Collection 009 - Kelsey Jones Collection

Title and statement of responsibility area

Title proper

Kelsey Jones Collection

General material designation

  • Textual record

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Title notes

  • Source of title proper: Title based on name of the creator of the collection

Level of description

Collection

Reference code

CA MDML 009

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Physical description

Approximately .75 m of textual records.
Approximately 182 items.

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Archival description area

Name of creator

(1922-2004)

Biographical history

Herbert Kelsey Jones was born on June 17, 1922, in South Norwalk, Connecticut, and died on October 10, 2004, in Montreal. He moved to New Brunswick in 1939 to study with Harold Hamer at the Mount Allison Conservatory. In 1942, Jones lived in Boston during the Second World War and was employed in an optics factory at Harvard University. That same year, he married pianist Rosabelle Smith. In 1945, he received a bachelor's degree in music from Mount Allison University, and in 1947, another bachelor’s degree in music from the University of Toronto, under the tutelage of Sir Ernest MacMillan. From 1948 to 1949, Jones taught music theory and conducted the student orchestra at Mount Allison University. From 1949 to 1950, he studied with Nadia Boulanger in Paris, France. Throughout the 1950s, he performed and toured with his wife Rosabelle, as duo pianists. In 1950, he founded the Saint John Symphony Orchestra in St. John’s, and conducted here for five years. In 1954, Jones moved to Montreal to teach as a part-time instructor at McGill University. From 1954 to 1984, he taught history, harpsichord, piano, theory and counterpoint (modal, tonal, fugue, canon, etc.) at McGill. Jones co-founded the Baroque Trio of Montreal in 1957, which recorded his Sonata da Camera and Sonata da Chiesa. In 1963, he was commissioned by the Tudor Singers to compose Prophecy of Micah, and in 1965, was commissioned by the Canadian Broadcasting Company to write a chamber opera for their contribution to the Canadian Centennial Celebration. In 1967, Jones’ comic chamber opera Sam Slick, with libretto by Rosabelle Jones, premiered in Halifax for a CBC broadcast performance. Four years later, the Jones’ moved to Cook’s Lines, a municipal of Hinchinbrooke (south of Huntingdon, Quebec) on the Canadian/US border. In 1984, Jones retired and was named Professor Emeritus of McGill University and set up a winter home in Florida in 1984.

Custodial history

Scope and content

The Kelsey Jones Collection consists largely of drafts, sketches and texts for nearly all of his major compositional works. It also contains selected correspondence, programs and some personal papers that outline his life and career in music, composition, and teaching. These documents were organized by Kelsey Jones himself, into subject groupings such as: “commissions,” “publishers,” “letters from my teachers,” “letters from interesting people,” etc.

Notes area

Physical condition

Immediate source of acquisition

Gift from Kelsey Jones.

Arrangement

The Kelsey Jones Collection is organized into the following 2 series:
• Biographical Information
• Composition

Language of material

  • English

Script of material

Language and script note

Collection material in English and French.

Location of originals

Restrictions on access

Terms governing use, reproduction, and publication

The Kelsey Jones Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting. Certain restrictions to use or copying of materials may apply.

Finding aids

Uploaded finding aid

Associated materials

Related materials

Accruals

No further accruals are expected at this time.

Rights

The status of copyright on the materials of the Kelsey Jones Collection is governed by the Copyright Law of Canada.

Preferred citation

Researchers wishing to cite this collection should include the following information: container number, Kelsey Jones Collection, Marvin Duchow Library, Schulich School of Music, McGill University, Montréal, Québec.

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Dates of creation, revision and deletion

Prepared in 2012 by Michaela Dickey and edited by Cynthia A. Leive. Revision July 2012; updated and entered into AtoM by Geneviève Beaudry, May 2019.

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