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Bereich 'Titel und Anmerkung zur Verantwortlichkeit'
Haupttitel
Black-and-Gold Howler, Black Howler Monkey, female
Allgemeine Werkstoffbezeichnung
Paralleler Titel
Andere Titelinformation
Alouatta caraya
Titelangaben zur Verantwortlichkeit
Anmerkungen zum Titel
- Quelle des genauen Titels: Title based on 2019 species identification.
Erschließungsstufe
Objekt
Signatur
CA RBD MSG BW002-013
Bereich "Edition"
Edition statement
Edition statement of responsibility
Class of material specific details area
Angaben zum Maßstab (kartografisch)
Angaben zur Projektion (kartografisch)
Angaben zu Koordinaten (kartografisch)
Angaben zum Maßstab (architektonisch)
Issuing jurisdiction and denomination (philatelic)
Bereich "Entstehungszeitraum"
Datum/Laufzeit
-
undated (Anlage)
- Urheber/Bestandsbildner
- Paillou, Peter, approximately 1720-approximately 1790
Bereich 'Physische Beschreibung'
Physische Beschreibung
1 watercolour painting ; 56 x 39 cm + 1 leaf
Publisher's series area
Haupttitel der Verlagsreihe
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Bereich "Archivische Beschreibung"
Name des Bestandsbildners
(approximately 1720-approximately 1790)
Biographische Angaben
Peter Paillou was born in London into a Huguenot family and was recognised in his own time as an eminent ‘bird painter’. In 1744 he began to paint for Taylor White and worked for him for almost thirty years, painting chiefly birds and mammals. He painted as well for Robert More, Joseph Banks, and for the Welsh naturalist Thomas Pennant. Many of his paintings of birds were used as the basis for book illustrations, often engraved by his colleague and fellow Huguenot, Peter Mazell. Paillou was elected to the Society of Artists and in 1763 he exhibited ‘A Piece of Birds, in Watercolours; the Hen of the Wood and Cock of the Red Game’. In 1778, to considerable approval, he also showed a picture of ‘A Horned Owl from Peru’, completely made from feathers.
Bestandsgeschichte
Eingrenzung und Inhalt
Drawing of a Black-and-Gold Howler monkey and a female Black Howler monkey from 18th century specimens [modern geographical distribution: Brazil, Paraguay, and Argentina.] Attributed to Peter Paillou.
Bereich "Anmerkungen"
Physischer Zustand
Abgebende Stelle
Ordnung und Klassifikation
In der Verzeichnungseinheit enthaltene Sprache
Schrift in den Unterlagen
Aufbewahrungsort der Originale
Verfügbarkeit anderer Formate
Zugangsbeschränkungen
Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln
Findmittel
Verbundene Materialien
Zuwächse
Allgemeine Anmerkung
Manuscript note on back of drawing: 14 Seneculus
Allgemeine Anmerkung
Scientific name: Alouatta caraya
Begleitmaterial
With manuscript text on accompanying leaf.
Begleitmaterial
Transcription of manuscript note on accompanying leaf: Mammalia Primates Simia Cercopithecus
- Seniculus
cercopithecus barbatus saturate spadiceus
Briss. quadr. 206.
Simia caudata barbata rufa, cauda prehensili
Habitat Carthagenae in sylvis ad fluvium
transeuntes ex arboribus voce ingrata, rauca admodum
simul clamosa eminusq[ue] audienda salutens; vix
adspici se sinunt quin illico clament victicant
Musae Fructibus. D. Jacquin.
Corpus mediocre colore conformi rubri. Os
hominis instar in anteriore facie parte mento
propendente satis magno ut in homine.
Begleitmaterial
Translation of manuscript note on accompanying leaf: Mammalia Primates Simia Cercopithecus
- Seniculus
The rich light brown bearded cercopithecus.
Briss. quadr. 206.
Simia: tailed, bearded, and red with a prehensile tail.
It lives in Carthage in forests near rivers
calling noisily from the trees to those crossing [the rivers] all at the same time with an unpleasant voice that is very hoarse, and so that they can be heard at a distance; they hardly allow themselves to be seen but call out and feed in that place.
Musae Fructibus D. Jacquin.
The body is medium sized and red-like in colour. The mouth
resembles that of a human, with a fairly large chin, as in a human, hanging down in the lower part of the face.
Alternative Identifikatoren/Signaturen
Volume number
Mammals Volume 1, Painting 13