Fonds consists of many examples of Szyk's illustrations in the form of prints, commercially-reproduced illustrations, and drawing studies, as well as printed ephemera. Examples of Szyk's illustrations reproduced on commercial products or other items include postage stamps, posters, book jackets, and calendars. The fonds contains ephemera related to or containing Szyk illustrations, including newspaper clippings and issues of magazines featuring articles on Szyk or reproducing one of his designs. Box 10 contains original drawing studies, mostly for the Book of Esther. The fonds also contains materials related to an exhibition on Szyk at McGill University Library held in 1954.

This fonds contains material related to the political career and personal life of Noel Noel-Buxton, as well as the political career of his wife, Lucy Noel-Buxton. The documents cover a period between approximately 1860 and 1953. Much of the material concerns Noel Noel-Buxton and Lucy Noel-Buxton's roles as members of parliament - and thus British domestic politics - Noel Noel-Buxton's involvement in various committees and causes generated material related to many parts of Europe (particularly the Balkans), Turkey, Egypt, Southern Africa, Ethiopia, and Hong Kong. There is a significant amount of content related to the First and Second World Wars, and Anglo-German relations more broadly.

The fonds is arranged into 5 series, grouped by activity: 1 - Correspondence, 2 - Writings, 3 - Subject files, 4 - Personal and financial documents, 5 - Published material. Documents in these series include correspondence, notes, drafts and manuscripts, publications and reports, clippings from newspapers and magazines, and some photographs and drawings.

The collection was assembled by the Rare Book Department at McGill to group a number of anonymous poetry collections and verse miscellanies dating from roughly the long eighteenth century. These include: a volume written around 1700 containing Milton's Comus and other poems, largely elegiac; a group of 38 original poems from 1774; satires of Cambridge personalities by an undergraduate (1795-1800); a volume of poems bound in vellum written in various hands by George Colin Campbell, Miss Flaxman, Mrs. A. M. Keith, Bernard Bolton, George Tucker and others, with sketches (1817); and Lady Murray's poetry commonplace-book (approximately 1820) containing poems by celebrated authors and some original pieces.

Collection consists of an illustrated manuscript containing a map and brief guidebook to Paris landmarks, created by Nicole Allardet probably during the 1940s or 1950s. The item is inscribed to Vivienne Horne. A folded booklet on heavy grey paper, the guidebook contains twelve panels, ten of which feature a gouache illustrated vignette of a Paris landmark and a short handwritten description in white. The landmarks include the Jardin du Luxembourg, Opera House, Eiffel Tower, the river Seine, the Bois de Vincennes, Notre-Dame de Paris, the Jardin des Tuileries, the Champs-Élysées, Montmartre, and the Luxor Obelisk in the Place de la Concorde. In the centermost two panels is a simple map of Paris showing the landmarks depicted.

The fonds reflects the scientific and literary outreach activities of the Montreal Natural History Society over the course of its existence and contains correspondence, minutes, financial records, council and committee reports, membership lists, donation lists, catalogues of holdings, newspaper clippings, lecture advertisements and weather maps. In addition, the fonds includes reference material to other societies and information regarding the publication and creation of the Canadian Naturalist and Quarterly Journal of Science, Canadian Naturalist and Geologist and the Canadian Record of Science.

The fonds is composed of the following series: 1) Accounting Records (1860-1917); 2) Administrative Records (1833-1887); 3) Catalogues (ca.1829-ca.1925); 4) Correspondence (1871-1896 with gaps); 5) Essays and Lectures (1829-1852); 6) Minutes (1827-1832,1844-1923); 7) Montreal Microscopical Society (1884-1906); 8) Reports (1828-1881 with gaps); 9) Weather Maps (1895-1897).

Containing a significant amount of information concerning the latter years of Napoleon’s reign (ca. 1810-1815), this carton would be of particular interest to researchers interested in the Armistice at Pleswitz and the diplomatic negotiations surrounding the Treaty of Fontainebleau. Diplomatic dealings between Metternich and Caulaincourt are particularly heavily represented. The dense copies of diplomatic correspondence could be of considerable interest to researchers with a sharp focus on the day-to-day negotiations concerning Pleswitz and Fontainebleau.

In addition, Folder 17 contains an unpublished description of the post-Waterloo Hundred Days by Caulaincourt. Therein, Caulaincourt recounts a broad narrative from the defeat at Waterloo to the Bourbon Restoration, including important descriptions of the question of succession and of the final push made by the Allies to restore Louis XVIII to the throne.

The fonds chiefly consists chiefly of records related to the editing and publishing work of the Muses' Company press. The fonds consists of seven series: manuscripts; financial records; publications; correspondence; records related to the Association des éditeurs anglophone de Québec; records relating to the Association of Canadian Publishers; and records relating to the Literary Press Group. Most of the records were either created or accumulated by Endre Farkas in relation to the Muses’ Co. publications between 1980 and 1995. Records relating to publishing include manuscripts of works, page proofs with corrections, editors’ and authors’ notes, published books, and publicity materials. Other production records within the fonds include correspondence, pamphlets, photographs, layouts, and drawings for covers. These manuscripts also often have accompanying materials including photos and correspondence, in particular for the Dance Agenda project. There is also correspondence including exchanges with authors such as Ken Norris, Kenneth Radu, Katharine Beeman, Elias Letelier-Ruz, Ian Stephans, and Sharon H. Nelson as well as notes to Leonard Cohen. The company's financial records in the fonds consist income tax receipts, statement of earnings, reports of sales of books, buyers, quotes, invoices, funding applications, contracts and correspondence. Notable financial records include book sales from the McGill University Bookstore, as well as the universities of Toronto, Waterloo, Calgary, and Maine. Other records include materials from the Association des éditeurs anglophone du Québec (1991-1994), the Canada Grant Council, the Association of Canadian Publishers, the Literary Press Group. Also represented is the Quanglo Tour itinerary including posters, postcards, and advertisements (1994-1995).

This fonds contains material related to the writing career, environmental activism, and personal life of Mona Elaine Adilman. The documents cover a period between approximately 1935 and 1991. Much of the material relates to Adilman's poetry, fiction, and essay writing. In addition to manuscripts of poetry, books, and essays, there are research materials, promotional materials, grant materials, and correspondence related to writing and publishing. There are also materials related to her music writing.