Collection consists of programmes, guides, brochures, catalogues, and other ephemera from various world fairs and international exhibitions, including: Expo '86 Vancouver (1986), Expo '70 Osaka (1970), Exposition internationale in Paris (1937), Franco-British Exhibition (1908), Liverpool (1913), Exhibition universelle (1900), Latin-British Exhibition (1912), Canadian National Exhibition Toronto (1908), Golden Gate Exhibition (1939), New York World's Fair (1939), International Exhibition (1862), Irish International Exhibition (1907), New York Exhibition of the Industry of all Nations (1853), St. Louis World Fair (1904), Universal Exhibition Antwerp (1885), World's Columbian Exhibition in Chicago (1893), International Exhibition of 1876 in Philadelphia (1876), Chicago World's Fair (1934), and British Empire Exhibition (1924). The collection also includes postcards for various other world fairs and international exhibitions, and some country publications.

Fonds consists chiefly of ephemera and correspondence relating to the work of wood engravers of Thomas and John Bewick of Newcastle, England, in the late eighteenth and nineteenth centuries. The ephemera found in series 1 includes various examples of fine printing, including proofs and printed keepsakes featuring Bewick engravings from printers such as Havilah Press and Anchor and Acorn Press. Series 2 contains correspondence, chiefly between Geraldine Cole and booksellers, as well as general correspondence with friends and acquaintances. Series 3 consists primarily of bookseller descriptions and clippings and excerpts from catalogues describing Bewick works (generally with the catalogue cover appended to a loose page on which a Bewick item appears). Some are with accompanying correspondence. Also included in this series are documents listing all of the items found in the Cole-Bewick Collection at McGill Library. Series 4 consists of other ephemera related to Bewick and his life, including short biographical pieces, postcards and products featuring Bewick engravings and watercolours, and articles and clippings. The last file in this series contains 4 original letters from Thomas Bewick to various correspondents, dating between 1819 to 1825. Series 5 contains a number of subject files relate to specific projects or organizations, including the Bewick Society.

Includes book prospectuses sent to the Jerry and Geraldine Cole for private press works, including from the September Press and Christopher Skelton.

Includes chiefly fine printed keepsakes featuring Bewick engravings, as well as cards, some proofs, and a menu for a Newcastle Imprint Club event. Printers include Gordon Williams, Havilah Press, and Anchor and Acorn Press. File also includes one original silhouette cut by Thomas Bewick.

File related to the Bewick Society and the Coles' membership, including yearly membership cards, annual general meeting agendas and reports, the Society's constitution, event programmes, correspondence with Society secretary and other members, and other ephemera related to Society events.

The F.R. Scott Collection contains documents pertaining to many differents aspects of F.R. Scott's life and career. His early political involvement in CCF (Co-operative Commonwealth Federation, the political party at the origin of the creation of the federal New Democratic Party [NDP]) constitutes one series; his interest in poetry another one. Also some important legal actions are documented here about language and education rights in Quebec schools. The last series contains more personal items probably gathered for an official commemorative service: tributes, press clippings. Includes F.R. Scott's passport for Montreal's Expo 1967.

Fonds reflects L.-G. Papineau's daily work as an engineer between the years 1901 and 1905. Each volume is a daily diary, covering a year. Daily entries describe the activities of the people in his office. Most entries are technical: daily follow-ups on public works projects, including in the Montreal and Sorel harbours, Hochelaga, and on the Saint-Pierre River, meetings, finished tasks, and the absence of workers. Some are family related or comments on the news (for example, Queen Victoria's funeral on February 4th. 1901). Weather conditions and water levels are reported regularly, as it influences the pace of work on the construction sites.

Fonds consists of forty notebooks containing poetry and essays written by Sgt. James Denoon of the Royal Artillery. These are copies of his works dating back to 1832 made by him while at his residence, Maple Bank in Three Rivers, Quebec during roughly the period from 1883 to 1890 to pass on to his granddaughter, Bertha. Denoon’s notebooks contain sporadic notes and commentary giving further information on the subjects of his poems and on his activities. There is some repetition of material, but several notebooks containing duplicated works are found to differ and contain various revisions, in some cases with significant differences. An article written by Carmine Starnino in the Arc Poetry Magazine (Summer, 2007) about this group of notebooks after they were discovered in Westmount, Quebec, discusses the merits of Denoon’s poetry and how they fit into 19th-century society during a time when many newspapers were inserting the works of everyday “closet poets”. In an editorial statement soliciting amateur poetry, the Quebec Gazette which published at least a pair of Denoon’s works described their purpose: As may at once please the Fancy and instruct the Judgement.

Contains A Dirge. Maple Bank. May 1885. At the end of the poem Denoon notes that his dirge was written shortly after the news was received of the death of Prince Albert, and that it was published in the Three Rivers Inquirer under the pseudonym A Scotchman & a Soldier.