"Architectural drawings, 1957-76, 161 drawings."
The archive holds drawings for seven projects.
Beardmore Building, 417 rue St. Pierre, Montreal, Que., 3 drawings by I. Nicolas from 1936, 11 drawings by Harry Stilman. The building was originally designed in 1911 by Howard C. Stone.
New Building for Canadian Vickers Ltd., 4970 Notre Dame Street, East, Montreal, Que., 1963-64, 12 drawings
Davis YM-YWHA Building, Cote St. Luc, Que., 1965-66, 16 drawings
Pavilion of Judaism, Expo '67,1966-67, 46 drawings
YM-YWHA Building Chomedy Branch, Laval, Que., 1969-70, 35 drawings
Yeshiva Gedola Mercaz Hatorah, Deacon Road, Montreal, Que., 1973, 18 drawings
Alterations to 180 St. Catherine Street East, Montreal, Que., [La Patrie Building], 1973-74,76, 19 drawings including plan of property

"Photographs"
Beardmore Building, 417 rue St. Pierre, Montreal, Que., 3 photographs
Alterations to 180 St. Catherine Street East, Montreal, Que., [La Patrie Building], 13 photographs

Fonds consists principally of one three-ring loose leaf holograph notebook written in pencil and ink. The notebook details cases that Morton worked on during the period of February to May, 1935, while at Guy’s Hospital in London. Fonds also includes a letter from real estate broker William E. Speed to Capt. W. B. Holms concerning a property rented to the Mortons; single blank leaf with letterhead of C. S. Morton (Harry Stafford Morton’s father); New Year’s card from Earle C. Phinney; and newspaper clipping of editorial by Sir William Osler, “Promethean Gift of the Century Physical Suffering Diminished.”

Fonds contains correspondence, including letters and postcards from Sir William Osler, clippings and two photographs.

"Architectural Drawing, n.d., 3 drawings." The archive contains an ink on paper drawing of architectural details.

"Dessin architectural, s.d., 1 dessin." Le fonds contient un dessin au trait de détails architecturaux.

Hereford's scrapbook of autographs contains excised signatures, and sometimes entire letters from federal and provincial government officials. The correspondence is sometimes personal, sometimes official, but the criterion for preserving the letter seems to have been the signature.

Fonds consists mainly of Perrin's typescript lectures (1922-approximately 1929). Some of the lectures are in series, and were probably used in teaching university courses. Some consist of introductory or graduation addresses to music students. Predominant topics include music education, music in Canada, national musical styles, formal and genre developments, aesthetics, and the work of individual composers. Perrin's correspondence comprises a general file (1912-1949) concerning faculty matters, concerts, publications, and personal affairs, a file regarding concert and speaking engagements (1911-1929), and a few letters about the publication of Perrin's Canadian Song Book (1918). Some essays and answers to examination questions stem from Perrin's student years.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

Fonds contains two admission cards of Harry C. Cunningham for the year 1883, one for the course of Microscope in Medicine signed by Sir William Osler and one for a six month ticket to the Montreal General Hospital.

The Harry Barker fonds contains poems written by Harry Barker, including three which were clipped from a newspaper.

The fonds consists primarily of letters written during World War I to Drake's sister Daisy Molson and sister's husband, John Dunham Molson. Letters are accompanied by transcriptions and biographical material prepared by Martha E. McKenna. Also included are newspaper clippings dated 1915-1918 on Drake and the Canadian Army Medical Corps hospital run by McGill, one pocket notebook documenting Drake's time with the CAMC in France from 1915-1916, and a membership card to the Royal Club for Ladies from Beyond the Seas, dated 1919.