The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The collection documents the life of Katsuji Nakashima since his arrival in Canada in 1909. The material consists of a personal handwritten journal written on rice paper in ancient Japanese; a Dominion of Canada certificate of Naturalization issued in 1919; a passport issued by the Imperial Japanese Government (1921); invitations, bills and other ephemeral items (ca. 1910-1945); military photographs; an Internment Camp Ration Book; and other personal documents reflecting the civilian and military activities of Katsuji Nakashima. The collection also contains personal belongings such as Buddhist prayer items.

Contains manuscript compilation relating to French Huguenots: "Recueil des actes de tous les Sinodes Nationnaux... au Royaume de France, 1559-1660." Includes an additional leaf dated 1711 at the end signed Etienne Merichaux.

Fonds contains an inventory of joint property between the late Jean Orillat, a French Canadian merchant, and his wife, Thérèse-Amable Viger. Inventory signed by notary Mesière. ("Inventaire des biens de la communauté d’entre feu Mr Jean Orillat à dame Thérèse Viger son épouse, 19 juin. 1779.)

Leacock's papers comprise manuscripts of books, articles, and speeches written ca 1913-1937: included are Leacock's history of Montréal, and comic pieces such as "Too Much College", "The Stamp Album World", "Simple Stories of Success" and "Bed-Time, Stories for Grown-Up People". Correspondence covers the period ca 1915-1944. There are also newspaper articles by and about Leacock; book orders and related correspondence; manuscripts of articles and speeches about Leacock; and correspondence concerning donations to the Leacock Collection (Approximately 1948-1960).

His papers comprise correspondence concerning the McGill Medical Faculty from Lord Strathcona, the Victorian Order of Nurses, the Red Cross, and a Boer War Relief Fund.

File consists chiefly of letters, receipts, customs documents, and other materials related to a patient's procurement of the disproven cancer drug Krebiozen from 1960 to1961. Also contains clippings and articles about Krebiozen, which was introduced in the 1950s and proven to be fraudulent as a treatment in the early 1960s. Includes correspondence with the Krebiozen Research Foundation and Stevan Durovic, one of the perpetrators of the Krebiozen fraud. Also contains a publication entitled "The dangers of radiation," produced by the Independent Cancer Research Foundation. One additional letter dated 1958 is from the Chairman of the "Committee for a Fair Test of Krebiozen."

Fonds consists of manuscript of "The City of Business and How it was Built"

These consist of manuscripts of various Goldbloom's writings on paediatrics as well as various articles and speeches, 1929-1963, the manuscript of an unpublished short story titled "On a Monday Afternoon" and correspondence with Samuel Behrman, 1957-1965.

Fonds consists of contemporary manuscript copies of various legal records and instruments relating to the Capacci family. Includes one manuscript written on parchment in pale brown ink, ruled in pale brown ink, and bound in full contemporary blind tooled calf with laid paper endpapers and remnants of ties on covers, as well as a smaller booklet, written on parchment glued into a laid paper wrapper. Documents appear to be dated between 1556 and 1583 and are written in Latin and Italian (sometimes alternating within document). The legal instruments appear chiefly related to the dowry of Orietta Capacci (the dowry is also referenced in an Italian note in a later hand (1650?) inside front cover). Some names found throughout the documents include Orietta Capacci (or Orietta de Capacci) and Annibale (or Anibal) Camillo de Capacci.