Interior view photograph. Ten, 18-foot tall aluminum figures sculpted by artist Mario Armengol in the Britain Pavilion's "Britain in the World" themed section.

Interior view photograph. Looking down on visitors from the Ontario Pavilion's second storey.

Aerial view of the roofscape of the Africa Place Pavilions (lot C-462). Housing exhibits from 15 African countries (Niger, Ivory Coast, Upper Volta, Cameroun, Chad, Dahomey, Democratic Republic of the Congo, Tanzania, Gabon, Senegal, Togo, Kenya, Madagascar and Uganda, lots C-462 and C-463), a natural flow pattern was a fundamental design intention. Each pavilion cluster was formally related to and spatially dependent on its neighbour. A natural ventilation system in the roof design added an underlying consistency to the roof forms. Sharp edged triangular roofscape on a modular grid system. Terracotta tile with reinforced concrete. (S: 320' x 320' (over all irregular shapes) --- A: 50,000 sq. ft. (per floor) --- H: 40')

Interior view photograph. Painting entitled "After the Storm"

Interior view photograph. Photographic montage in the Man the Provider Pavilion. The display featured images related to agriculture

Interior view photograph. A promotional display for Air-India, the country's largest international airline.

Photograph of the Algeria Pavilion section of the Arab Countries Pavilion (lot C-469). The Algerian Pavilion shared the country's history on twelve screens inside its cinema. Photographs and ancient relics showcased a diverse present and a culturally rich past. At the Algerian restaurant the wine and pastries were among the popular features. The Arab Countries Pavilion housed the nations of Algeria, the United Arab Republic, and Kuwait. Display spaces for each country were featured as well as a restaurant and cinema. Pavilion featured rectangular geometry inset with traditional drop arch, reinforced concrete basement with structural steel central tower, reinforced fiberglass cladding (S: 100' x 120' --- A: 12,000 sq. ft. --- H: 16'). The Arab Countries Pavilion, Ile Notre Dame, originally was sponsored by Algeria, Morocco and Kuwait. But at time of Egypt-Israel 6 days war, Kuwait closed its section. It never was re-opened. Kuwait was the only nation that withdrew during the six months of expo '67

Photograph of the Algeria Pavilion section of the Arab Countries Pavilion (lot C-469). The Algerian Pavilion shared the country's history on twelve screens inside its cinema. Photographs and ancient relics showcased a diverse present and a culturally rich past. At the Algerian restaurant the wine and pastries were among the popular features. The Arab Countries Pavilion housed the nations of Algeria, the United Arab Republic, and Kuwait. Display spaces for each country were featured as well as a restaurant and cinema. Pavilion featured rectangular geometry inset with traditional drop arch, reinforced concrete basement with structural steel central tower, reinforced fiberglass cladding (S: 100' x 120' --- A: 12,000 sq. ft. --- H: 16'). The Arab Countries Pavilion, Ile Notre Dame, originally was sponsored by Algeria, Morocco and Kuwait. But at time of Egypt-Israel 6 days war, Kuwait closed its section. It never was re-opened. Kuwait was the only nation that withdrew during the six months of expo '67

Photograph of a model of Arab dhow, a type of sailing boat. Kenya's coastal area has a strong Arab influence, and the dhow is arguably one of the commonly recognized icons of Arab culture.

Interior view photograph. An arched harp known as the "Saung Gauk". It is recognized as the national instrument of Burma.