Item 1142 - Derecho viejo

Title and statement of responsibility area

Title proper

Derecho viejo

General material designation

    Parallel title

    Other title information

    Song with piano accompaniment

    Title statements of responsibility

    Title notes

    Level of description

    Item

    Reference code

    CA MDML 015-2-1142

    Edition area

    Edition statement

    Edition statement of responsibility

    Class of material specific details area

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Date(s)

    Physical description area

    Physical description

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Archival description area

    Name of creator

    (1892-1924)

    Biographical history

    Eduardo Arolas was an Argentine tango bandoneon player, leader and composer. He first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was El Tigre del bandoneón (the tiger of the bandoneon).
    Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as Agustín Bardi and Roberto Firpo.
    In 1917 Arolas moved to Montevideo where he settled and played a number of times at the Teatro Casino. From 1920 he resided mainly in Paris where he died alone and alcoholic in 1924.

    Name of creator

    Biographical history

    Argentine Andrés Baldesari was the first musician to write lyrics for the famous instrumental tango “Derecho Viejo,” composed by Eduardo Arolas in 1916. Arolas had dedicated the piece to some law students (thus “derecho” meaning law in Spanish). Baldesari’s lyrics were first recorded by Argentine singer Téofilo Ibáñez with the Orquesta Típica in 1934. Since then there have been other lyrics written for Arolas’ tango, and many recordings of Baldesari’s lyrics by other singers.

    Custodial history

    Scope and content

    Notes area

    Physical condition

    Immediate source of acquisition

    Arrangement

    Language of material

      Script of material

        Location of originals

        Availability of other formats

        Restrictions on access

        Terms governing use, reproduction, and publication

        Finding aids

        Associated materials

        Related materials

        Accruals

        Alternative identifier(s)

        Accession no.

        D1142

        Standard number

        Standard number

        Access points

        Subject access points

        Place access points

        Name access points

        Genre access points

        Control area

        Description record identifier

        Institution identifier

        Rules or conventions

        Status

        Level of detail

        Dates of creation, revision and deletion

        Language of description

          Script of description

            Sources

            Accession area