Typed transcriptions of Charles McKenzie’s narratives about the Indigenous people of MIssouri, draft and revised draft before publication; Alexander Henry’s account entitled: “Account of a visit to the Mandan and Hidatsa Indians in 1806”; and John Macdonell’s “The Red River”. Also includes drafts for work entitled, "Early fur trade on the Northern Plains : Canadian traders among the Mandan and Hidatsa Indians, 1738-1818 : the narratives of John Macdonell, David Thompson, Franc̦ois-Antoine Larocque, and Charles McKenzie" / edited and with an introduction by W. Raymond Wood and Thomas D. Thiessen. Norman : University of Oklahoma Press, 1985.
This collection consists of twelve documents concerning the settlement of the Algonquin and Nipissing First Nations at Oka, Quebec, some in Anishinaabemowin, 1831-1853. There are also letters and documents mostly addressed to N. O. Greene, a solicitor and activist, concerning the Indigenous communities of Oka, 1878-1880.
Collection consists of pamphlets and reprints of scholarly works on Latin poetry and literary criticism, compiled by Otto Ribbeck. Materials in the collection are divided into XX sections: I. Vergil II. Pamphlets III.
Consists of an English translation of a letter to the Marquis de la Jonquière written by Antoine-Louis Rouillé, comte de Jouy, secretary of state for the French Navy, at Versailles, dated 28 February 1750. The letter discusses an immediate release of prisoners of war taken during conflicts between the French and British colonies. It also includes a mention of Indigenous allies of England and France, and Indigenous people captured during the conflicts: "the Indian Prisoners among the two Nations be likewise released, but after all the French and English Prisoners are released" The letter also includes the name of examiner Josiah Willard, secretary of the province of Massachusetts-Bay.
The Tundra Books fonds contains a collection of archival records documenting Tundra's publishing history. It includes correspondence with Tundra authors and artists, most notably with William Kurelek. Parts of the archival material document the development and production of each title and May Cutler's dealings with government and funding agencies. The archival materials document a significant chapter in Canadian post-war publishing history.
The collection consists of books, periodicals, and published ephemera related to alternative media between roughly the 1960s and 1998. The collections has a special focus on Quebec alternative, grassroots, and political publications as well as journalism trade publications and ephemera, and union and labour movement publications. Some publications are from Cuba and China, including Cuban calendars and some documents, books, and newspapers on China.
The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.
Collection consists chiefly of an album of photographs and clippings compiled by Cecile (Burroughs) Masson. Captions date the photographs to between 1915 and 1940, with one earlier photograph from 1883 that depicts Cecile and Rodrigue Masson's wedding. Many of the personal photographs depict members of the Masson family taken in Terrebonne, Quebec (where the Masson family home was located), in Ottawa, and during travels to Italy, London, the south of France. There are 28 leaves of full page plates of travel photographs from France, Italy, and Africa. Also included in the album are postcards and newspaper clippings. One series of postcards depicts architecture in Terrebonne, Quebec. The clippings include a letter to the editor written by L. R. Masson (Mrs. L. A. Globensky) and published in the Montreal Star, 1939. Other clippings relate to the S-Plan, a bombing campaign by the Ireland Republic Army, in 1939, as well as the British royal family. The album is half bound in faux black morocco and pebbled cloth boards with the initials C. M. stamped in gilt on the front cover. A caption at the head of the second leaf reads "This album is for mother from Grace", with "mother" crossed out. An inscription on the first leaf reads "This is for my dear daughter Cecile. Many happy memories of the past - affectionately from Mother." The collection also includes two loose black and white photograph portraits, one of which is inscribed to Aunt Cecile.
The collection comprises more than 6,000 Canadian and non-Canadian bookplates. The Masson collection reflects the range and scope of the art of bookplate design, mirroring period styles and incorporating the owners’ personal tastes and pursuits. References to heraldry, literature, nature and art are common. The collection was created by Montrealer Philippe Masson (1911-1944) and includes both personal and institutional plates. The nearly 3,000 Canadian bookplates are arranged alphabetically. The rest of the bookplate collection is divided between armorial and non-armorial plates. This unique collection represents a wide range of book ownership reflecting institutions, book sellers, and individuals as well as over one hundred examples of bookplates from Canadian libraries. The chronological coverage dates to more than a century from the early nineteenth century and continuing to the beginning of the Second World War. Bookplate design is a minor yet notable form of graphic design. Bookplates reveal a great deal about our book-centered culture. For many institutions, bookplates possess an iconographic or emblematic value reflecting the values of the institution. As well, within an institutional setting, bookplates are often used to acknowledge individual collections, gifts and bequests. Finally, for the individual the bookplate is a powerful symbol of possession and a love of books. Among the Canadian bookplates, many well-known Canadian artists are represented in the Masson collection including J. E. H. MacDonald, his son Thoreau MacDonald, Jean-Paul Lemieux, and W. F. G. Godfrey.
