The fonds primarily reflects Pappius’s activities as a researcher at the Montreal Neurological Institute-Hospital (MNI/H): both her experimental research as such and various support activities, including academic publication, coordination of research projects with colleagues, and acquiring funding. It also contains much information about her leadership of the Clinical Neurochemistry Laboratory. The fonds contains smaller amounts of documentation regarding her activities as a professor at McGill University, her administrative roles at the MNI/H, and her participation in professional organizations, which reflects the smaller place that those roles occupied in her professional life.

The period of time best documented in the fonds spans the early 1980s to Pappius’s retirement in 1995. Correspondence with colleagues, mostly though not exclusively work-related, contains relatively more material from Pappius’s early career; although, here too, most of the material dates from the 1980s and after.

The main document types in the fonds related to Pappius’s research activities are experiment worksheets and printed tabular research data. Many of the research-related files contain negatives of autoradiographies, with a smaller number of photographic prints. Correspondence can be found in many series besides series F (Correspondence), as much of Pappius’s work was collaborative in nature.

The fonds is divided into eight series: (A) Research, (B) Academic events, (C) Teaching, (D) Administrative activities, (E) Professional organizations, (F) Correspondence, (G) Personal collections, and (H) Visual documents.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

The Hellmuth Wolff Organ Collection consists primarily of organ plans, pamphlets, photographs, books and periodicals, and personal correspondence. The majority of these documents are associated with or represent one of the fifty organs in Wolff’s opus. In addition to depicting Wolff’s instruments, the collection of organ plans also includes Wolff’s drawings for proposed but not-constructed organs, plans by other organ builders, and plans drawn by Wolff that are based on historical models and treatises by writers such as Dom Bédos. Of the photographs, most are associated with specific Wolff organ projects and represent a span date of the late 1960s to the early 2000s. Also in the photograph collection are images of historical organs in Europe, which Wolff presumably used in modelling and designing several of his instruments, as well as images associated with other organ projects by builders such as Casavant Frères, Karl Wilhelm, and Rieger, all of whom Wolff worked with before establishing his own workshop in Laval. The collection of pamphlets includes programs, program notes, and concert series information for several of the Recitals and concerts performed on Wolff’s instruments. Of the periodicals and books, titles include The American Organist, Choir & Organ, and Orgelforum. Also in the collection are several three-dimensional models, or maquettes, of Wolff organs.

This file contains a letter to Frank G. Gale (then a freshman at Dalhousie University) from J.[V.] Brown, a McGill student, about the "Medicals," 10 November 1872. Accompanied by correspondence from McGill about the letter.

The fonds consists of documents, photographs, films, and objects relevant to the professional and personal history of Samuel Joseph Noumoff. The scope predominantly covers the period from 1970-2006, and includes Professor Noumoff’s published articles and unpublished drafts, including some translated editions. His personal papers include professional and personal correspondence, especially letters to and from his wife Francesca and the contacts he made during his travels, materials related to his family history, photographs and ephemera of his travels in South East Asia.

The fonds contains chiefly the writings of Jeremy Walker on a variety of issues in moral philosophy and related literary topics. These writings, including anthologies, drafts of books and lecture notes, demonstrate the range of his eclectic interests from his formal studies of Kierkegaard and moral philosophy to his more personal intellectual pursuits concerning the literature of Kipling, Jane Austen, and Dostoyevsky, as well as the poetry of Woodsworth and reflections on Englishness. There are also examples of his published and unpublished poetry.

His more personal writings are in diaries that cover more than 20 years of his adult life and in contrast to his erudite writings on grand philosophical topics reflect his feelings and at times his dreams, on the state of his health, relationships with women, and recount the day-to-day events of urban travel and socializing.

His personal and family relationships are reflected by correspondence with family, friends and students, photo albums of travels to England and Greece, travel diaries document his summer activities from 1947 -1950, including lists of books read, drawings and photographs. As well, in a file titled Personalia (3) Apologiai Walker provides some personal chronologies, and reflects upon his writings and his life.

Fonds consists of the personal and professional papers of Louis and Irene Kon including extensive correspondence between the Kon family. Included are materials relating to the founding of the Norman Bethune Foundation and Bethune memorials; the making of Ted Allan's movie, "Making of a Hero", including the conflict with Syd Gordon regarding creative differences; a manuscript draft and notes on Larry Stephenson's manuscript 'Two Petrals.'

The fonds consists of books, letters, documents, drafts, publications, photographs, and several artifacts collected by W. W. Francis and Marian Francis Kelen over the course of their lifetimes. Many books and documents relate to Sir William Osler and the Osler family including several personal letters, the Deed of Trust documents regarding the Bibliotheca Osleriana, drafts of Osler's works, and a wooden travelling trunk that belonged to Edward Revere Osler. The fonds also includes original poetry written by Marian Osborne, W. W. Francis, and Marian Francis Kelen.

The fonds contains materials that Dr. M. Entin collected for his biography of Dr. Archibald. Mainly include articles relate to tuberculosis, pancreatitis, wound healing, history of surgery, and scientific writing. It also includes letters from Edward Archibald to Mrs. Archibald, letters to Archibald from William Osler and Sir Henry Gray, addenda of Archibald's world journey in 1936, and articles by Archibald.

Some draft chapters of the biography of Dr. Archibald and research data for 100th Anniversary of Royal Victoria Hospital can also be found in the fonds.

The fonds consists chiefly of architectural drawings, photographs, reports, and other records relating to Erickson's architectural projects in the Middle East. Beginning in 1975, Erickson undertook some forty projects in the Middle East, most of them large-scale public projects. He created masterplans and designed universities, museums, office buildings, residential complexes and diplomatic compounds in the United Arab Emirates, Kuwait, Jordan, Saudi Arabia, Iraq and Syria, among others. Some were built, others remained at a competition and project stage. Most provide an important insight into the challenges of designing buildings and cities in an environment and culture radically different from our own. The materials document Erickson's involvement with building projects in the Middle East. Erickson's concern for bold masses, indigenous forms and contextuality can be seen in designs for the Islamic University of Madinah in Saudi Arabia (1983) and the Abu Nuwas Conservation and Development Project in Baghdad, Iraq (1981). These designs are better understood as small-scale cities rather than buildings and reflect Erickson's humanist approach to the problems of Modern design. The majority of the architectural drawings in the fonds date from 1976 to 1986 and include 1,468 multimedia drawings. These include drawings for over a dozen Middle East competitions and projects such as designs for the Islamic University of Madinah, Saudi Arabia (1983), King Faisal Air Force Academy and Mosque in Al Kharj (1980) and the Etisalat Headquarters in Abu Dhabi, United Arab Emirates (1986). An additional seventeen drawings were created before 1950 and include nine drawings for an office building and eight drawings for an arts centre for Vancouver. These executed while a student at the McGill School of Architecture. The fonds also contains 102 photographs and 26 slides also dating between 1976 and 1986 as well as 4 three-dimensional scale models. These models are for the Islamic University of Madinah (1983), the Abu Nuwas Conservation and Development Project (1976), Sancst Science Halls (1981) and Etisalat Headquarters (1986). The fonds also contain competition submissions and project development documentation (1976-1987), bound in 43 volumes. Nine copies of three published books also included contain surveys of Erickson's work and career. The fonds also contains Erickson's correspondence and other papers, as well as some projects from his student years.

Le fonds se compose principalement de dessins d'architecture, de photographies, de rapports et d'autres documents relatifs aux projets architecturaux d'Erickson au Moyen-Orient. Ces documents témoignent de l'implication d'Erickson dans des projets de construction au Moyen-Orient. L'intérêt d'Erickson pour les masses audacieuses, les formes indigènes et la contextualité se retrouve dans les projets de l'Université islamique de Médine en Arabie saoudite (1983) et du projet de conservation et de développement d'Abu Nuwas à Bagdad, en Irak (1981). Ces projets sont davantage considérés comme des villes à petite échelle que comme des bâtiments et reflètent l'approche humaniste d'Erickson face aux problèmes du design moderne. La majorité des dessins d'architecture du fonds datent de 1976 à 1986 et comprennent 1 468 dessins multimédias. Ils comprennent des dessins pour plus d'une douzaine de concours et de projets au Moyen-Orient, tels que le plan de l'Université islamique de Médine, en Arabie saoudite (1983), l'Académie de l'armée de l'air du roi Fayçal et la mosquée d'Al Kharj (1980) ainsi que les quartiers généraux d'Etisalat à Abou Dhabi, aux Émirats arabes unis (1986). Dix-sept autres dessins ont été réalisés avant 1950, dont neuf dessins pour un immeuble de bureaux et huit dessins pour un centre d'art à Vancouver. Ces dessins ont été exécutés alors qu'il était étudiant à l'école d'architecture de McGill. Le fonds contient également 102 photographies et 26 diapositives datant également de 1976 à 1986 ainsi que 4 maquettes en trois dimensions. Quatre projets sont documentés par des maquettes tridimensionnelles : l'Université islamique de Madinah (1983), le Projet de conservation et de développement d'Abu Nuwas (1976), les Sancst Science Halls (1981) et les quartiers généraux d'Etisalat (1986). Le fonds contient également des soumissions de concours et de la documentation sur le développement de projets (1976-1987), reliés en 43 volumes. Neuf exemplaires de trois livres publiés contiennent également des études sur le travail et la carrière d'Erickson. Le fonds contient également la correspondance et d'autres documents d'Erickson.