The fonds consists of bound cheque stabs, a few blank cheques, from anonymous merchant.

This large collection documents Sandford's involvement with various private presses. Included is correspondence relating to the Boars Head Press, 1932-1939, with the Folio Society, Nonsuch Press and Golden Cockerel Press. There is also correspondence with various individuals relating to Sandford's writings about contemporary private presses. Included are original drawings by Dorothea Braby for the Labyrinth of the World as well as 18 boxes of electros and wood blocks from various Boars Head and Golden Cockerel Press Books.

The fonds is divided into series, following the provenance and arrangement of the depositor as much as possible. Among the principal series are: President's binders or files, Secretary's binders or files, CHLA/ABSC special reports, and CHLA/ABSC publications. Within the series are found sub-series, i.e. President's binder, correspondence. The organization of the binders revolves around the Board Meetings, which occur three times a year, in June, October and February. At this time, reports are presented and decisions acted upon. Addenda to the Board Minutes frequently exceed 10 items. The fiscal year is from June 1 to May 31.

This material documents the estate of Mrs. Charlotte Frobisher and includes a copy of her will and an inventory, 1820.

The fonds reflects Dr. Ferencz's friendship with the physician Harold N. Segall from the early 1960s until his death in 1990. It contains letters, cards, and postcards Dr. Ferencz received from Dr. Segall, as well as photographs of Dr. Segall and ephemera relating to the Segall-Gross lectures and various celebrations of Dr. Segall's life.

Charles William Colby's papers consist of three typescript copies of a poem written by him ("Old McGill, thou heir of ages...").

Tupper's papers relate to the raising of funds to finance a bust in honour of Peter Redpath in 1895.

Sangster's papers include two notebooks one containing subscriptions to Hesperus and Other Poems, 1860; and the other containing subscriptions to The St.Lawrence and the Saguenay, 1856; with newspaper reviews of his work, 1856-1887, as well as manuscript versions of Hesperus and other poems and Passing Thoughts. Also included are autograph notes concerning himself and his family; a phrenological character of Sangster, 1859, and a typescript made at McGill of his poems.

The fonds consists of textual records, photographs, graphic materials and objects relevant to the professional and academic career of Dr. Charles R. Scriver from his early years at McGill until the transfer of his personal records into the McGill University Archives in 2013. The publications series reflects Dr. Scriver’s prolific publication record in the original order in which they were received, while the Course Materials series showcases the scientist’s teaching style through lecture notes, paper clippings, and overhead slides. In Professional Activities, correspondence, working papers, and transcripts offer textual evidence of a number of Scriver’s professional endeavors and contributions to the biogenetics profession at and beyond McGill, particularly his participation in the Human Genome Project, several international committees, and many McGill-based research initiatives. The Research Records series represents the working papers and correspondence between Scriver and various international colleagues culminating in papers and monographs described in the Publications series. In addition to textual records, the series identified in this fonds includes a number of photographs, graphic materials, and objects maintained by Scriver for professional and personal purposes

The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career.