The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

This collection consists of contemporary copies of letters written by T. Blackwood from Michilimackinac to James and Andrew McGill & Co., to Ch. Chaboillez, and to T. and J. McGregor.

Fonds consists primarily of correspondence between Hertel de Rouville and members of the Canadian government, including Chief Secretary of Lower Canada Sir Thomas William Clinton Murdoch (1809-1891) and Governors General Lord Gosford and Charles Bagot, regarding financial losses he incurred during the rebellions of 1837, 1838, and 1839, and half-pay claims dating from his time as captain of the Canadian Voltigeurs during the War of 1812. Also included are five envelopes with wax seals intact.

Fonds consists of six autograph signed letters written at Montreal by Ann Adams, dated between 24 March 1834 to 26 December 1937, to her son Edward H. in Providence, Rhode Island, and Philadelphia. Letters contain local news (churches and organs built, the railroad to St. Johns, fires, printing and publishing, cholera, etc.), observations on the worsening tensions between Papineau and the "Canadiens" and the "Loyalists," and accounts of preaching by an Indigenous convert to Christianity.

Typed copies of the official and private correspondence, 1814-1821, held in the McCord Museum in the William MacKay Papers. They consist mainly consist of military records such as commissions, 1813-1814, correspondence between members of the British Indian Department, including Lt. Col. Robert McDouall and his description of the siege of Prairie du Chien, with reference to the Omaeqnomenew (Menominee), Hocak (Winnebago), and Meskwaki (Fox) warriors who fought alongside British forces, as well as to the Potawatomi leader Main Poc (referred to as Marpock), 1814-1815 and copies of correspondence of Capt. Thomas Anderson with Lt Col. Robert McDouall on military actions, supplies and Indian relations, 1814-1815. There is also a newspaper clipping about Alexander MacKay and the partnership agreement admitting William MacKay and David Mackenzie into the North West Company in 1796.

Consists of letter from Lord Selkirk to Captain Benjamin Walker dated 14 June 1816 concerning the sale of Selkirk’s land at Salmon River, New York, and his impending departure for the Red River.

Family correspondence chiefly from 1763 to 1820 and family history documents.

This collection consists of 15 autograph letters between a sender who is only identified by the initials "J.T." and a Miss Fanny Caulfield. Also included is a love letter by Irish poet J. Finnerty, dated 1852.

This collection consists of translations from Terence, begun in 1778, and correspondence on military, political and private matters, 1787-1821, mostly addressed to Thomas Coutts, banker.