Collection consists of 38 letters written primarily by John Wood Senior to family members in England. Many of these were written to a sister or sister-in-law and a few are addressed to his brother, Will Wood, a watchmaker and jeweller in London, including two in which Wood includes a list of trade supplies to order. Four letters are from John Wood's son, Peter Wentworth Wood. One letter is by John's wife, Anna. Contents include topics such as the country's economy, Canadian-British politics, the Woods' watchmaking and jewellery business, crops, slavery, and the American Civil War, as well as local Montreal news on subjects such as fires, the Victoria Bridge, a cholera outbreak, the 1856 Railroad Celebration, and a visit by the Prince of Wales. Letters also include family news, particularly of John Wood's children Peter, John, and Charles, seafaring disasters, gold mines, improvements in shipping in the St. Lawrence seaway and the Atlantic Ocean, the expansion of railroads, and the Atlantic Telegraph. Letters date between 25 November 1839 and 13 December 1867. One is a crossed letter.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Typed copies of the official and private correspondence, 1814-1821, held in the McCord Museum in the William MacKay Papers. They consist mainly consist of military records such as commissions, 1813-1814, correspondence between members of the British Indian Department, including Lt. Col. Robert McDouall and his description of the siege of Prairie du Chien, with reference to the Omaeqnomenew (Menominee), Hocak (Winnebago), and Meskwaki (Fox) warriors who fought alongside British forces, as well as to the Potawatomi leader Main Poc (referred to as Marpock), 1814-1815 and copies of correspondence of Capt. Thomas Anderson with Lt Col. Robert McDouall on military actions, supplies and Indian relations, 1814-1815. There is also a newspaper clipping about Alexander MacKay and the partnership agreement admitting William MacKay and David Mackenzie into the North West Company in 1796.

This collection consists of contemporary copies of letters written by T. Blackwood from Michilimackinac to James and Andrew McGill & Co., to Ch. Chaboillez, and to T. and J. McGregor.

This subseries focuses on the unpublished memoir of Casey A. Wood, which consists of manuscripts, typescripts, notes, research project notes and publications, correspondence (1888-1939), photographs, clippings and printed material, and journals (1891, 1930-1931) from approximately 1850-1939. Wood had assistance from family members, professional connections, and friends to compile his biographical information for the memoir. Wood was living in Rome during the mid- to late-1930s, so much of the Canadian research was conducted by family members Samuel Casey Wood III, Alan Wood, and Edith Hayes. There is correspondence between Wood and his family on the progress of the memoir, their family, and personal lives. The subseries consists of approximately 110 letters and 1 telegram with additional correspondence, clippings, and other materials integrated into the memoir’s manuscript and typescripts.
Individuals addressed within the correspondence and other materials include Alan Wood, Samuel Casey Wood III, George Iles, H. Clay Evans, Dr. George H. Mathewson, Francis J. Shepherd, Harvey Cushing, Dr. George H. Simmons, Casey Hayes, Josephine Seymour, Dr. Charles P. Small, Ms. Slaughter, Major J. C. Dawson, Dr. J. C. Simpson, J. R. Slonaker, Irving S. Cutter, Dr. H. D. Birkett, Dr. Franck Brawley, Dr. Maude Abbott, Elizabeth E. Abbott, Dr. W. W. Francis, Harry Harris, G. R. Lomer, Dr. Harry Vanderbilt Wurdemann, Dr. C. F. Wylde, V. C. Wynne Edwards, Dr. Andreas Nell, Sir William Osler, C. F. Wylde, Frank Allport, and Norma Shearer.
Throughout the subseries common topics include providing information for the memoir, travel, careers, education, Italy during the late 1930s, politics, ornithology, zoology, donations of materials by Casey Wood, family, Emperor Frederick II and “the Art of Falconry,” Emma Shearer Wood and Blacker Library collections, aviculture, John III, the Feather book, animal protection, history of medicine, “Coloured Plates of the Birds of Ceylon,” Ali ibn Isa, and Wood’s research, career, and health.
The printed material includes a variety of leaflets, brochures, cards, invitations, tickets, bookplates, booklets, clippings etc. from or about various current events, travel experiences, publications, etc.. Within the subseries' photographs are images of Dr. Thomas Woodruff, Emma Shearer Wood, Casey Wood, Marjorie Fyfe, James Shearer, Eliza Shearer, Dr. Richmond, Dr. Ridgway, other family members and friends, and from research trips. Places related to Wood’s life mentioned in this subseries include the United States, Canada, Germany, Sri Lanka, England, Italy, Ethiopia, Vienna, France, Afghanistan, British Guiana, Australia, Fiji, McGill and Emma Shearer Wood Libraries, Bishops’ College, Western General Hospital, Stanford University, and the Chicago Ophthalmological Society.

There is business correspondence, 1792-1800, with letters from among others Alexander Mackenzie, Joseph Frobisher, Alexander Henry, Simon Fraser and Roderick Mackenzie. There are also minutes and resolutions of the Executors of McTavish in a bound volume; and a contemporary copy of the minutes of the executors of his will, 1805.

A collection of documents from the life of Simon McTavish including a letter to his creditors and a series of legal opinions on the estate of Simon and William McGillivray. Documents' informational value is largely financial in nature.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

This series consists of 14 scrapbook volumes and files of material collected by Wood that were of interest to him either professionally or personally, dated between 1887-1955, but predominately 1926-1941. The scrapbooks and files contain newspaper and periodical clippings, correspondence, printed ephemera, photographs, postcards, palm leaf manuscripts, prints, paintings and other artwork, manuscripts, bookplates, place cards, and textile badges. There are also a few items within the volumes relating to Wood’s research trips and minor writings.
Overall topics within the series include ornithology, Wood’s parrot John III, zoology, naturalists, current events (1927-1941), poems, politics and war, British culture and people, health, obituaries, education, tourism, science and medical research, McGill Library and other institution collections, bird sanctuaries, and bird, ancient, and medieval artwork.
Printed ephemera from Wood’s travels include invitations, programs, brochures, tickets, visitation membership cards, business cards, etc.. There are two volumes (1925-1932) with Saturday Evening Post articles written by Hal G. Evarts, Stewart E. White, David Newell, Bozeman Bulger, Lord William Percy, Donald R. Dickey, and others.
There are 63 incoming and outgoing correspondence, including letters, notes, cards and telegrams. Individuals addressed include Dr. Axel Munthe, Irving Thalberg, Major Allan Brooks, Edith Swan, William Beebe, Chester W. Davis, F. L. Struthers, Elizabeth E. Abbott, W. H. Poole, Thos. Cook and Son Ltd., Margaret E. Hibbard, National Audubon Society, Senator William E. Borah, Stuart Baker, T. S. Palmer, Samuel Casey Wood III, Alan Wood, E. E. Chambers, McGill University, C. F. Martin, George Perley, Emma Shearer Wood, and Wheldon and Wesley. Some topics discussed within correspondence include bird protection, ornithology, travel, holidays, politics, and a speaking event during World War One.
Other individuals represented in this series include Archibald Thorburn, Robert Ridgway, Joseph Addison, M. K. Wisehart, Charles D. Stewart, Dr. George Harlet, Charles Livingston Bull, Dr. Harding, W. J. Belcher, Doris Rosenthal, Marquess of Tavistock, Francis Moore, Karel Fabritius, John Burroughs, T. C. Harrison, R. L. Gallienne, W. H. Bartlett, Harvey Cushing, John H. Sage, Alexander Wetmore, Dr. Andreas Nell, and John G. Howard.
Some locations either visited by Wood or represented in the series include England, Scotland, New Zealand, Australia, Switzerland, India, Sri Lanka, Italy, British Guiana, British Museum of Natural History, Notre Dame Cathedral, Victoria Albert Museum, and Bodleian Library.

Correspondence 1921-1931 concerning Simon McTavish; official copies of legal documents including estate inventories, lawsuits over the McTavish estate, and Simon McTavish’s will; notes for Baylis’ study of McTavish; numerous petitions and newspaper clippings on the state of the McTavish monument and tomb (Peel St., Montreal), and a typescript of his text concerning Simon McTavish. Also two letters from Ignatius Donnelly, 1899, and a letter 1895, from J. Middleton to John Doyle about 19th century gardening in Montreal and the funeral of Judge James Reid.