Family correspondence chiefly from 1763 to 1820 and family history documents.

This collection consists of 15 autograph letters between a sender who is only identified by the initials "J.T." and a Miss Fanny Caulfield. Also included is a love letter by Irish poet J. Finnerty, dated 1852.

Correspondence, accounts, journals maps, etc., documenting Bissett’s career with the Hudson’s Bay Company. The Photostats (in C.1 and C.2) include Bissett’s journal and accounts at the Red River, 1854-1855, and a journal “Lachine to the Sandwich Islands” 1858-1859. There are also journals for 1859 and 1867. The original documents (in C.3) include correspondence with the Hudson’s Bay Company, 1858-1875, and accounts, 1860-1873. There are Bissett’s commissions as Chief Trader (1858) and as Chief Factor (1872), and a list of Chief Traders and Factors, 1855-1879. There are also some plans / maps, sketches, and photographs including a sketch of the Hudson’s Bay Post at Honolulu, ca. 1860.

Collection consists of 38 letters written primarily by John Wood Senior to family members in England. Many of these were written to a sister or sister-in-law and a few are addressed to his brother, Will Wood, a watchmaker and jeweller in London, including two in which Wood includes a list of trade supplies to order. Four letters are from John Wood's son, Peter Wentworth Wood. One letter is by John's wife, Anna. Contents include topics such as the country's economy, Canadian-British politics, the Woods' watchmaking and jewellery business, crops, slavery, and the American Civil War, as well as local Montreal news on subjects such as fires, the Victoria Bridge, a cholera outbreak, the 1856 Railroad Celebration, and a visit by the Prince of Wales. Letters also include family news, particularly of John Wood's children Peter, John, and Charles, seafaring disasters, gold mines, improvements in shipping in the St. Lawrence seaway and the Atlantic Ocean, the expansion of railroads, and the Atlantic Telegraph. Letters date between 25 November 1839 and 13 December 1867. One is a crossed letter.

Correspondence 1921-1931 concerning Simon McTavish; official copies of legal documents including estate inventories, lawsuits over the McTavish estate, and Simon McTavish’s will; notes for Baylis’ study of McTavish; numerous petitions and newspaper clippings on the state of the McTavish monument and tomb (Peel St., Montreal), and a typescript of his text concerning Simon McTavish. Also two letters from Ignatius Donnelly, 1899, and a letter 1895, from J. Middleton to John Doyle about 19th century gardening in Montreal and the funeral of Judge James Reid.

The fonds contains professional and private correspondence from Emma Albani, the first Canadian-born singer of international fame, to Parisian publisher Henri Heugel.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.