Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.

Collection consists chiefly of an album of photographs and clippings compiled by Cecile (Burroughs) Masson. Captions date the photographs to between 1915 and 1940, with one earlier photograph from 1883 that depicts Cecile and Rodrigue Masson's wedding. Many of the personal photographs depict members of the Masson family taken in Terrebonne, Quebec (where the Masson family home was located), in Ottawa, and during travels to Italy, London, the south of France. There are 28 leaves of full page plates of travel photographs from France, Italy, and Africa. Also included in the album are postcards and newspaper clippings. One series of postcards depicts architecture in Terrebonne, Quebec. The clippings include a letter to the editor written by L. R. Masson (Mrs. L. A. Globensky) and published in the Montreal Star, 1939. Other clippings relate to the S-Plan, a bombing campaign by the Ireland Republic Army, in 1939, as well as the British royal family. The album is half bound in faux black morocco and pebbled cloth boards with the initials C. M. stamped in gilt on the front cover. A caption at the head of the second leaf reads "This album is for mother from Grace", with "mother" crossed out. An inscription on the first leaf reads "This is for my dear daughter Cecile. Many happy memories of the past - affectionately from Mother." The collection also includes two loose black and white photograph portraits, one of which is inscribed to Aunt Cecile.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

The series consists of documents related to Dorothy Duncan’s personal life, including a copy of Dorothy Duncan’s birth certificate, clippings of obituaries from Duncan’s death, and two personal photo albums (1930-1940). The photo albums are a mix of family photos, personal travel photos, and commercial postcards and photos documenting Canada, the United States of America, and various European countries.

The series consists of records pertaining to Duncan’s published works and art work. The series contains four scrapbooks of clippings related to each of her published books: “You Can Live in An Apartment” (1939), “Here’s to Canada!” (1941), “Bluenose: A Portrait of Nova Scotia” (1942), and “Partner in Three Worlds” (1944). Duncan’s work as a writer is also represented by publishing contracts from houses in New York and London (1940-1946), a series of photographs and captions that were used in “Here’s to Canada,” and files of newspaper and magazine clippings of articles written by and about Duncan, including a feature that she wrote about Gabrielle Roy. Duncan’s work as an artist is documented by files of clippings and contracts with art galleries. There is also a list of Duncan’s paintings included in one of the notebooks in Series 5 Notebooks and Diaries (1931-1957).

Collection consists of three albums containing photographs taken at Grenfell Mission and one framed photograph. Albums feature many photographs of St. Anthony and the region, its inhabitants, the medical staff at the Grenfell Mission, and activities such as dogsledding.