Collection contains two manuscript summonses regarding "An Act to Consolidate and Amend the Laws Relating to the Trial of Controverted Elections or Returns of Members to Serve in Parliament." The first one is dated March 6, 1838, and the second addresses a petition from Geo. B. Matthew, Esq., Wm. Swayne, and Edw. Godwin, who are electors expressing concerns about an unfair election and return for the Borough of Shaftsbury. This second summon is dated March 10, 1838.

Collection consists chiefly of manuscripts produced by Frederick T. Bason, including a handwritten version of the author's manuscript "Summer" (19 leaves, written in 1962) and a two-part typescript of "The Last Bassoon," complete with the editor's corrections (part 1, pages 1-132 and part 2, pages 133-291). File 2 also includes a 24-page booklet of "Fred Bason goes fishing," published in 1959. File 1 also contains the following items: 1. A typewritten note from Fred Bason addressed to the owner of the original manuscript of 'The Last Bassoon,' dated January 1962. 2. A typewritten one-page list titled "Fred Bason has for sale the following splendid books." 3. A two-page handwritten letter dated January 1961, addressed to M. James, written on Fred Bason's author letterhead. In this letter, Bason expresses his gratitude for a cheque for a purchased manuscript, discusses his lectures in England, and mentions potential lectures in Quebec, specifically at McGill University.

Collection consists of a manuscript book containing numerous short handwritten excerpts, fragments of poems, reflections, and quotations from various authors, primarily focused on flowers, health, and wisdom. It also includes pages of handwritten poems by C.J.C. Briscoe, the uncle of J. Kerr. Includes a six-page typewritten fable titled "The butterfly and the ant: a fable," written in 1886. Includes a one-page typewritten article titled, "Observations of the Works of Modern Flower Painters, Miss Lawrence." This article is "a copy made from a book entitled "A Practical Essay on the Art of Flower Painting" by John Cart Burgess, Professor and Teacher of Drawing and Painting, and an Exhibitor at the Royal Academy of Arts, London, 1811" (from a note on the bottom of the page).

Collection consists chiefly of photographs of Harold N. Segall, Assistant Professor of Medicine at McGill (1949-1960) and President of the Canadian Heart Foundation, Montreal Cardiac Society, and the Quebec Heart Foundation, as well as his parents, brother Jerry Segall, friends, and colleagues. Photographs depict Segall's childhood and early career. There are also some photographs and textual records relating to Segall's association with professional societies and Montreal hospitals, namely the Canadian Heart Association, Montreal General Hospital, and the Jewish General Hospital.

This collection of original documents concerning Protestant education in Quebec was assembled by E.I. Rexford for his history of the High School of Montreal. The bulk of this material dates from the 1830s and 1840s, and includes a 300 page report on the Jesuit Estates, 1839, a summary of educational legislation, 1838, grammar school returns from Canada West, 1842, and a number of surveys and accounts.

This material documents the estate of Mrs. Charlotte Frobisher and includes a copy of her will and an inventory, 1820.

Frobisher's papers comprise a letterbook of the North-West Co. containing copies of letters written by Frobisher from April 1787 to October 1788, two original letters to Simon McTavish, 1796, and one from him, 1787, business and legal documents, largely concerning the estate of James McGill, 1810-1834, and a diary, 1806-1810, mostly a record of where he dined.

The Burney family manuscript collection consists chiefly of material created by Fanny Burney (1752-1840), whose novel, Evelina (1778), was a bestseller during her life time and is still in print, as well as by Burney family members and friends. The manuscript collection contains correspondence, letter fragments, and a journal kept by Fanny Burney (1812), and other materials by Burney herself, other members of her family, and members of their circle. The collection also includes significant correspondence for her father, the musician and musical historian Charles Burney (1726-1814).