The F.R. Scott Collection contains documents pertaining to many differents aspects of F.R. Scott's life and career. His early political involvement in CCF (Co-operative Commonwealth Federation, the political party at the origin of the creation of the federal New Democratic Party [NDP]) constitutes one series; his interest in poetry another one. Also some important legal actions are documented here about language and education rights in Quebec schools. The last series contains more personal items probably gathered for an official commemorative service: tributes, press clippings. Includes F.R. Scott's passport for Montreal's Expo 1967.

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

The Richard Coulter Collection provides extensive documentation for a period of approximately thirty years in the history of the Canadian Broadcasting Corporation (CBC). It constitutes an invaluable resource for research in Canadian music culture, and the CBC in particular and prominent Canadian composers and performers. The Richard Coulter Collection consists of the radio scripts, production information and publicity connected with programs and program series commissioned, developed and broadcast on CBC Radio in Canada in the 60s, 70s and 80s. The collection also contains audio recordings of a portion of the programs produced. The collection features such prominent North Americans such as Glenn Gould and John Cage. It is divided into ten series and contains approximately 17,000 items. The majority of the collection consists of documents and correspondence from Richard Coulter’s CBC office files relating to the CBC radio programs, special events and talent festivals that he produced. These include radio and television scripts, correspondence, administrative files, project reports, concert programs, publicity, promotional information, press clippings, payment information, contracts, production and technical information, scores, and audio tapes.

The Sonde Collection provides a thirty-five year span of documentation for a Montreal-based Canadian experimental musical group who were very active electroacoustic composers and performers in the 70s and 80s. Sonde (formerly named MUD, Musical Design), created and played sound sources in Quebec, Canada and Europe. Sonde’s compositions were generally conceived for live performance on original sound sculptures. Using meditative improvisation, the group produced new music with sounds created by electroacoustic amplification and transformation.
The Sonde Collection is divided into 26 series and contains approximately 1,900 items. The majority of the collection consists of correspondence, concert posters and programs, and audio and video recordings. Activities of the Sonde group are described together as Sonde Papers and the activities of Charles de Mestral, a founding member of the group as Charles de Mestral Papers.
In the Sonde Papers, whenever it has been possible to do so, each item is referenced to the events listing, a numbered, chronological listing of events created by the group, entitled: ACTIVITES DU GROUPE SONDE (1975-2010) / Sonde Activities (1975-2010). The Sonde Papers include posters, programmes, scores, photographs, audio and video recordings.
The Charles de Mestral Papers are the personal items of Charles de Mestral, a member of the Sonde group from its inception. Whenever it has been possible to do so, each item is referenced to the events listing entitled: RÉALISATIONS DANS LE DOMAINE DE L’INSTALLATION SONORE (1985-2013, Charles de Mestral) / Sound Installations (1985-2013, Charles de Mestral) a numbered, chronological list of activities of Charles de Mestral. The Charles de Mestral Papers include scores, correspondence, installation plans, clippings, audio recordings and publications.

The Hellmuth Wolff Organ Collection consists primarily of organ plans, pamphlets, photographs, books and periodicals, and personal correspondence. The majority of these documents are associated with or represent one of the fifty organs in Wolff’s opus. In addition to depicting Wolff’s instruments, the collection of organ plans also includes Wolff’s drawings for proposed but not-constructed organs, plans by other organ builders, and plans drawn by Wolff that are based on historical models and treatises by writers such as Dom Bédos. Of the photographs, most are associated with specific Wolff organ projects and represent a span date of the late 1960s to the early 2000s. Also in the photograph collection are images of historical organs in Europe, which Wolff presumably used in modelling and designing several of his instruments, as well as images associated with other organ projects by builders such as Casavant Frères, Karl Wilhelm, and Rieger, all of whom Wolff worked with before establishing his own workshop in Laval. The collection of pamphlets includes programs, program notes, and concert series information for several of the Recitals and concerts performed on Wolff’s instruments. Of the periodicals and books, titles include The American Organist, Choir & Organ, and Orgelforum. Also in the collection are several three-dimensional models, or maquettes, of Wolff organs.

The thirteen documents are depositions taken by Lord Selkirk concerning the conflict with the North West Company at the Red River Settlement in Manitoba and at Fort William. On 11 June 1815, representatives of the North West Company attacked and fired upon the colonists, and demanded the surrender of Governor MacDonell, who, to avoid the loss of blood, gave himself up voluntarily. He was taken to Montreal as a prisoner, and charges were laid against him by his enemies, but his case was not tried. These depositions concern this case.

McGill's papers are of both a personal and a business nature. Personal materials consist of almanacs, 1801, 1802, 1812, containing short, dry diary notes; a power of attorney from McGill to Duncan Cameron, 1809; photocopies of two letters to his business associates John Askin and Isaac Todd, 1812; and copies of his will, 1813. His business interests are represented by the journal of the firm of James and Andrew McGill, 1797-1814. Four documents concerning McGill's property and its boundaries, 1798, 1803 are contained in McGill University Administrative Records, Record Group 4, c.437-c.438.

The collection consists of architectural drawings from 1888-1897 documenting three projects by Price: Windsor Station (1888-1889), James Ross House (extension, 1897), and an office building for William C. Van Horne in Vancouver, BC. These were some of Price's important commissions in Canada where he produced his most memorable work in a Romanesque Revival style, including the original wing of Chàteau Frontenac Hotel in Quebec City, QC (1882-1893), and Windsor Station for the Canadian Pacific Railway Company in Montreal, QC (1888-1889).

La collection inclut 35 dessins architecturaux créés entre 1888 et 1897. Il réunit trois projets de Price : la gare Windsor (1888-1889), la maison James Ross (rallonge, 1897) et un édifice à bureaux pour William C. Van Horne à Vancouver, Colombie britannique. Ceux sont parmi des plus importantes réalisations de Price au Canada où il a produit ses oeuvres de style néo-romanesque les plus mémorables : le bâtiment principal de l'hôtel Château Frontenac à Québec (1882-1893) et la gare Windsor pour la société Canadien Pacifique (1888-1889).

Containing a significant amount of information concerning the latter years of Napoleon’s reign (ca. 1810-1815), this carton would be of particular interest to researchers interested in the Armistice at Pleswitz and the diplomatic negotiations surrounding the Treaty of Fontainebleau. Diplomatic dealings between Metternich and Caulaincourt are particularly heavily represented. The dense copies of diplomatic correspondence could be of considerable interest to researchers with a sharp focus on the day-to-day negotiations concerning Pleswitz and Fontainebleau.

In addition, Folder 17 contains an unpublished description of the post-Waterloo Hundred Days by Caulaincourt. Therein, Caulaincourt recounts a broad narrative from the defeat at Waterloo to the Bourbon Restoration, including important descriptions of the question of succession and of the final push made by the Allies to restore Louis XVIII to the throne.